The Go-Between (1971 film): Difference between revisions
m →Music: Typo fixing, typos fixed: french → French using AWB |
No edit summary |
||
Line 18: | Line 18: | ||
| budget = £500,000<ref name="walker">Alexander Walker, ''Hollywood, England'', Stein and Day, 1974 p439</ref> |
| budget = £500,000<ref name="walker">Alexander Walker, ''Hollywood, England'', Stein and Day, 1974 p439</ref> |
||
}} |
}} |
||
'''''The Go-Between''''' is [[Harold Pinter]]'s [[1970 in film|1970 film]] adaptation of [[The Go-Between|the novel]] by [[L. P. Hartley]]. A [[United Kingdom|British]] production directed by [[Joseph Losey]], it stars [[Dominic Guard]] (in the title role of Leo Colston), [[Julie Christie]], [[Alan Bates]], [[Margaret Leighton]], [[Michael Redgrave]], [[Michael Gough]] and [[Edward Fox (actor)|Edward Fox]]. The story follows a young boy named Leo, who is invited by a school friend to spend his summer holidays at a [[Norfolk]] country house during the early 1900s. While Leo stays there, he finds himself a 'go-between' caught up between the daughter of his host and a poor neighbor she loves. [[Dominic Guard]] plays the young Leo and [[Michael Redgrave]] plays the same character in old age. |
'''''The Go-Between''''' is [[Harold Pinter]]'s [[1970 in film|1970 film]] adaptation of [[The Go-Between|the novel]] by [[L. P. Hartley]]. A [[United Kingdom|British]] production directed by [[Joseph Losey]], it stars [[Dominic Guard]] (in the title role of Leo Colston), [[Julie Christie]], [[Alan Bates]], [[Margaret Leighton]], [[Michael Redgrave]], [[Michael Gough]] and [[Edward Fox (actor)|Edward Fox]]. |
||
==Plot== |
|||
The story follows a young boy named Leo, who is invited by a school friend to spend his summer holidays at a [[Norfolk]] country house during the early 1900s. While Leo stays there, he finds himself a 'go-between' caught up between the daughter of his host and a poor neighbor she loves. [[Dominic Guard]] plays the young Leo and [[Michael Redgrave]] plays the same character in old age. |
|||
Pinter's screenplay—his final collaboration with Losey, following ''[[The Servant (1963 film)|The Servant]]'' (1963) and ''[[Accident (1967 film)|Accident]]'' (1967)<ref name=James>{{cite web|author=Nick James|url=http://www.bfi.org.uk/sightandsound/feature/49543|title=[[Joseph Losey]] & Harold Pinter: In Search of PoshLust Times|work=[[British Film Institute|BFI]]|publisher=British Film Institute|date=2007-06-27|accessdate=2009-06-19|quote=From Venetian decadence and British class war to Proustian time games, the films of [[Joseph Losey]] and [[Harold Pinter]] gave us a new, ambitious, high-culture kind of art film, says Nick James.}}</ref>—is largely faithful to the novel, though it alludes to the novel's opening events in [[dialogue]] and incorporates events described in the novel's [[epilogue]] within the central narrative.{{fact|date=June 2009}} |
Pinter's screenplay—his final collaboration with Losey, following ''[[The Servant (1963 film)|The Servant]]'' (1963) and ''[[Accident (1967 film)|Accident]]'' (1967)<ref name=James>{{cite web|author=Nick James|url=http://www.bfi.org.uk/sightandsound/feature/49543|title=[[Joseph Losey]] & Harold Pinter: In Search of PoshLust Times|work=[[British Film Institute|BFI]]|publisher=British Film Institute|date=2007-06-27|accessdate=2009-06-19|quote=From Venetian decadence and British class war to Proustian time games, the films of [[Joseph Losey]] and [[Harold Pinter]] gave us a new, ambitious, high-culture kind of art film, says Nick James.}}</ref>—is largely faithful to the novel, though it alludes to the novel's opening events in [[dialogue]] and incorporates events described in the novel's [[epilogue]] within the central narrative.{{fact|date=June 2009}} |
||
==Location== |
|||
⚫ | |||
⚫ | |||
⚫ | |||
==Honours and awards== |
|||
⚫ | |||
⚫ | |||
⚫ | |||
==Cast== |
==Cast== |
||
Line 48: | Line 38: | ||
* [[Amaryllis Garnett]] - Kate |
* [[Amaryllis Garnett]] - Kate |
||
== |
==Production== |
||
The rights to the novel had been in the hands of many producers, among them [[Sir Alex Korda]], who originally envisioned [[Alec Guiness]] in the lead. Eventually John Heyman managed to get financing from [[EMI Films]], where [[Bryan Forbes]] agreed to pay £75,000 for the script.<ref>Forbes p 100</ref> Because of the relatively steep budget, EMI had to seek co production financing from [[MGM]]. |
|||
* [[BFI Top 100 British films]] |
|||
⚫ | |||
⚫ | |||
⚫ | |||
==Release== |
|||
⚫ | [[James Aubrey]], head of [[MGM]], disliked the final movie and sold his interest in it to [[Columbia Pictures]].<ref>Forbes p 221</ref> He did this only a few days before the film won the ''[[Palme d'Or|Grand Prix]]'' at the [[1971 Cannes Film Festival]].<ref name=Cannes>{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2417/year/1971.html |title=Festival de Cannes: The Go-Between |accessdate=2009-04-12|work=festival-cannes.com}}</ref> |
||
⚫ | |||
⚫ | |||
==Notes== |
==Notes== |
||
Line 58: | Line 60: | ||
*[[Michael Billington (critic)|Billington, Michael]]. ''Harold Pinter''. 2nd ed. London: [[Faber and Faber]], 2007. ISBN 978-0-571-23476-9. [Updated ed. of ''The Life and Work of Harold Pinter'' (London: Faber, 1996).] |
*[[Michael Billington (critic)|Billington, Michael]]. ''Harold Pinter''. 2nd ed. London: [[Faber and Faber]], 2007. ISBN 978-0-571-23476-9. [Updated ed. of ''The Life and Work of Harold Pinter'' (London: Faber, 1996).] |
||
*Forbes, Bryan, ''A Divided Life'', Mandarin Paperbacks, 1993 |
|||
*Gale, Steven H. ''Sharp Cut: Harold Pinter's Screenplays and the Artistic Process''. Lexington: [[University Press of Kentucky]], 2003. ISBN 0-8131-2244-9. |
*Gale, Steven H. ''Sharp Cut: Harold Pinter's Screenplays and the Artistic Process''. Lexington: [[University Press of Kentucky]], 2003. ISBN 0-8131-2244-9. |
||
Revision as of 12:08, 30 July 2012
The Go-Between | |
---|---|
File:GoBetween.jpg | |
Directed by | Joseph Losey |
Screenplay by | Harold Pinter |
Produced by | John Heyman Denis Johnson |
Starring | Julie Christie Alan Bates Margaret Leighton Edward Fox |
Cinematography | Gerry Fisher |
Edited by | Reginald Beck |
Music by | Michel Legrand |
Production companies | |
Distributed by | MGM-EMI (UK) Columbia Pictures (USA) |
Release dates | December 1970 (UK) November 13, 1971 (USA) |
Running time | 118 minutes |
Country | United Kingdom |
Budget | £500,000[1] |
The Go-Between is Harold Pinter's 1970 film adaptation of the novel by L. P. Hartley. A British production directed by Joseph Losey, it stars Dominic Guard (in the title role of Leo Colston), Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave, Michael Gough and Edward Fox.
Plot
The story follows a young boy named Leo, who is invited by a school friend to spend his summer holidays at a Norfolk country house during the early 1900s. While Leo stays there, he finds himself a 'go-between' caught up between the daughter of his host and a poor neighbor she loves. Dominic Guard plays the young Leo and Michael Redgrave plays the same character in old age.
Pinter's screenplay—his final collaboration with Losey, following The Servant (1963) and Accident (1967)[2]—is largely faithful to the novel, though it alludes to the novel's opening events in dialogue and incorporates events described in the novel's epilogue within the central narrative.[citation needed]
Cast
- Julie Christie - Lady Marian Trimingham
- Edward Fox - Hugh Trimingham
- Alan Bates - Ted Burgess
- Margaret Leighton - Mrs. Maudsley
- Michael Redgrave - Leo Colston
- Dominic Guard - Leo Colston
- Michael Gough - Mr. Maudsley
- Richard Gibson - Marcus Maudsley
- Simon Hume-Kendall - Denys
- Roger Lloyd-Pack - Charles
- Amaryllis Garnett - Kate
Production
The rights to the novel had been in the hands of many producers, among them Sir Alex Korda, who originally envisioned Alec Guiness in the lead. Eventually John Heyman managed to get financing from EMI Films, where Bryan Forbes agreed to pay £75,000 for the script.[3] Because of the relatively steep budget, EMI had to seek co production financing from MGM.
The film was shot at Melton Constable, Heydon and Norwich in Norfolk.[4]
Music
Michel Legrand composed the soundtrack for the film. The main theme is now used as the title music for the French "true crime" documentary series "Faites Entrer L'Accusé".
Release
James Aubrey, head of MGM, disliked the final movie and sold his interest in it to Columbia Pictures.[5] He did this only a few days before the film won the Grand Prix at the 1971 Cannes Film Festival.[6]
Margaret Leighton earned an Academy Award nomination as Best Supporting Actress for her performance in the film.
In 1999 it was included on the British Film Institute's list of the 100 best British films.
Notes
- ^ Alexander Walker, Hollywood, England, Stein and Day, 1974 p439
- ^ Nick James (2007-06-27). "[[Joseph Losey]] & Harold Pinter: In Search of PoshLust Times". BFI. British Film Institute. Retrieved 2009-06-19.
From Venetian decadence and British class war to Proustian time games, the films of Joseph Losey and Harold Pinter gave us a new, ambitious, high-culture kind of art film, says Nick James.
{{cite web}}
: URL–wikilink conflict (help) - ^ Forbes p 100
- ^ The Go-Between: EMI Films 1970 at Norwich the old city
- ^ Forbes p 221
- ^ "Festival de Cannes: The Go-Between". festival-cannes.com. Retrieved 2009-04-12.
Further reading
- Billington, Michael. Harold Pinter. 2nd ed. London: Faber and Faber, 2007. ISBN 978-0-571-23476-9. [Updated ed. of The Life and Work of Harold Pinter (London: Faber, 1996).]
- Forbes, Bryan, A Divided Life, Mandarin Paperbacks, 1993
- Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington: University Press of Kentucky, 2003. ISBN 0-8131-2244-9.
- Gale, Steven H. (Ed) The Films of Harold Pinter. Albany, NY: SUNY Press, 2001. ISBN 0-7914-4932-7.
External links
- "Films by Harold Pinter: The Go Between 1966" – At HaroldPinter.org: The Official Website of the International Playwright Harold Pinter.
- The Go-Between at IMDb.
- "Harold Pinter & Joseph Losey", by Jamie Andrews, Harold Pinter Archive Blog, British Library, 15 June 2009.