Jump to content

Anbe Vaa (1966 film): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
→‎Filming: (edited with ProveIt)
I'm not sure if TNIE is being truthful
Line 61: Line 61:
<!--http://www.cinemaexpress.com/cinemaexpress/story.aspx?Title=%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%81%E0%AE%AA%E0%AF%8D%E0%AE%AA%E0%AF%81%E0%AE%AE%E0%AF%81%E0%AE%A9%E0%AF%88+%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%88%E0%AE%AA%E0%AF%8D%E0%AE%AA%E0%AE%9F%E0%AE%99%E0%AF%8D%E0%AE%95%E0%AE%B3%E0%AF%8D+-+38&artid=110733&SectionID=128&MainSectionID=128&SectionName=News&SEO= -->
<!--http://www.cinemaexpress.com/cinemaexpress/story.aspx?Title=%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%81%E0%AE%AA%E0%AF%8D%E0%AE%AA%E0%AF%81%E0%AE%AE%E0%AF%81%E0%AE%A9%E0%AF%88+%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%88%E0%AE%AA%E0%AF%8D%E0%AE%AA%E0%AE%9F%E0%AE%99%E0%AF%8D%E0%AE%95%E0%AE%B3%E0%AF%8D+-+38&artid=110733&SectionID=128&MainSectionID=128&SectionName=News&SEO= -->
<!--http://cinema.dinamalar.com/cinema-news/26078/special-report/Anbe-Vaa-in-50th-Year.htm-->
<!--http://cinema.dinamalar.com/cinema-news/26078/special-report/Anbe-Vaa-in-50th-Year.htm-->
The 1961 American [[romantic comedy film|romantic comedy]] film ''[[Come September]]'', featuring [[Rock Hudson]] and [[Gina Lollobrigida]], and directed by [[Robert Mulligan]], was a worldwide box office success, especially in [[Chennai]].<ref name = "BFTP Guy"/> The film narrated the tale of Robert (Hudson), an American millionaire, who arrives at his villa for his vacation. His girlfriend, Lisa (Lollobrigida), has given up waiting for him and has decided to marry another man. Robert's villa manager, Maurice ([[Walter Slezak]]), converts the villa into a hotel while Robert is away. The villa is now occupied by a group of young American girls trying to fend off a gang of boys, led by Tony ([[Bobby Darin]]).<ref name="BFTP Guy">{{cite news | url=http://www.thehindu.com/features/cinema/anbe-vaa-1966/article4084816.ece | title=Anbe Vaa 1966 | work=[[The Hindu]] | date=10 November 2012 | accessdate=26 November 2014 | last=Guy | first=Randor | authorlink=Randor Guy | archiveurl=http://web.archive.org/web/20141126044933/http://www.thehindu.com/features/cinema/anbe-vaa-1966/article4084816.ece | archivedate=26 November 2014}}</ref> [[A. C. Tirulokchandar]], who was then a screenwriter for AVM Productions, adapted the screenplay of ''Come September'' for his film ''Anbe Vaa''.<ref name = "BFTP Guy"/>
The 1961 American [[romantic comedy film|romantic comedy]] film ''[[Come September]]'', featuring [[Rock Hudson]] and [[Gina Lollobrigida]], and directed by [[Robert Mulligan]], was a worldwide box office success, especially in [[Chennai]].<ref name = "BFTP Guy"/> The film narrated the tale of Robert (Hudson), an American millionaire, who arrives at his villa for his vacation. His girlfriend, Lisa (Lollobrigida), has given up waiting for him and has decided to marry another man. Robert's villa manager, Maurice ([[Walter Slezak]]), converts the villa into a hotel while Robert is away. The villa is now occupied by a group of young American girls trying to fend off a gang of boys, led by Tony ([[Bobby Darin]]).<ref name="BFTP Guy">{{cite news | url=http://www.thehindu.com/features/cinema/anbe-vaa-1966/article4084816.ece | title=Anbe Vaa 1966 | work=[[The Hindu]] | date=10 November 2012 | accessdate=26 November 2014 | last=Guy | first=Randor | authorlink=Randor Guy | archiveurl=http://web.archive.org/web/20141126044933/http://www.thehindu.com/features/cinema/anbe-vaa-1966/article4084816.ece | archivedate=26 November 2014}}</ref> [[A. C. Tirulokchandar]], who was then a screenwriter for AVM Productions, adapted the screenplay of ''Come September'' for his film ''Anbe Vaa''.<ref name = "BFTP Guy"/> According to ''[[The New Indian Express]]'', it was AVM Productions' 50th film.<ref>{{cite web|title=The Deiva Magan of all directors, he shared special bond with Sivaji Ganesan|url=http://www.newindianexpress.com/cities/chennai/The-Deiva-Magan-of-all-directors-he-shared-special-bond-with-Sivaji-Ganesan/2016/06/16/article3484496.ece|website=The New Indian Express|accessdate=16 June 2016|archiveurl=https://web.archive.org/web/20160616120506/http://www.newindianexpress.com/cities/chennai/The-Deiva-Magan-of-all-directors-he-shared-special-bond-with-Sivaji-Ganesan/2016/06/16/article3484496.ece|archivedate=16 June 2016|date=16 June 2016}}</ref>


Tirulokchandar was introduced to AVM Productions by [[S. A. Ashokan]], who he had worked with previously as an assistant director on ''[[Vijayapuri Veeran]]'' (1960). It was Ashokan who helped Tirulokchandar cast Ramachandran in the film.<ref>{{cite web | url=http://tamil.thehindu.com/cinema/cinema-others/%E0%AE%AA%E0%AF%86%E0%AE%A3%E0%AF%8D%E0%AE%A3%E0%AF%88%E0%AE%95%E0%AF%8D-%E0%AE%95%E0%AE%9F%E0%AE%A4%E0%AF%8D%E0%AE%A4%E0%AE%BF%E0%AE%A9%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%85%E0%AE%9A%E0%AF%8B%E0%AE%95%E0%AE%A9%E0%AF%8D-%E0%AE%AA%E0%AE%BE%E0%AE%B0%E0%AE%BE%E0%AE%9F%E0%AF%8D%E0%AE%9F%E0%AE%BF-%E0%AE%AE%E0%AE%95%E0%AE%BF%E0%AE%B4%E0%AF%8D%E0%AE%A8%E0%AF%8D%E0%AE%A4%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%8E%E0%AE%AE%E0%AF%8D%E0%AE%9C%E0%AE%BF%E0%AE%86%E0%AE%B0%E0%AF%8D/article5734323.ece | title=பெண்ணைக் கடத்தினார் அசோகன்- பாராட்டி மகிழ்ந்தார் எம்.ஜி.ஆர்! | work=[[The Hindu (Tamil)|The Hindu]] | date=28 February 2014 | accessdate=8 December 2014 | author=Nelba | language=Tamil | archiveurl=http://web.archive.org/web/20141208082726/http://tamil.thehindu.com/cinema/cinema-others/%E0%AE%AA%E0%AF%86%E0%AE%A3%E0%AF%8D%E0%AE%A3%E0%AF%88%E0%AE%95%E0%AF%8D-%E0%AE%95%E0%AE%9F%E0%AE%A4%E0%AF%8D%E0%AE%A4%E0%AE%BF%E0%AE%A9%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%85%E0%AE%9A%E0%AF%8B%E0%AE%95%E0%AE%A9%E0%AF%8D-%E0%AE%AA%E0%AE%BE%E0%AE%B0%E0%AE%BE%E0%AE%9F%E0%AF%8D%E0%AE%9F%E0%AE%BF-%E0%AE%AE%E0%AE%95%E0%AE%BF%E0%AE%B4%E0%AF%8D%E0%AE%A8%E0%AF%8D%E0%AE%A4%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%8E%E0%AE%AE%E0%AF%8D%E0%AE%9C%E0%AE%BF%E0%AE%86%E0%AE%B0%E0%AF%8D/article5734323.ece | archivedate=8 December 2014 | trans-title=Ashokan kidnapped a woman&nbsp;— MGR praises him!}}</ref> Aaroor Das wrote the film's dialogues.<ref>{{cite AV media | title=Anbe Vaa | publisher=[[AVM Productions]] | date=14 January 1966 | medium=Motion picture DVD}} Clip from 01:43 to 01:46</ref> Director [[S. P. Muthuraman]] worked as an assistant director on the film.{{sfn|Ramachandran|2014|page=86}} The original budget was {{INR}} 600,000 (US$125,260 in 1966).{{sfn|Dhananjayan|2011|page=235}}{{efn|The exchange rate in 1966 was 4.79 Indian rupees ({{INR}}) per 1 US dollar (US$).<ref name="value">{{cite web | url=http://articles.economictimes.indiatimes.com/2013-08-24/news/41444029_1_indian-rupee-american-currency-continued-dollar-demand | title=Rupee's journey since Independence: Down by 65 times against dollar | work=[[The Economic Times]] | date=24 August 2013 | accessdate=6 December 2014 | archiveurl=http://web.archive.org/web/20130829085318/http://articles.economictimes.indiatimes.com/2013-08-24/news/41444029_1_indian-rupee-american-currency-continued-dollar-demand | archivedate=29 August 2013}}</ref>|name = exchange1966}} S. Maruthi Rao, R. G. Gope and A. K. Shekar were in charge of the cinematography, editing, and art direction, respectively.{{sfn|Dhananjayan|2011|page=234}} [[Raghuram]] made his cinematic debut with this film, working as an assistant choreographer.<ref>{{cite web | url=http://www.newindianexpress.com/cities/chennai/Choreographer-Raghuram-Passes-Away/2013/12/01/article1921288.ece | title=Choreographer Raghuram Passes Away | work=[[The New Indian Express]] | date=1 December 2013 | accessdate=26 November 2014 | archiveurl=http://web.archive.org/web/20141126061335/http://www.newindianexpress.com/cities/chennai/Choreographer-Raghuram-Passes-Away/2013/12/01/article1921288.ece | archivedate=26 November 2014}}</ref>
Tirulokchandar was introduced to AVM Productions by [[S. A. Ashokan]], who he had worked with previously as an assistant director on ''[[Vijayapuri Veeran]]'' (1960). It was Ashokan who helped Tirulokchandar cast Ramachandran in the film.<ref>{{cite web | url=http://tamil.thehindu.com/cinema/cinema-others/%E0%AE%AA%E0%AF%86%E0%AE%A3%E0%AF%8D%E0%AE%A3%E0%AF%88%E0%AE%95%E0%AF%8D-%E0%AE%95%E0%AE%9F%E0%AE%A4%E0%AF%8D%E0%AE%A4%E0%AE%BF%E0%AE%A9%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%85%E0%AE%9A%E0%AF%8B%E0%AE%95%E0%AE%A9%E0%AF%8D-%E0%AE%AA%E0%AE%BE%E0%AE%B0%E0%AE%BE%E0%AE%9F%E0%AF%8D%E0%AE%9F%E0%AE%BF-%E0%AE%AE%E0%AE%95%E0%AE%BF%E0%AE%B4%E0%AF%8D%E0%AE%A8%E0%AF%8D%E0%AE%A4%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%8E%E0%AE%AE%E0%AF%8D%E0%AE%9C%E0%AE%BF%E0%AE%86%E0%AE%B0%E0%AF%8D/article5734323.ece | title=பெண்ணைக் கடத்தினார் அசோகன்- பாராட்டி மகிழ்ந்தார் எம்.ஜி.ஆர்! | work=[[The Hindu (Tamil)|The Hindu]] | date=28 February 2014 | accessdate=8 December 2014 | author=Nelba | language=Tamil | archiveurl=http://web.archive.org/web/20141208082726/http://tamil.thehindu.com/cinema/cinema-others/%E0%AE%AA%E0%AF%86%E0%AE%A3%E0%AF%8D%E0%AE%A3%E0%AF%88%E0%AE%95%E0%AF%8D-%E0%AE%95%E0%AE%9F%E0%AE%A4%E0%AF%8D%E0%AE%A4%E0%AE%BF%E0%AE%A9%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%85%E0%AE%9A%E0%AF%8B%E0%AE%95%E0%AE%A9%E0%AF%8D-%E0%AE%AA%E0%AE%BE%E0%AE%B0%E0%AE%BE%E0%AE%9F%E0%AF%8D%E0%AE%9F%E0%AE%BF-%E0%AE%AE%E0%AE%95%E0%AE%BF%E0%AE%B4%E0%AF%8D%E0%AE%A8%E0%AF%8D%E0%AE%A4%E0%AE%BE%E0%AE%B0%E0%AF%8D-%E0%AE%8E%E0%AE%AE%E0%AF%8D%E0%AE%9C%E0%AE%BF%E0%AE%86%E0%AE%B0%E0%AF%8D/article5734323.ece | archivedate=8 December 2014 | trans-title=Ashokan kidnapped a woman&nbsp;— MGR praises him!}}</ref> Aaroor Das wrote the film's dialogues.<ref>{{cite AV media | title=Anbe Vaa | publisher=[[AVM Productions]] | date=14 January 1966 | medium=Motion picture DVD}} Clip from 01:43 to 01:46</ref> Director [[S. P. Muthuraman]] worked as an assistant director on the film.{{sfn|Ramachandran|2014|page=86}} The original budget was {{INR}} 600,000 (US$125,260 in 1966).{{sfn|Dhananjayan|2011|page=235}}{{efn|The exchange rate in 1966 was 4.79 Indian rupees ({{INR}}) per 1 US dollar (US$).<ref name="value">{{cite web | url=http://articles.economictimes.indiatimes.com/2013-08-24/news/41444029_1_indian-rupee-american-currency-continued-dollar-demand | title=Rupee's journey since Independence: Down by 65 times against dollar | work=[[The Economic Times]] | date=24 August 2013 | accessdate=6 December 2014 | archiveurl=http://web.archive.org/web/20130829085318/http://articles.economictimes.indiatimes.com/2013-08-24/news/41444029_1_indian-rupee-american-currency-continued-dollar-demand | archivedate=29 August 2013}}</ref>|name = exchange1966}} S. Maruthi Rao, R. G. Gope and A. K. Shekar were in charge of the cinematography, editing, and art direction, respectively.{{sfn|Dhananjayan|2011|page=234}} [[Raghuram]] made his cinematic debut with this film, working as an assistant choreographer.<ref>{{cite web | url=http://www.newindianexpress.com/cities/chennai/Choreographer-Raghuram-Passes-Away/2013/12/01/article1921288.ece | title=Choreographer Raghuram Passes Away | work=[[The New Indian Express]] | date=1 December 2013 | accessdate=26 November 2014 | archiveurl=http://web.archive.org/web/20141126061335/http://www.newindianexpress.com/cities/chennai/Choreographer-Raghuram-Passes-Away/2013/12/01/article1921288.ece | archivedate=26 November 2014}}</ref>
Line 168: Line 168:
On 6 August 1966, the review in ''Ananda Vikatan'' said, "The film was an English film in Tamil... The film does not have any story. One can spend three hours in an entertaining manner with this film..."{{sfn|Dhananjayan|2011|page=235}} Randor Guy, in his review, wrote, "The screenplay was brilliantly written by ACT. MGR's performance as the rich man posing as a tenant was impressive. Nagesh was inimitable. Saroja Devi looked glamorous in her glossy make-up and costume." He went on to conclude that the film would be "Remembered for the impressive performances by MGR, Nagesh and Saroja Devi, melodious music, interesting storyline and screenplay, picturesque cinematography which captured the beautiful landscape of the Himalayan region, and the fabulous sets in true AVM style."<ref name = "BFTP Guy"/> G. Dhananjayan commented, "The film stood out for its comedy, memorable songs and dances, rich making and locations", and said that the main reason for the film's success was that it was "an out-and-out entertainer".{{sfn|Dhananjayan|2011|page=235}}<!--http://web.archive.org/web/20160524151431/http://cinema.dinamalar.com/tamil-news/27342/cinema/Kollywood/valentines-day-Special---Tamil-Cinema-and-love-movies.htm-->
On 6 August 1966, the review in ''Ananda Vikatan'' said, "The film was an English film in Tamil... The film does not have any story. One can spend three hours in an entertaining manner with this film..."{{sfn|Dhananjayan|2011|page=235}} Randor Guy, in his review, wrote, "The screenplay was brilliantly written by ACT. MGR's performance as the rich man posing as a tenant was impressive. Nagesh was inimitable. Saroja Devi looked glamorous in her glossy make-up and costume." He went on to conclude that the film would be "Remembered for the impressive performances by MGR, Nagesh and Saroja Devi, melodious music, interesting storyline and screenplay, picturesque cinematography which captured the beautiful landscape of the Himalayan region, and the fabulous sets in true AVM style."<ref name = "BFTP Guy"/> G. Dhananjayan commented, "The film stood out for its comedy, memorable songs and dances, rich making and locations", and said that the main reason for the film's success was that it was "an out-and-out entertainer".{{sfn|Dhananjayan|2011|page=235}}<!--http://web.archive.org/web/20160524151431/http://cinema.dinamalar.com/tamil-news/27342/cinema/Kollywood/valentines-day-Special---Tamil-Cinema-and-love-movies.htm-->


Pavithra Srinivasan of [[Rediff.com|Rediff]] called Saroja Devi, "a style icon", and rated this as "her best" performance, comparing it with her role in ''[[Enga Veettu Pillai]]'' (1965).<ref>{{cite web | url=http://specials.rediff.com/movies/2008/jul/01slide6.htm | title=A style icon | publisher=[[Rediff.com|Rediff]] | date=1 July 2008 | accessdate=27 November 2014 | last=Srinivasan | first=Pavithra | archiveurl=http://web.archive.org/web/20141127050902/http://specials.rediff.com/movies/2008/jul/01slide6.htm | archivedate=27 November 2014}}</ref> [[Sify]] called Nagesh's on-screen chemistry with M. G. Ramachandran in the film "fantastic", further elaborating that, "In this film the MGR-Nagesh scenes according to a veteran distributor brought repeat audiences to the theatres. He played the hero's sidekick and was simply terrific."<ref>{{cite web | url=http://www.sify.com/movies/10-best-films-of-late-nagesh-news-tamil-kkfsx3ccfbhsi.html | title=10 Best Films of late Nagesh | publisher=[[Sify]] | date=1 February 2009 | accessdate=27 November 2014 | archiveurl=http://web.archive.org/web/20141123070732/http://www.sify.com/movies/10-best-films-of-late-nagesh-news-tamil-kkfsx3ccfbhsi.html | archivedate=23 November 2014}}</ref> In July 2008, ''[[The Times of India]]'' said, "If ever one comes out with a list of highly entertaining Tamil movies, this one will top the list", and gave the film a rating of three stars out of five.<ref>{{cite web | url=http://epaper.timesofindia.com/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToPrintGifMSIE_PASTISSUES2&Type=text/html&Locale=english-skin-custom&Path=TOICH/2008/07/04&ChunkNum=0&ID=Ar03600 | title=MGR Triple Treat | work=[[The Times of India]] | date=4 July 2008 | accessdate=31 May 2016 | archiveurl=http://web.archive.org/web/20160531082749/http://epaper.timesofindia.com/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToPrintGifMSIE_PASTISSUES2&Type=text/html&Locale=english-skin-custom&Path=TOICH/2008/07/04&ChunkNum=0&ID=Ar03600 | archivedate=31 May 2016}}</ref> Karan Bali stated in 2016, "The comedy [...] is enjoyably light-hearted fluff and sees MGR ably carry the film through in the role of the Westernised, wealthy urbane romantic hero. The role is different from the MGR prototype&nbsp;– the poor, mother-loving crusading Tamil hero who fights for the oppressed and tames the rich heroine while all along propagating the DMK’s ideology and concerns."<ref name="Scroll" />
Pavithra Srinivasan of [[Rediff.com|Rediff]] called Saroja Devi, "a style icon", and rated this as "her best" performance, comparing it with her role in ''[[Enga Veettu Pillai]]'' (1965).<ref>{{cite web | url=http://specials.rediff.com/movies/2008/jul/01slide6.htm | title=A style icon | publisher=[[Rediff.com|Rediff]] | date=1 July 2008 | accessdate=27 November 2014 | last=Srinivasan | first=Pavithra | archiveurl=http://web.archive.org/web/20141127050902/http://specials.rediff.com/movies/2008/jul/01slide6.htm | archivedate=27 November 2014}}</ref> [[Sify]] called Nagesh's on-screen chemistry with M. G. Ramachandran in the film "fantastic", further elaborating that, "In this film the MGR-Nagesh scenes according to a veteran distributor brought repeat audiences to the theatres. He played the hero's sidekick and was simply terrific."<ref>{{cite web | url=http://www.sify.com/movies/10-best-films-of-late-nagesh-news-tamil-kkfsx3ccfbhsi.html | title=10 Best Films of late Nagesh | publisher=[[Sify]] | date=1 February 2009 | accessdate=27 November 2014 | archiveurl=http://web.archive.org/web/20141123070732/http://www.sify.com/movies/10-best-films-of-late-nagesh-news-tamil-kkfsx3ccfbhsi.html | archivedate=23 November 2014}}</ref> They also praised ''Anbe Vaa'' for being "one of the rare films of MGR with minimum action scenes and punch dialogues".<ref>{{cite web|title=AC Tirulokchandar passes away|url=http://www.sify.com/movies/ac-tirulokchandar-passes-away-news-tamil-qgpq7ohhgbjah.html|publisher=Sify|accessdate=16 June 2016|archiveurl=https://web.archive.org/web/20160616115801/http://www.sify.com/movies/ac-tirulokchandar-passes-away-news-tamil-qgpq7ohhgbjah.html|archivedate=16 June 2016|date=15 June 2016}}</ref> In July 2008, ''[[The Times of India]]'' said, "If ever one comes out with a list of highly entertaining Tamil movies, this one will top the list", and gave the film a rating of three stars out of five.<ref>{{cite web | url=http://epaper.timesofindia.com/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToPrintGifMSIE_PASTISSUES2&Type=text/html&Locale=english-skin-custom&Path=TOICH/2008/07/04&ChunkNum=0&ID=Ar03600 | title=MGR Triple Treat | work=[[The Times of India]] | date=4 July 2008 | accessdate=31 May 2016 | archiveurl=http://web.archive.org/web/20160531082749/http://epaper.timesofindia.com/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToPrintGifMSIE_PASTISSUES2&Type=text/html&Locale=english-skin-custom&Path=TOICH/2008/07/04&ChunkNum=0&ID=Ar03600 | archivedate=31 May 2016}}</ref> Karan Bali stated in 2016, "The comedy [...] is enjoyably light-hearted fluff and sees MGR ably carry the film through in the role of the Westernised, wealthy urbane romantic hero. The role is different from the MGR prototype&nbsp;– the poor, mother-loving crusading Tamil hero who fights for the oppressed and tames the rich heroine while all along propagating the DMK’s ideology and concerns."<ref name="Scroll" />


== Legacy ==
== Legacy ==

Revision as of 12:08, 16 June 2016

Anbe Vaa
File:Anbe Vaa poster.jpg
Theatrical release poster
Directed byA. C. Tirulokchandar
Written byAaroor Das (dialogue)
Story byA. C. Tirulokchandar
Produced byM. Murugan
M. Kumaran
M. Saravanan
StarringM. G. Ramachandran
B. Saroja Devi
CinematographyS. Maruthi Rao
Edited byR. G. Gope
Music byM. S. Viswanathan
Production
company
Distributed byAVM Productions
Release date
14 January 1966
Running time
174 minutes
CountryIndia
LanguageTamil
Budget 3 million[1]
Box office 3.3 million[2]

Anbe Vaa ([Come, My Love] Error: {{Lang-xx}}: text has italic markup (help)) is a 1966 Indian Tamil-language romantic comedy film written and directed by A. C. Tirulokchandar. The film features M. G. Ramachandran and B. Saroja Devi in the lead roles, while S. A. Ashokan, Nagesh, Manorama, T. R. Ramachandran and P. D. Sambandam play supporting roles. Broadly based on the 1961 American film Come September directed by Robert Mulligan, Anbe Vaa was produced and distributed by AVM Productions. The soundtrack and background music were composed by M. S. Viswanathan while the lyrics for the songs were written by Vaali.

Anbe Vaa was the first film produced by AVM to be shot in Eastmancolor, as well as being their first big-budget production; they had previously focused only on modest-budget films. The film was also the studio and Tirulokchandar's only collaboration with M. G. Ramachandran. The film follows JB (Ramachandran), a wealthy industrialist who goes on vacation to his bungalow in Shimla, only to discover that his caretaker (Sambandam) and his wife have left for Varanasi after renting the bungalow to a family of three. The rest of the film revolves around JB's response to this situation that he finds himself in.

Principal photography for the film began in August 1965. Shooting for the film took place in Shimla, Ooty and at the hill station of Kufri. This was the second ever Tamil film to be shot at Jammu and Kashmir. Filming was completed within five months, the shortest duration for a film starring Ramachandran.

Anbe Vaa was released on 14 January 1966, during the festive occasion of Thai Pongal. It received positive reviews from critics, who particularly praised Ramachandran's performance, as he was known for doing mainly action-adventure films up until that point in his career. The film ran for 23 weeks in theatres and grossed 3.3 million at the box office, against a budget of 3 million. It was also dubbed into Telugu, under the title Prema Manasulu.

Plot

JB (M.G. Ramachandran) is a wealthy industrialist who decides to take a vacation at his residence in Shimla. Upon his arrival, he discovers that his caretaker (P. D. Sambandam) has rented his house to a Bangalore-based couple, Punyakodi (T. R. Ramachandran) and Pappamma (T. P. Muthulakshmi), and their daughter, Geetha (B. Saroja Devi). The caretaker and his wife leave for Varanasi after taking the money for the rent, leaving the caretaker's daughter, Kannamma (Manorama), and brother-in-law, Ramaiah (Nagesh), in charge of the house and the guests. JB decides not to reveal his true identity, pretending to be JB's personal secretary Balu, and pays the rent for a place in his own house. Ramaiah, who has never met JB, takes the money and gives JB's room to Balu.

Balu plays continual pranks on Geetha, during the course of which he also falls in love with her. Geetha reciprocates his feelings, but circumstances and their egos prevent them both from expressing those feelings. One day, Balu pretends to suffer from chest pain, which scares Geetha, causing her to finally admit that she loves him. Later, when Geetha and Ramaiah go to Balu to enquire about his health, Balu, exiting from the bathroom, fails to see that Geetha is there. He tells Ramaiah about his prank on her, and that he was only pretending to have chest pain. Angry that she had been deceived by Balu, she begins to question whether or not his professed love for her is also deceit. Hurt, she brings her friends, who are on a holiday trip to Shimla, to the residence and tries to drive Balu out of the house. When her plan backfires and her friends start supporting Balu, she becomes spiteful and tells her parents to move forward with a planned marriage to Sekar (S. A. Ashokan), a relative and an air force pilot.

Geetha reconciles with Balu after he saves her from a wrestler named Sitting Bull. But by the time Balu confesses his love for her, Geetha's engagement is already fixed. Luckily, Sekar turns out to be a school friend of JB, and when he discovers that Balu and Geetha are truly in love, he steps aside, wishing the couple a happy life. When Balu is finally revealed as JB, Geetha, again not knowing what to believe, thinks the wedding plans are yet another of Balu's practical jokes and tries to run away. He finds her and clears up all of the misunderstandings between them. The two then get married.

Cast

Lead actors
Male supporting actors
Female supporting actors
  • Manorama as Kannamma[3]
  • T. P. Muthulakshmi as Pappamma, Geetha's mother
  • Madhavi as Mary, the nurse who takes care of Geetha's parents
  • M. S. S. Bhagyam as Kannamma's mother

Production

Development

The 1961 American romantic comedy film Come September, featuring Rock Hudson and Gina Lollobrigida, and directed by Robert Mulligan, was a worldwide box office success, especially in Chennai.[4] The film narrated the tale of Robert (Hudson), an American millionaire, who arrives at his villa for his vacation. His girlfriend, Lisa (Lollobrigida), has given up waiting for him and has decided to marry another man. Robert's villa manager, Maurice (Walter Slezak), converts the villa into a hotel while Robert is away. The villa is now occupied by a group of young American girls trying to fend off a gang of boys, led by Tony (Bobby Darin).[4] A. C. Tirulokchandar, who was then a screenwriter for AVM Productions, adapted the screenplay of Come September for his film Anbe Vaa.[4] According to The New Indian Express, it was AVM Productions' 50th film.[5]

Tirulokchandar was introduced to AVM Productions by S. A. Ashokan, who he had worked with previously as an assistant director on Vijayapuri Veeran (1960). It was Ashokan who helped Tirulokchandar cast Ramachandran in the film.[6] Aaroor Das wrote the film's dialogues.[7] Director S. P. Muthuraman worked as an assistant director on the film.[8] The original budget was 600,000 (US$125,260 in 1966).[2][a] S. Maruthi Rao, R. G. Gope and A. K. Shekar were in charge of the cinematography, editing, and art direction, respectively.[10] Raghuram made his cinematic debut with this film, working as an assistant choreographer.[11]

Casting

I found [M. G. Ramachandran] smiling throughout the storytelling session. At the end he said, 'I'll do it. We will be mere puppets in your hands and the credit will go only to you.' [Anbe Vaa] was a smashing hit, and I was moved when he repeated the words at the film's 100th day function.

 – Tirulokchandar, on how Ramachadran was cast.[12]

Anbe Vaa marked the first time where AVM Productions wrote a script to suit an actor's image and acting style; prior to this they had chosen actors to fit an already completed script.[13] While Tirulokchandar was writing the script, A. V. Meiyappan made the suggestion to approach M. G. Ramachandran for the lead role. Tirulokchandar found this intriguing, as the script's genre was dissimilar to what Ramachandran was noted for: action-adventure or social and family dramas which portrayed him as a champion for the downtrodden.[12]

When approached, Ramachandran readily accepted the role and was excited about doing it, giving the film priority in his schedule.[2] Ramachandran gave a call sheet of seventy two days for participating in the film.[14] Saravanan states in his book that 325,000 was arranged as the pay for Ramachandran, but the latter demanded an additional 25,000 which he eventually received.[15] The Economic Times stated in 2010 that Ramachandran was paid 10% of the film's 3 million budget.[1] Anbe Vaa remained his only collaboration with both Tirulokchandar and AVM Productions.[16][12] Ramachandran, who later became the Chief Minister of Tamil Nadu, also became the fourth Chief Minister of an Indian state to work with AVM Productions.[b]

Ramachandran initially recommended K. A. Thangavelu for the role of Punyakodi, but M. Saravanan, one of the film's producers, said that his father, A. V. Meiyappan, wanted T. R. Ramachandran in the role. M. G. Ramachandran accepted the decision and told Saravanan not to tell T. R. Ramachandran about his initial choice.[18] M. G. Ramachandran also recommended Jayalalithaa for the role of Geetha, but it eventually went to B. Saroja Devi.[16] Nagesh was cast as Ramaiah, the caretaker’s brother-in-law.[16]

Filming

Anbe Vaa was the first film of AVM Productions to be made in Eastmancolor.[16] Principal photography for the film began with a puja[c] ceremony held on 12 August 1965. Filming was completed within five months, the quickest completion for any film starring M. G. Ramachandran.[2] Ramachandran received special permission to go by car to shoot the film in exotic locations in Shimla; a privilege allowed only to the governor of the state. Under the auspices of that permission, the entire unit went to Shimla.[2] The song "Pudhiya Vaanam" was shot in the small hill station of Kufri, located 13 kilometres from Shimla, as well as at Mall Road, Shimla.[20]

Savi, an editor who worked for the Tamil magazine, Ananda Vikatan, accompanied the production unit and published an article on the making of the film.[2] Although the story is set in Shimla, 95% of the film was shot in Ooty, with some scenes being filmed in Jammu and Kashmir,[2] making it the second Tamil film after Then Nilavu (1961) to be shot there.[10] "Naan Paarthathilae" was one of the few songs in the film that was shot outdoors, due to Ramachandran not wanting to attract attention from his large fan following.[21] During shooting in Ooty, Ramachandran personally bought sweaters for the entire cast and crew.[20]

The production unit, composed of 20 crew members, along with Tirulokchandar, M. G. Ramachandran, Saroja Devi and Savi, initially flew to Delhi. From Delhi, they travelled to Kalka by train, then continued on to Shimla, using three first-generation Chevrolet Impalas.[20] The skating scenes in the film, involving Ramachandran and Saroja Devi, were completed in two days. Both Ramachandran and Saroja Devi were initially hesitant to perform the scene, but went through with it after they received encouragement from the local population.[20] For some scenes in the film, Saroja Devi was made to walk with mincing steps and flutter her eyelashes.[22] She and Ramachandran also performed a twist in the film.[23][24] During post-production, the sound effect of the horses' footfall in "Rajavin Paarvai" was created by Meesai Murugesan.[25] The final length of the film was 4,854.70 metres (15,927.5 ft).[26][27]

Music

Untitled

Released under the Saregama label,[28][29] the film's soundtrack and score were composed by M. S. Viswanathan,[30] while the lyrics were written by Vaali.[31] Kalyan Subrahmanyam, an anaesthetist and alumnus of Madras Medical College and Stanley Medical College, made his musical debut with this film, singing as part of the chorus.[32]

The soundtrack received positive critical reception. Film historian Randor Guy of The Hindu called the songs "melodious", describing the soundtrack as one of the film's major positives. He said the song "Pudhiya Vaanam" had "a political touch", and was "brilliantly photographed by master lens man S. Maruthi Rao." He also called "Rajavin Paarvai" a "hit number."[4] Rekhs of Behindwoods wrote that "Rajavin Paarvai [...] takes us back to not just the 60s but a time when reel life transported us to a dream world of escapism and 100% entertainment."[33] Karan Bali, writing for Scroll.in, said, "MS Viswanathan’s musical score deserves a special mention. The music is easily one of the highlights of Anbe Vaa."[16] According to Sri Lankan historian and author Sachi Sri Kantha, "Pudhiya Vaanam" had "delicately introduced" the symbol for the political party Dravida Munnetra Kazhagam through the lyrics, "Udaya sooriyanin paarvaiyile – ulagam vizhithukonda velaiyile, imayathil irukkum kulir kaatru Ithayathai thodukirathu" ("While rising sun shines, the world will become aware, the cool wind from Himalaya will touch the heart") in that pre-election year.[34]

iTunes tracklist[35]
No.TitleSinger(s)Length
1."Adios Good Bye"Ms. Liban Bindey03:17
2."Anbe Vaa"T. M. Soundararajan04:23
3."Love Birds"P. Susheela03:39
4."Naan Paarthathilae"T. M. Soundararajan, P. Susheela04:05
5."Nadodi Nadodi"T. M. Soundararajan, P. Susheela, A. L. Raghavan, L. R. Eswari06:49
6."Once A Pappa"A. L. Raghavan and Chorus01:19
7."Pudhiya Vaanam"T. M. Soundararajan04:06
8."Rajavin Paarvai"T. M. Soundararajan, P. Susheela04:34
9."Vetkammilai"P. Susheela and Chorus03:33
Total length:35:45

Release

Anbe Vaa was released on 14 January 1966, during the festive occasion of Pongal,[16] and was promoted as "an innovative entertainment film" by its producers.[10] It was Ramachandran's first of nine films released in that year.[36] AVM Productions sold the film's distribution rights for 3.3 million (US$688,935 in 1966),[a] which was the highest amount in the Tamil film industry up until that point.[2] Although the film had a theatrical run of 23 weeks and was a box office success,[37] AVM Productions earned a profit of only 300,000 (US$62,630 in 1966),[a] due to the film's large budget. The film was dubbed into Telugu as Prema Manasulu.[38]

On 18 April 2010, the film was screened at the South Indian Film Chamber Theatre for the Dignity Film Festival held in Chennai; other films also screened included Madhumati (1958), Kadhalikka Neramillai (1964), Server Sundaram (1964) and Thillana Mohanambal (1968).[39][40]

Critical reception

On 6 August 1966, the review in Ananda Vikatan said, "The film was an English film in Tamil... The film does not have any story. One can spend three hours in an entertaining manner with this film..."[2] Randor Guy, in his review, wrote, "The screenplay was brilliantly written by ACT. MGR's performance as the rich man posing as a tenant was impressive. Nagesh was inimitable. Saroja Devi looked glamorous in her glossy make-up and costume." He went on to conclude that the film would be "Remembered for the impressive performances by MGR, Nagesh and Saroja Devi, melodious music, interesting storyline and screenplay, picturesque cinematography which captured the beautiful landscape of the Himalayan region, and the fabulous sets in true AVM style."[4] G. Dhananjayan commented, "The film stood out for its comedy, memorable songs and dances, rich making and locations", and said that the main reason for the film's success was that it was "an out-and-out entertainer".[2]

Pavithra Srinivasan of Rediff called Saroja Devi, "a style icon", and rated this as "her best" performance, comparing it with her role in Enga Veettu Pillai (1965).[41] Sify called Nagesh's on-screen chemistry with M. G. Ramachandran in the film "fantastic", further elaborating that, "In this film the MGR-Nagesh scenes according to a veteran distributor brought repeat audiences to the theatres. He played the hero's sidekick and was simply terrific."[42] They also praised Anbe Vaa for being "one of the rare films of MGR with minimum action scenes and punch dialogues".[43] In July 2008, The Times of India said, "If ever one comes out with a list of highly entertaining Tamil movies, this one will top the list", and gave the film a rating of three stars out of five.[44] Karan Bali stated in 2016, "The comedy [...] is enjoyably light-hearted fluff and sees MGR ably carry the film through in the role of the Westernised, wealthy urbane romantic hero. The role is different from the MGR prototype – the poor, mother-loving crusading Tamil hero who fights for the oppressed and tames the rich heroine while all along propagating the DMK’s ideology and concerns."[16]

Legacy

M. G. Ramachandran, who specialised in films based mainly on action and family subjects, handled a comedic part for the first time in his career in this film, proving his ability to handle that genre.[2] Anbe Vaa was one of several films featuring Ramachandran which he used to propagate his ideologies during his election campaigns.[45][46] Actor and film historian Mohan V. Raman noted that M. G. Ramachandran's acceptance of the role "that went against the then accepted formula for an MGR film" was a demonstration of the actor's faith in Tirulokchandar.[47] The film inspired several later films in Tamil, which focused mainly on conflicts between lovers, as well as entertainment aspects, notable of which include Kushi (2000), Lovely (2001), and Thiruda Thirudi (2003).[2][48] The film was one of the first South Indian films to be shot in Shimla, inspiring many other films to choose Shimla as a shooting location, notably the Telugu film, Desamuduru (2007).[49]

Director Mani Ratnam,[50] film producer M. S. Guhan's daughter Aruna Guhan,[51] choreographer Prabhu Deva and director Sundar C. all ranked Anbe Vaa among their favourite films.[52][53] The costumes that Ramachandran used in the film,[54] as well as the carriage used for "Rajavin Paarvai", are preserved at AVM Studios.[33] Uma S. Maheshwari of The Hindu included "Pudhiya Vaanam" in her list of the "Immortal songs of TMS",[d] and also among lyricist Vaali's best songs in their collection, "Best of Vaali: From 1964 - 2013".[56]

In popular culture

References to Anbe Vaa are made in various films. The 1988 film Puthiya Vaanam, starring Sivaji Ganesan, was named after the song of the same name.[57] Films like Rajavin Parvaiyile (1995),[58] Love Birds (1996),[59] and the upcoming Rajavin Paarvai Raniyin Pakkam were also named after the songs from Anbe Vaa.[60][61] In Unakkaga Ellam Unakkaga (1999), Kundalakesi (Goundamani) imagines himself as M. G. Ramachandran in "Pudhiya Vaanam" by dancing with children, the result of which is him being mistaken for a kidnapper by the police.[62] In Kathai Thiraikathai Vasanam Iyakkam (2014), Thamizh (Santhosh Prathap) is an aspiring filmmaker who reads stories by F. Scott Fitzgerald and Ponniyin Selvan, but is forced to listen to anecdotes about films such as Anbe Vaa.[63]

In Dhool (2003), Aarumugam (Vikram) echoes a single line, "Pudhiya Vaanam", to signal his arrival to his friends.[64] In 2005, another film called Anbe Vaa, starring actors Thendral, Sridevika and Vivek in the lead roles, was released; its critical response was average.[65] A song with the same title as the film is used in Thotta (2008).[66] A clip from the song "Love Birds" is featured in Venkat Prabhu's Saroja (2008).[67] Scenes from the film were interposed in Villu (2009).[68][69] A portion of "Rajavin Paarvai" is used in the song "Vaa Machi" from Onbadhule Guru (2013).[70]

In 2002, a quiz programme called Pudhiya Vaanam Pudhiya Bhoomi aired on DD National and DD Podhigai to help develop tourism in Tamil Nadu.[71] In 2009, a television series titled Anbe Vaa aired on STAR Vijay every Monday-Thursday at 8:00 pm IST.[72]

Explanatory notes

  1. ^ a b c The exchange rate in 1966 was 4.79 Indian rupees () per 1 US dollar (US$).[9]
  2. ^ The others were C. N. Annadurai (Or Iravu, 1950), Karunanidhi (Parasakthi, 1952), N. T. Rama Rao (Sangham, 1954) and Jayalalithaa (Major Chandrakanth, 1966).[17]
  3. ^ Puja is a prayer ritual performed by Hindus to host, honour and worship one or more deities, or to spiritually celebrate an event.[19]
  4. ^ TMS is an acronym for T. M. Soundararajan.[55]

References

  1. ^ a b "AVM productions finds Gen-Next heirs". The Economic Times. 20 March 2010. Archived from the original on 6 October 2014. Retrieved 26 November 2014.
  2. ^ a b c d e f g h i j k l Dhananjayan 2011, p. 235.
  3. ^ Rangan, Baradwaj (12 October 2015). "Mistress of arts". The Hindu. Archived from the original on 12 October 2015. Retrieved 17 March 2016.
  4. ^ a b c d e Guy, Randor (10 November 2012). "Anbe Vaa 1966". The Hindu. Archived from the original on 26 November 2014. Retrieved 26 November 2014.
  5. ^ "The Deiva Magan of all directors, he shared special bond with Sivaji Ganesan". The New Indian Express. 16 June 2016. Archived from the original on 16 June 2016. Retrieved 16 June 2016.
  6. ^ Nelba (28 February 2014). "பெண்ணைக் கடத்தினார் அசோகன்- பாராட்டி மகிழ்ந்தார் எம்.ஜி.ஆர்!" [Ashokan kidnapped a woman — MGR praises him!]. The Hindu (in Tamil). Archived from the original on 8 December 2014. Retrieved 8 December 2014.
  7. ^ Anbe Vaa (Motion picture DVD). AVM Productions. 14 January 1966. Clip from 01:43 to 01:46
  8. ^ Ramachandran 2014, p. 86.
  9. ^ "Rupee's journey since Independence: Down by 65 times against dollar". The Economic Times. 24 August 2013. Archived from the original on 29 August 2013. Retrieved 6 December 2014.
  10. ^ a b c Dhananjayan 2011, p. 234.
  11. ^ "Choreographer Raghuram Passes Away". The New Indian Express. 1 December 2013. Archived from the original on 26 November 2014. Retrieved 26 November 2014.
  12. ^ a b c Rangarajan, Malathi (24 March 2011). "Moorings and musings". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  13. ^ Ramachandran 2014, p. 147.
  14. ^ Saravanan 2013, p. 170.
  15. ^ Kantha, Sachi Sri (15 August 2015). "MGR Remembered – Part 29". Ilankai Tamil Sangam. Archived from the original on 5 May 2016. Retrieved 31 May 2016.
  16. ^ a b c d e f g Bali, Karan (14 January 2016). "Films that are 50: Come, fall in love again with 'Anbe Vaa'". Scroll.in. Archived from the original on 16 March 2016. Retrieved 16 March 2016.
  17. ^ Kumar, S. R. Ashok (14 May 2004). "Finger on people's pulse". The Hindu. Archived from the original on 21 November 2004. Retrieved 25 May 2016.
  18. ^ Rangarajan, Malathi (13 November 2014). "A word kept". The Hindu. Archived from the original on 13 November 2014. Retrieved 26 November 2014.
  19. ^ Lochtefeld 2002, pp. 529–530.
  20. ^ a b c d Savi (29 May 2012). "அன்பே வா - எம் ஜி ஆர் - ஷூட்டிங்க் - விகடன் பொக்கிஷ பக்கங்கள்" [Making of Anbe Vaa — Ananda Vikatan]. Ananda Vikatan (in Tamil). Archived from the original on 26 November 2014.
  21. ^ Saravanan 2013, pp. 173–175.
  22. ^ The Illustrated Weekly of India, Volume 108, Issues 39-50. 1987. p. 47.
  23. ^ Ramachandran, T. M. (1974). "Film World". 10: 87. {{cite journal}}: Cite journal requires |journal= (help)
  24. ^ Muthuraman, S. P. (9 September 2015). "சினிமா எடுத்துப் பார் 25- அந்த நாட்கள்!" [Try making a film Part 25 - Those days!]. The Hindu (in Tamil). Archived from the original on 26 May 2016. Retrieved 26 May 2016.
  25. ^ Santhosh, J. (9 November 2014). "'Meesai' Murugesan Redefined Music Effects". The New Indian Express. Archived from the original on 28 November 2014. Retrieved 28 November 2014.
  26. ^ Anbe Vaa (Motion picture DVD). AVM Productions. 14 January 1966. Clip from 00:00 to 00:09
  27. ^ "ANBE VAA (Celluloid)". 14 January 1966. Central Board of Film Certification. Archived from the original on 16 June 2016. Retrieved 16 June 2016.
  28. ^ "Saregama Album Details : Anbe Vaa — Page 1". Saregama. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  29. ^ "Saregama Album Details : Anbe Vaa — Page 2". Saregama. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  30. ^ "Anbe Vaa". Raaga.com. Archived from the original on 26 November 2014. Retrieved 26 November 2014.
  31. ^ Saravanan 2013, p. 172.
  32. ^ Sujatha, R. (19 May 2006). "An anaesthetist with an aesthetic passion". The Hindu. Archived from the original on 18 March 2016. Retrieved 18 March 2016.
  33. ^ a b Rekhs (6 May 2013). "Common Man's King". Behindwoods. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  34. ^ Kantha, Sachi Sri (16 March 2016). "MGR Remembered – Part 34". Ilankai Tamil Sangam. Archived from the original on 25 May 2016. Retrieved 25 May 2016.
  35. ^ "Anbe Vaa (Original Motion Picture Soundtrack)". iTunes Store. Archived from the original on 10 September 2015. Retrieved 10 September 2015.
  36. ^ "Table: Chronological List of MGR' s Movies released between 1960 and 1967" (PDF). Ilankai Tamil Sangam. Archived from the original (PDF) on 16 June 2016. Retrieved 16 June 2016.
  37. ^ Saravanan 2013, p. 178.
  38. ^ "Filmography | Complete List of Films". MSV Times. Archived from the original on 26 May 2016. Retrieved 26 May 2016.
  39. ^ "Dignity Foundation announces the opening of first of its kind Film Festival for the 50+ citizens". Chennai Mirror. 17 April 2010. Archived from the original on 10 October 2014. Retrieved 27 November 2014.
  40. ^ "The good ole days". The Hindu. 17 April 2010. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  41. ^ Srinivasan, Pavithra (1 July 2008). "A style icon". Rediff. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  42. ^ "10 Best Films of late Nagesh". Sify. 1 February 2009. Archived from the original on 23 November 2014. Retrieved 27 November 2014.
  43. ^ "AC Tirulokchandar passes away". Sify. 15 June 2016. Archived from the original on 16 June 2016. Retrieved 16 June 2016.
  44. ^ "MGR Triple Treat". The Times of India. 4 July 2008. Archived from the original on 31 May 2016. Retrieved 31 May 2016.
  45. ^ Subramanian, T.S. "The celluloid connection". Frontline. Archived from the original on 25 May 2016. Retrieved 25 May 2016.
  46. ^ Kamath, Sudhish (30 September 2004). "Passage from the reel to real life not easy". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  47. ^ V. Raman, Mohan (16 June 2016). "A.C. Thirilogachander: A legend is no more". The Hindu. Archived from the original on 16 June 2016. Retrieved 16 June 2016.
  48. ^ Ashok Kumar, S. R. (22 June 2001). "All for a lovely time". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  49. ^ Chaudhry 2012, p. 57.
  50. ^ Ashok Kumar, S. R. (13 July 2007). "Filmmakers' favourites". The Hindu. Archived from the original on 11 October 2014. Retrieved 27 November 2014.
  51. ^ "Rewind, Remix & Replay". The New Indian Express. 17 October 2014. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  52. ^ Ashok Kumar, S. R. (19 March 2011). "Love Everywhere". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  53. ^ Ashok Kumar, S. R. (7 November 2010). "Slice of the city". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  54. ^ Rangarajan, Malathi; MRN (19 February 2010). "History created ... and preserved!". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  55. ^ Maheshwari, Uma S. (20 July 2007). "Monarch of melody". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  56. ^ Rangarajan, Malathi (19 July 2013). "The one and only Vaalee". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  57. ^ Rajadhyaksha & Willemen 2014, p. 98.
  58. ^ "Vijay's mom, a fan of Ajith". The Times of India. 21 April 2013. Archived from the original on 5 December 2014. Retrieved 5 December 2014.
  59. ^ Vijiyan, K. (6 February 1996). "A twist to the typical love story". The New Straits Times. Archived from the original on 16 June 2016. Retrieved 5 December 2014.
  60. ^ Sharanya, CR (29 March 2016). "A fun romantic comedy, this!". The Times of India. Archived from the original on 29 March 2016. Retrieved 29 March 2016.
  61. ^ Vasudevan, K. V. (4 June 2016). "Crossing borders: Avanthika". The Hindu. Archived from the original on 10 June 2016. Retrieved 10 June 2016.
  62. ^ "Unakkaga Ellam Unakkaga". Tamil Matinee. 30 July 2014. Retrieved 16 December 2014.
  63. ^ Rangan, Baradwaj (16 August 2014). "Kathai Thiraikathai Vasanam Iyakkam review: Season of the meta movie". The Hindu. Archived from the original on 26 May 2016. Retrieved 26 May 2016.
  64. ^ Dhool (Motion picture DVD). India: Sri Suriya Movies. 15 June 2014. Clip from 19:00 to 19:10.
  65. ^ "Anbe Vaa". Sify. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  66. ^ Srinivas, Saraswathy (5 February 2008). "Thotta's music has no lingering quality". Rediff. Archived from the original on 8 December 2014. Retrieved 8 December 2014.
  67. ^ Saroja (Motion picture DVD). India: Pyramid Saimira. 28 March 2013. Clip from 1:33:48 to 1:34:00.
  68. ^ Rangarajan, Malathi (16 January 2009). "The focus is clear — Villu". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  69. ^ "Villu Movie Review". The Times of India. 23 January 2009. Archived from the original on 10 April 2016. Retrieved 15 April 2016.
  70. ^ Ashok Kumar, S. R. (23 February 2013). "Songs to perk up your mood". The Hindu. Archived from the original on 26 November 2014. Retrieved 26 November 2014.
  71. ^ Shankar, T. S.; Kannan, Ramya; Kamath, Sudhish (18 January 2002). "Talk of the town". The Hindu. Archived from the original on 27 November 2014. Retrieved 27 November 2014.
  72. ^ "TV Highlights: The week ahead". The Hindu. 20 November 2009. Archived from the original on 25 May 2016. Retrieved 25 May 2016.

Bibliography

External links