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Gorga is a form of artistic decoration found in the culture of Batak Toba in North Sumatra, Indonesia. It is often found in Batak Toba architecture e.g. a Batak Toba house and objects e.g. music instruments.
Pattern and color
Gorga motif often ornaments the surfaces of traditional houses and figural carvings. The pattern is believed to provide protective power to the house.[1] Gorga carving is made by outlining the floral or undulation motif onto the wood, and then the knife edge is placed at a cant, with the mallet tapping it along the line. To ensure a fine groove, a similar cut then is made with the knife and mallet canted in the opposite direction.[2] Gorga painting can be found decorating the inside of houses, and not necessarily a carving. Gorga uses the color red, black, and white. The tri-color is known as sitiga bolit, each symbolizes the tri-realm in the Batak cosmology: the white symbolizes the upper realm (banua ginjang), red symbolizes the middle realm (banua tonga), while black symbolizes the lower realm (banua toru).[3] Traditionally, the red color is taken from batu hula, a kind of red-colored stone. White is taken from soft stone known as tano buro. Black color is taken from plants.[4]
Architecture
In a Batak house, gorga motifs are carved or painted on specific area of the house. Some examples are listed here: Gorga simataniari ("sun's gorga"), a gorga-depiction of the sun, is carved on the left and right corner of a house as a symbol of life. Gorga ulu singa ("singa's gorga") represents the spiritual being singa of Batak mythology is placed on top of the front gable of a Batak house.[5] Gorga boraspati depicts the gecko god Boraspati ni Tano and is usually carved on the side plank of a Batak house or barn houses; gorga baraspati is usually paired with gorga adop adop ("breasts gorga"), which represents the breasts; together, these represents fertility.[6] Gorga ulu paung is carved on the top of a Batak house. The gorga ulu paung is imbued with metaphysical power and used to ward off evil spirit coming from outside the hamlet.[7]
Reference
- ^ Hasibuan 2003, p. 36.
- ^ Causey 2003, p. 250.
- ^ Manalu 1985, p. 167.
- ^ Marbu & Hutapea 1987, p. 180.
- ^ Napitupulu 1997, pp. 88–9.
- ^ Napitupulu 1997, pp. 83–4.
- ^ Napitupulu 1997, p. 87.
Cited works
- Causey, Andrew (2003). Hard Bargaining in Sumatra: Western Travelers and Toba Bataks in the Marketplace of Souvenirs. Hawaii: University of Hawaii Press. ISBN 9780824827472.
{{cite book}}: Invalid|ref=harv(help) - Hasibuan, Jamaludin S. (1982). Primitive Art of the Ancient Batak in Sumatra, Volume 1. Yayasan K.J. Mahoni.
{{cite book}}: Invalid|ref=harv(help) - Manalu, Ismail (1985). Mengenal Batak [Knowing Batak] (in Indonesian). Vol. 1. Kiara.
{{cite book}}: Invalid|ref=harv(help) - Marbu, M.A.; Hutapea, Idris M.T. (1987). Kamus Budaya Batak Toba (in Indonesian). Balai Pustaka. ISBN 9789794071267.
{{cite encyclopedia}}: Invalid|ref=harv(help); Missing or empty|title=(help) - Napitupulu, S.P. (1997). Sitanggang, Hilderia (ed.). Arsitektur Tradisional Daerah Sumatera Utara. Direktorat Jenderal Kebudayaan.
{{cite book}}: Invalid|ref=harv(help)
See also
