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==Overview==
==Overview==
The statue depicts the figure of a man seated on a [[wicker]] [[hassock]]. The man is shown in a praying posture with hands clasped against his chest conveying his devotion to the deity.<ref name="louvre"/>
The statue, made of translucent smooth [[alabaster]], depicts the figure of a man seated on a [[wicker]] [[hassock]]. The man is shown in a praying posture with hands clasped against his chest conveying his devotion to the deity.<ref name="louvre"/>


The man is depicted with a shaven head and a long beard. The beard is composed of vertical curls and has drilled holes in place of the, now-lost, inlay material.<ref name="louvre"/> The figure's staring blue eyes were sculpted with particular care and attention to detail. A combination of [[schist]], [[Seashell|shells]] and [[lapis lazuli]] were used to depict the [[eyelash]]es and [[eyelid]]s, [[cornea]] and [[Iris (anatomy)|iris]], respectively. The figure has fine lips that convey a half-smile.<ref name=Parrot26>Parrot, 1935, p. 26.</ref>
The man is depicted with a shaven head and a long beard. The beard is composed of vertical curls and has drilled holes in place of the, now-lost, inlay material.<ref name="louvre"/> The beard accentuates the figure's cheeks and finely-sculpted lips that convey a half-smile. The figure's staring blue eyes were crafted with particular care and attention to detail. A combination of [[schist]], [[Seashell|shells]] and [[lapis lazuli]] were used to depict the [[eyelash]]es and [[eyelid]]s, [[cornea]] and [[Iris (anatomy)|iris]], respectively.<ref name=Parrot26>Parrot, 1935, p. 26.</ref> The lapis lazuli inlays used were imported from as far east as [[Afghanistan]].<ref name="louvre"/>


The figure is depicted with a bear torso and a thin waist. The hands are clasped against the chest, and the left hand is closed and placed inside the right hand.<ref name=Parrot26/> The figure's only dress is the [[History of Sumer|Sumerian]]-style ceremonial [[kaunakes]] skirt. The elaborate fleece skirt appears to be made from [[Hide (skin)|animal hide]] (probably, sheepskin or goatskin) as evidenced by the presence of a tail at the back.<ref name="louvre"/> The figure's feet are missing but their attachment piece is still showing under the dress.<ref name=Parrot26/>
The figure is depicted with a bear torso and a thin waist. The hands are clasped against the chest, and the left hand is closed and placed inside the right hand.<ref name=Parrot26/> The figure's only dress is the [[History of Sumer|Sumerian]]-style ceremonial [[kaunakes]] skirt. The elaborate fleece skirt appears to be made from [[Hide (skin)|animal hide]] (probably, sheepskin or goatskin) as evidenced by the presence of a tail at the back.<ref name="louvre"/> The figure's feet are missing but their attachment piece is still showing under the dress.<ref name=Parrot26/>

Revision as of 19:15, 11 October 2012

Statue of Ebih-Il
Statue of Ebih-Il, superintendent of Mari
MaterialGypsum, schist, shells, lapis lazuli
Height52.5 centimetres (20.7 in)
Width20.6 centimetres (8.1 in)
Depth30 centimetres (12 in)
Createdc. 2400 BC
Period/cultureSumerian
Discovered1934
PlaceTemple of Ishtar, Mari, Syria
Present locationMusée du Louvre, Paris
IdentificationAO 17551

The Statue of Ebih-Il is a 25th-century BC User:Zozo2kx/Template:Chronology statue of the praying figure of Ebih-Il, superintendent of the ancient city-state of Mari in eastern Syria. The statue was discovered at the Temple of Ishtar in Mari by French archaeologist André Parrot. It is made of gypsum, with inlays of schist, shells and lapis lazuli. Iselin Claire of the Musée du Louvre, where the statue is currently displayed, describes it as "a masterpiece by virtue of its craftsmanship, state of preservation, and expressive style."[1]

Overview

The statue, made of translucent smooth alabaster, depicts the figure of a man seated on a wicker hassock. The man is shown in a praying posture with hands clasped against his chest conveying his devotion to the deity.[1]

The man is depicted with a shaven head and a long beard. The beard is composed of vertical curls and has drilled holes in place of the, now-lost, inlay material.[1] The beard accentuates the figure's cheeks and finely-sculpted lips that convey a half-smile. The figure's staring blue eyes were crafted with particular care and attention to detail. A combination of schist, shells and lapis lazuli were used to depict the eyelashes and eyelids, cornea and iris, respectively.[2] The lapis lazuli inlays used were imported from as far east as Afghanistan.[1]

The figure is depicted with a bear torso and a thin waist. The hands are clasped against the chest, and the left hand is closed and placed inside the right hand.[2] The figure's only dress is the Sumerian-style ceremonial kaunakes skirt. The elaborate fleece skirt appears to be made from animal hide (probably, sheepskin or goatskin) as evidenced by the presence of a tail at the back.[1] The figure's feet are missing but their attachment piece is still showing under the dress.[2]

The inscription of five epigraphic signs on the rear, which identifies the work, reads: "Statue of Ebih-Il, the superintendent, dedicated to Ishtar Virile."[1]

Excavation

The statue was discovered in two parts by the French excavation team under André Parrot.[3] The head was found on the pavement of the outer court of the Temple of Ishtar.[2] The body, along with the smaller statue of King Lamgi-Mari, was found a few meters away.[3] When the statue was found, the left arm and elbow were broken, and the base of the right elbow was shattered.[2] The statues were the first major discovery in the excavations, started in winter 1933, at the site of Mari.[4]

See also

References

Citations

  1. ^ a b c d e f Claire, Iselin. "Ebih-Il, the Superintendent of Mari". Musée du Louvre. Retrieved 10 October 2012.
  2. ^ a b c d e Parrot, 1935, p. 26.
  3. ^ a b Cluzan; Lecompte, 2011, p. 5.
  4. ^ Parrot, 1935, p. 1.

Bibliography