Parasakthi (film): Difference between revisions
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{{Infobox Film |
{{Infobox Film |
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| name = Parasakthi |
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| image = Parasakthi.jpg |
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| director = R. Krishnan<br/> S. Panju |
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| writer = [[M. Karunanidhi]] |
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| starring = [[Sivaji Ganesan]]<br />[[Pandari Bai]]<br />S. S. Rajendran<br />S. V. Sahasranam<br />[[Sriranjani (junior)|Sriranjani]] | producer = [[A. V. Meiyappan]], P.A.Perumal Mudaliar |
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producer = [[A. V. Meiyappan]], P.A.Perumal Mudaliar| |
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| language = [[Tamil language|Tamil]] |
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language = [[Tamil language|Tamil]] }} |
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'''''Parasakthi''''' ( |
'''''Parasakthi''''' ({{lang-ta|பராசக்தி}}) was a 1952 Tamil film starring [[Sivaji Ganesan]], [[Pandari Bai]], S. S. Rajendran, S. V. Sahasranamam and [[Sriranjani (junior)|Sriranjani]]. It was directed by R. Krishnan and S. Panju and produced by [[A. V. Meiyappan|AVM]]. The dialogues for the film were penned by writer [[M. Karunanidhi]] who later became the [[Chief Minister of Tamil Nadu]].<ref name="lanbdmarks">{{Cite web|url=http://www.indiafilm.com/lm.htm|title=Land Marks in Tamil cinema|accessdate=2008-04-27|publisher=indiafilm.com}}</ref> |
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== Production == |
== Production == |
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The film ''Parasakthi'' was released on Deepavali Day, 1952, after months of shooting and preparations. Meiyappan's newly established [[AVM Productions]] which was on a roll having produced a series of hits as ''Naam Iruvar'' and ''Vazhkai'' planned to make a film in 1952 with a newcomer called [[Sivaji Ganesan]] who had earlier dubbed for a Telugu artist in a Tamil movie |
The film ''Parasakthi'' was released on Deepavali Day, 1952, after months of shooting and preparations. Meiyappan's newly established [[AVM Productions]] which was on a roll having produced a series of hits as ''Naam Iruvar'' and ''Vazhkai'' planned to make a film in 1952 with a newcomer called [[Sivaji Ganesan]] who had earlier dubbed for a Telugu artist in a Tamil movie |
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''Niraparadhi''. |
''Niraparadhi''. |
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As the Japanese shelling of Burma intensifies, Chandrasekaran and Gnanasekaran decide to pack their belongings and cross over to India. But Gnanasekaran is lost and is presumed killed in Japanese bombardment. |
As the Japanese shelling of Burma intensifies, Chandrasekaran and Gnanasekaran decide to pack their belongings and cross over to India. But Gnanasekaran is lost and is presumed killed in Japanese bombardment. |
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Meanwhile, Kalyani delivers a boy. But soon after the birth of the child, her husband as well as her father die leaving her destitute. Misfortune befalls the family when Kalyani becomes the target of anti-social elements and is raped by a temple priest while Gunasekaran is robbed of his belongings on arrival in India. Swearing revenge, Gunasekaran kills the temple priest and lands up in jail. Gunasekaran fights an epic battle in court explaining the misfortunes which had befallen him and justifying his actions. Gunasekaran's valiant defence in the court filled with soul-stirring dialogues revolutionized Tamil film industry. The film, regarded as the first significant attempt by the Dravidian Movement to use media for propaganda, catapulted Sivaji Ganesan to fame overnight and evoked comparisons with the Hollywood legend [[Spencer Tracy]]. |
Meanwhile, Kalyani delivers a boy. But soon after the birth of the child, her husband as well as her father die leaving her destitute. Misfortune befalls the family when Kalyani becomes the target of anti-social elements and is raped by a temple priest while Gunasekaran is robbed of his belongings on arrival in India (He even meets Kalyani many times, but refuses to reveal himself as her brother). Swearing revenge, Gunasekaran kills the temple priest and lands up in jail. Gunasekaran fights an epic battle in court explaining the misfortunes which had befallen him and justifying his actions. Gunasekaran's valiant defence in the court filled with soul-stirring dialogues revolutionized Tamil film industry. The film, regarded as the first significant attempt by the Dravidian Movement to use media for propaganda, catapulted Sivaji Ganesan to fame overnight and evoked comparisons with the Hollywood legend [[Spencer Tracy]]. However through a sequence of events, Gunasekaran, Gnanasekaran and Kalyani finally find their elder brother and re-unite with him, thus returning to [[Rags to riches|riches from rags]]. The film ends as [[C.N. Annadurai]], [[M. Karunanidhi]] and several other famous people attend a stage drama conducted by Gnanasekaran. |
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== Controversy == |
== Controversy == |
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Revision as of 20:25, 26 November 2011
| Parasakthi | |
|---|---|
| File:Parasakthi.jpg | |
| Directed by | R. Krishnan S. Panju |
| Written by | M. Karunanidhi |
| Produced by | A. V. Meiyappan, P.A.Perumal Mudaliar |
| Starring | Sivaji Ganesan Pandari Bai S. S. Rajendran S. V. Sahasranam Sriranjani |
| Music by | R.Sudarsanam |
Release date | 17 October 1952 |
| Language | Tamil |
Parasakthi (Tamil: பராசக்தி) was a 1952 Tamil film starring Sivaji Ganesan, Pandari Bai, S. S. Rajendran, S. V. Sahasranamam and Sriranjani. It was directed by R. Krishnan and S. Panju and produced by AVM. The dialogues for the film were penned by writer M. Karunanidhi who later became the Chief Minister of Tamil Nadu.[1]
Production
The film Parasakthi was released on Deepavali Day, 1952, after months of shooting and preparations. Meiyappan's newly established AVM Productions which was on a roll having produced a series of hits as Naam Iruvar and Vazhkai planned to make a film in 1952 with a newcomer called Sivaji Ganesan who had earlier dubbed for a Telugu artist in a Tamil movie Niraparadhi.
Made at an impressive budget and with dialogues penned by eminent writer M. Karunanidhi, the film critically examined the social issues at the time. By the time the film was off the theatres, it had created a revolution.[2] Today, it forms a part of Tamil political history and comprises an unforgettable chapter in the history of the Dravidian Movement.
Plot synopsis
The story is based on the tale of three brothers, Chandrasekaran (Sahasranamam), Gnanasekaran (S. S. Rajendran) and Gunasekaran (Sivaji Ganesan) who settle down in Burma during the Second World War. The youngest Gunasekaran gets the opportunity to visit India for the marriage of their younger sister Kalyani (Sriranjani) but as fate would have it, he gets stranded at sea due to intense Japanese bombardment of Burmese ports.[3]
As the Japanese shelling of Burma intensifies, Chandrasekaran and Gnanasekaran decide to pack their belongings and cross over to India. But Gnanasekaran is lost and is presumed killed in Japanese bombardment.
Meanwhile, Kalyani delivers a boy. But soon after the birth of the child, her husband as well as her father die leaving her destitute. Misfortune befalls the family when Kalyani becomes the target of anti-social elements and is raped by a temple priest while Gunasekaran is robbed of his belongings on arrival in India (He even meets Kalyani many times, but refuses to reveal himself as her brother). Swearing revenge, Gunasekaran kills the temple priest and lands up in jail. Gunasekaran fights an epic battle in court explaining the misfortunes which had befallen him and justifying his actions. Gunasekaran's valiant defence in the court filled with soul-stirring dialogues revolutionized Tamil film industry. The film, regarded as the first significant attempt by the Dravidian Movement to use media for propaganda, catapulted Sivaji Ganesan to fame overnight and evoked comparisons with the Hollywood legend Spencer Tracy. However through a sequence of events, Gunasekaran, Gnanasekaran and Kalyani finally find their elder brother and re-unite with him, thus returning to riches from rags. The film ends as C.N. Annadurai, M. Karunanidhi and several other famous people attend a stage drama conducted by Gnanasekaran.
Controversy
Right from the onset, Parasakthi was marred by much controversy. The film was accused of trying to portray Brahmins in poor light. Abuse of Hindu customs and religious practices evoked strong protests from the Hindu orthodoxy.[4] The then Chief Minister of Madras, Chakravarthi Rajagopalachari was unhappy with the extremely provocative nature of the film but allowed it to be screened. The State Government unsuccessfully requested the Union Government to reconsider film certification.
Soundtrack
Partial list of songs from Parasakthi:
- Kaa Kaa Kaa - C. S. Jayaraman
- Nenju Porukkuthillaiye - C. S. Jayaraman
- Desam Gnanam Kalvi - C. S. Jayaraman
- Puthu Pennin Manathai - M. S. Rajeswari
- O Rasikkum Seemane - M. S. Rajeswari
- Konjum Mozhi - T. S. Bagavathi
- Poomalai - T. S. Bagavathi
- Ilvaazhvinil - M. H. Hussain & T. S. Bagavathi
- Porule Illarkku - T. S. Bagavathi
- Ellorum Vazha Vendum - T. S. Bagavathi & M. S. Rajeswari
References
- ^ "Land Marks in Tamil cinema". indiafilm.com. Retrieved 2008-04-27.
- ^ PSK. "Tribute-Sivaji Ganesan". idlebrain.com. Retrieved 2008-04-27.
- ^ "Parasakthi (1952)". Retrieved 2008-04-27. [dead link]
- ^ A. Srivathsan (2006-06-12). "Films and the politics of convenience". Chennai, India: idlebrain.com. Retrieved 2008-04-27.
External links
- Parasakthi at IMDb
