Knock Knock (1940 film): Difference between revisions

Knock Knock
Knock Knock
Directed by	Walter Lantz or Alex Lovy (unc.)
Produced by	Walter Lantz
Animation by	Alex Lovy ; Frank Tipper
Color process	Technicolor
Production; company	Walter Lantz Productions
Distributed by	Universal Pictures
Running time	7 min

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Revision as of 17:26, 14 December 2017

Knock Knock is a 1940 animated short subject, part of the Andy Panda series, produced by Walter Lantz. The cartoon is noted for being the first appearance of Woody Woodpecker, and was released by Universal Pictures on November 25, 1940.^[1]

Plot

The cartoon ostensibly stars Andy Panda (voice of Sara Berner) and his father, Papa Panda (voice of Mel Blanc), but it is Woody (voice of Blanc) who steals the show. Woody Woodpecker constantly pesters the two pandas, apparently just for the fun of it. Andy, meanwhile, tries to sprinkle salt on Woody's tail in the belief that this will somehow capture the bird. To Woody's surprise, Andy's attempts prevail (comically, the mound of salt placed on Woody's tail is so heavy that he cannot run away), and in an ending very similar to 1938's Daffy Duck & Egghead, Woody is taken away to the funny farm—where his captors prove to be crazier than he is.

Production notes

Like most of the early 1940s Lantz cartoons, Knock Knock carried no director's credit. Lantz himself has claimed to have directed this cartoon, although more recent information has indicated that Alex Lovy was the actual director.^[2]^[3] The cartoon features animation by Lovy and Frank Tipper, a story by Ben Hardaway and Lowell Elliott, and music by Frank Marsales. Knock Knock was Marsales' final score for Lantz.

As the first appearance of Woody Woodpecker, Knock Knock is also the first cartoon to feature Woody's trademark laugh, a gurgling cackle voice artist Mel Blanc had been perfecting since high school. This is also the laugh Blanc used for Happy Rabbit, a predecessor to Bugs Bunny in the 1939 cartoon Hare-um Scare-um. This cartoon is also notable for featuring a very crude Woody design, something that was softened by 1942 and later changed into a much more realistic and easier to animate woodpecker by 1944. This first design featured Woody with red "vest feathers" (instead of white), buck teeth in some shots, thick ringed legs, two green tail feathers and a big chin which made him look more like a pelican than a woodpecker. The short almost never saw the light of the day because then distributor Bernie Krieser thought Woody was the ugliest thing he had ever seen. Lantz told him, "You're not paying for these pictures, All you're doing is distributing them, so release him, because I'm taking a chance". So then Krieser took it back and asked for a series as the short was a hit.

Woody's first words are his trademark "Guess who?" as he pops through the roof of Andy Panda's house, except the voice is normal-sounding instead of sped-up as Woody's voice normally would be.

References

^ Stefan Kanfer (2000). Serious business: the art and commerce of animation in America from Betty Boop to Toy story. Da Capo Press. p. 113. ISBN 0-306-80918-4.
^ Barrier, Michael: Hollywood Cartoons: American Animation in its Golden Age, p.376
^ The Lovy Trail Archived 2011-08-27 at the Wayback Machine

Cooke, Jon, Komorowski, Thad, Shakarian, Pietro, and Tatay, Jack. "1940". The Walter Lantz Cartoon Encyclopedia. Retrieved March 4, 2007.

External links

Knock Knock at IMDb

[Book3-1] Stefan Kanfer (2000). Serious business: the art and commerce of animation in America from Betty Boop to Toy story. Da Capo Press. p. 113. ISBN 0-306-80918-4.

[2] Barrier, Michael: Hollywood Cartoons: American Animation in its Golden Age, p.376

[3] The Lovy Trail Archived 2011-08-27 at the Wayback Machine

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 ==Production notes==
-Like most of the early 1940s Lantz cartoons, ''Knock Knock'' carried no director's credit. Lantz himself has claimed to have directed this cartoon, although more recent information has indicated that [[Alex Lovy]] was the actual director.<ref>Barrier, Michael: ''Hollywood Cartoons: American Animation in its Golden Age'', p.376</ref><ref>[http://www.thadkomorowski.com/2011/08/the-lovy-trail/ The Lovy Trail]</ref> The cartoon features animation by Lovy and Frank Tipper, a story by [[Ben Hardaway]] and Lowell Elliott, and music by [[Frank Marsales]]. ''Knock Knock'' was Marsales' final score for Lantz.
+Like most of the early 1940s Lantz cartoons, ''Knock Knock'' carried no director's credit. Lantz himself has claimed to have directed this cartoon, although more recent information has indicated that [[Alex Lovy]] was the actual director.<ref>Barrier, Michael: ''Hollywood Cartoons: American Animation in its Golden Age'', p.376</ref><ref>[http://www.thadkomorowski.com/2011/08/the-lovy-trail/ The Lovy Trail] {{webarchive|url=https://web.archive.org/web/20110827131652/http://www.thadkomorowski.com/2011/08/the-lovy-trail/ |date=2011-08-27 }}</ref> The cartoon features animation by Lovy and Frank Tipper, a story by [[Ben Hardaway]] and Lowell Elliott, and music by [[Frank Marsales]]. ''Knock Knock'' was Marsales' final score for Lantz.
 As the first appearance of Woody Woodpecker, ''Knock Knock'' is also the first cartoon to feature Woody's trademark laugh, a gurgling cackle voice artist Mel Blanc had been perfecting since high school. This is also the laugh Blanc used for [[Happy Rabbit]], a predecessor to [[Bugs Bunny]] in the 1939 cartoon ''[[Hare-um Scare-um]]''. This cartoon is also notable for featuring a very crude Woody design, something that was softened by 1942 and later changed into a much more realistic and easier to animate woodpecker by 1944. This first design featured Woody with red "vest feathers" (instead of white), buck teeth in some shots, thick ringed legs, two green tail feathers and a big chin which made him look more like a pelican than a woodpecker. The short almost never saw the light of the day because then distributor [[Bernie Krieser]] thought Woody was the ugliest thing he had ever seen. Lantz told him, "You're not paying for these pictures, All you're doing is distributing them, so release him, because I'm taking a chance". So then Krieser took it back and asked for a series as the short was a hit.