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In 1955, the Senate Internal Security Subcommittee published a list of what it described as the 82 most active and typical sponsors of communist fronts in the [[United States]]; some of those named had literally dozens of affiliations with groups that had either been cited as Communist fronts or had been labelled "[[subversion (political)|subversive]]" by either the subcommittee or the House Committee on Un-American Activities.
In 1955, the Senate Internal Security Subcommittee published a list of what it described as the 82 most active and typical sponsors of communist fronts in the [[United States]]; some of those named had literally dozens of affiliations with groups that had either been cited as Communist fronts or had been labelled "[[subversion (political)|subversive]]" by either the subcommittee or the House Committee on Un-American Activities.
==International==
==International==
The [[Comintern]] established fronts in many countries in the 1920s and after, such as Italy.<ref>Joan Urban, ''Moscow and the Italian Communist Party: from Togliatti to Berlinguer'' (1986) p. 157</ref> and France, which in 1933 became the base for Communist front organizer [[Willi Münzenberg]].<ref>Julian Jackson, ''The Popular Front in France'' (1990) p. x</ref>
As Service (2007) shows, the [[Comintern]] established fronts in many countries in the 1920s and after.<ref> Robert Service, ''Comrades!: a history of world communism'' (2007)</ref> They were especially influential in Italy<ref>Joan Urban, ''Moscow and the Italian Communist Party: from Togliatti to Berlinguer'' (1986) p. 157</ref> and France, which in 1933 became the base for Communist front organizer [[Willi Münzenberg]].<ref>Julian Jackson, ''The Popular Front in France'' (1990) p. x</ref>


==New Theatre League==
==New Theatre League==
Mally (2007) shows how Soviet cultural values were transmitted to the United States by front organizations and how important Russian models were in shaping cultural activities in the 1930s. The American Workers' Theatre League (often called the "New Theatre League") was a conduit for new Russian ideas incorporating political positions on stage. The League became less militant by the mid-1930s, bringing it into conflict with both the [[Comintern]] in Moscow and the [[Communist Party in the United States]], but its advocacy of Soviet aesthetic ideas had a lasting impact on American theater.<ref>Lynn Mally, "Inside a Communist Front: A Post-Cold War Analysis of the New Theatre League," ''American Communist History,'' June 2007, Vol. 6 Issue 1, pp 65-95 </ref>
Mally (2007) shows how Soviet cultural values were transmitted to the United States by front organizations and how important Russian models were in shaping cultural activities in the 1930s. The American Workers' Theatre League (often called the "New Theatre League") was a conduit for new Russian ideas incorporating political positions on stage. The League became less militant by the mid-1930s, bringing it into conflict with both the [[Comintern]] in Moscow and the [[Communist Party USA]], but its advocacy of Soviet aesthetic ideas had a lasting impact on American theater.<ref>Lynn Mally, "Inside a Communist Front: A Post-Cold War Analysis of the New Theatre League," ''American Communist History,'' June 2007, Vol. 6 Issue 1, pp 65-95 </ref>
==Hollywood==
==Hollywood==
Radosh and Radosh (2005) explore the Communist Party's influence in Hollywood during the 1930s-1950s to stress the CPUSA policy of secret membership and control of front organizations that fostered an allegiance to Soviet communism in Hollywood. They argue that the Party had at its peak about 300 members, and thousands of sympathizers who were active in numerous front groups controlled by the Party.<ref>Ronald Radosh and Allis Radosh, ''Red Star over Hollywood: The Film Colony's Long Romance with the Left'' (2005)</ref>
Radosh and Radosh (2005) explore the Communist Party's influence in Hollywood during the 1930s-1950s to stress the CPUSA policy of secret membership and control of front organizations that fostered an allegiance to Soviet communism in Hollywood. They argue that the Party had at its peak about 300 members, and thousands of sympathizers who were active in numerous front groups controlled by the Party.<ref>Ronald Radosh and Allis Radosh, ''Red Star over Hollywood: The Film Colony's Long Romance with the Left'' (2005)</ref>
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* [[Movement Against War and Fascism]]
* [[Movement Against War and Fascism]]
* Australian Writers' League
* Australian Writers' League

==Further reading==
*[http://www.lexisnexis.com/academic/2upa/Ars/SubversiveActivitiesControlBd.asp ''Records of the Subversive Activities Control Board, 1950–1972'', Harvey Klehr]


==See also==
==See also==
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*''Federal Register 13,'' 20 March 1948: Attorney General's List of Communist classified organizations.
*''Federal Register 13,'' 20 March 1948: Attorney General's List of Communist classified organizations.
==Further reading==
==Further reading==
* Andrew, Christopher, and Oleg Gordievsky. ''KGB: The Inside Story of its Foreign Operations from Lenin to Gorbachev'' (London: Hodder & Stoughton, 1990)
* Heale, M. J. ''American anticommunism: combating the enemy within, 1830-1970'' (1990)
* Heale, M. J. ''American anticommunism: combating the enemy within, 1830-1970'' (1990)
* Klehr, Harvey. [http://www.lexisnexis.com/academic/2upa/Ars/SubversiveActivitiesControlBd.asp ''Records of the Subversive Activities Control Board, 1950–1972'', Harvey Klehr]
* Klehr, Harvey. ''The Heyday of American Communism: The Depression Decade'' Basic Books, 1984.
* Klehr, Harvey and John Earl Haynes. ''The American Communist Movement: Storming Heaven Itself'' (Twayne, 1992).
* Klehr, Harvey, Kyrill M. Anderson, and John Earl Haynes. ''The Soviet World of American Communism'' (Yale University Press, 1998)
* McMeekin, Sean. ''The Red Millionaire: A Political Biography of Willi Münzenberg, Moscow's Secret Propaganda Tsar in the West, 1917-1940'' (Yale University Press, 2004)
* McMeekin, Sean. ''The Red Millionaire: A Political Biography of Willi Münzenberg, Moscow's Secret Propaganda Tsar in the West, 1917-1940'' (Yale University Press, 2004)
* Ottanelli, Fraser M., ''The Communist Party of the United States: From the Depression to World War II'' (Rutgers University Press, 1991)
* Rosswurm, Steve. "Records of the Subversion Activities Control Board, 1950-1972," ''Journal of American History,'' March 1991, Vol. 77 Issue 4, pp 1447-1448
* Rosswurm, Steve. "Records of the Subversion Activities Control Board, 1950-1972," ''Journal of American History,'' March 1991, Vol. 77 Issue 4, pp 1447-1448
* Service, Robert. ''Comrades!: a history of world communism'' (2007)
* Sherman, John W. ''A Communist Front at Mid-Century: The American Committee for Protection of Foreign Born, 1933-1959'' (2001)
* Sherman, John W. ''A Communist Front at Mid-Century: The American Committee for Protection of Foreign Born, 1933-1959'' (2001)



Revision as of 02:12, 7 August 2011

A Communist front in the United States is an organization alleged to be a front organization under the effective control of the Communist International, the Communist Party USA, or other totalitarian Marxist organization. Called "mass organizations" by the Communists themselves, these groups were prevalent from the 1920s through the 1950s, with their use accelerating during the so-called Popular Front period of the 1930s. American Peace Mobilization, a front group active before the Nazi invasion of the Soviet Union during World War II as an advocate of peace but which rapidly switched positions after Operation Barbarossa and transmogrified itself into a patriotic organization supporting the war, American Peoples Mobilization, is a transparent example.[1] The term has also been used to refer to organizations not originally communist-controlled which after a time became so, such as the American Student Union. During the cold war the House Committee on Un-American Activities (HUAC) and the Senate Internal Security Subcommittee (SISS) investigated and listed a number of suspected organizations.

In 1955, the Senate Internal Security Subcommittee published a list of what it described as the 82 most active and typical sponsors of communist fronts in the United States; some of those named had literally dozens of affiliations with groups that had either been cited as Communist fronts or had been labelled "subversive" by either the subcommittee or the House Committee on Un-American Activities.

International

As Service (2007) shows, the Comintern established fronts in many countries in the 1920s and after.[2] They were especially influential in Italy[3] and France, which in 1933 became the base for Communist front organizer Willi Münzenberg.[4]

New Theatre League

Mally (2007) shows how Soviet cultural values were transmitted to the United States by front organizations and how important Russian models were in shaping cultural activities in the 1930s. The American Workers' Theatre League (often called the "New Theatre League") was a conduit for new Russian ideas incorporating political positions on stage. The League became less militant by the mid-1930s, bringing it into conflict with both the Comintern in Moscow and the Communist Party USA, but its advocacy of Soviet aesthetic ideas had a lasting impact on American theater.[5]

Hollywood

Radosh and Radosh (2005) explore the Communist Party's influence in Hollywood during the 1930s-1950s to stress the CPUSA policy of secret membership and control of front organizations that fostered an allegiance to Soviet communism in Hollywood. They argue that the Party had at its peak about 300 members, and thousands of sympathizers who were active in numerous front groups controlled by the Party.[6]

Alleged CPUSA front organizations, circa 1980

By late Cold War, Richard Felix Staar alleged that Soviet intelligence has infiltrated many peace movements in the West, most importantly, the World Peace Council.[7] In addition to WPC, important communist front organizations included its affiliate the U.S. Peace Council, the World Federation of Trade Unions, the World Federation of Democratic Youth, and the International Union of Students.[8] Staar asserted that somewhat less important front organizations included: Afro-Asian People's Solidarity Organization, Christian Peace Conference, International Association of Democratic Lawyers, International Federation of Resistance Movements, International Institute for Peace, International Organization of Journalists, Women's International Democratic Federation and World Federation of Scientific Workers.[9] Numerous peace conferences, congresses and festivals have been staged with support of those organizations.[10]

Australian Communist Front Organisations

See also

References

  • Federal Register 13, 20 March 1948: Attorney General's List of Communist classified organizations.

Further reading

  • Heale, M. J. American anticommunism: combating the enemy within, 1830-1970 (1990)
  • Klehr, Harvey. Records of the Subversive Activities Control Board, 1950–1972, Harvey Klehr
  • Klehr, Harvey. The Heyday of American Communism: The Depression Decade Basic Books, 1984.
  • Klehr, Harvey and John Earl Haynes. The American Communist Movement: Storming Heaven Itself (Twayne, 1992).
  • Klehr, Harvey, Kyrill M. Anderson, and John Earl Haynes. The Soviet World of American Communism (Yale University Press, 1998)
  • McMeekin, Sean. The Red Millionaire: A Political Biography of Willi Münzenberg, Moscow's Secret Propaganda Tsar in the West, 1917-1940 (Yale University Press, 2004)
  • Ottanelli, Fraser M., The Communist Party of the United States: From the Depression to World War II (Rutgers University Press, 1991)
  • Rosswurm, Steve. "Records of the Subversion Activities Control Board, 1950-1972," Journal of American History, March 1991, Vol. 77 Issue 4, pp 1447-1448
  • Service, Robert. Comrades!: a history of world communism (2007)
  • Sherman, John W. A Communist Front at Mid-Century: The American Committee for Protection of Foreign Born, 1933-1959 (2001)

Notes

  1. ^ "American People's Mobilization Collected Records, 1940-1941". Swarthmore College Peace Collection. Swarthmore College. last updated on June 16, 2010. Retrieved December 19, 2010. {{cite web}}: Check date values in: |date= (help)
  2. ^ Robert Service, Comrades!: a history of world communism (2007)
  3. ^ Joan Urban, Moscow and the Italian Communist Party: from Togliatti to Berlinguer (1986) p. 157
  4. ^ Julian Jackson, The Popular Front in France (1990) p. x
  5. ^ Lynn Mally, "Inside a Communist Front: A Post-Cold War Analysis of the New Theatre League," American Communist History, June 2007, Vol. 6 Issue 1, pp 65-95
  6. ^ Ronald Radosh and Allis Radosh, Red Star over Hollywood: The Film Colony's Long Romance with the Left (2005)
  7. ^ Richard Felix Staar, Foreign policies of the Soviet Union, Hoover Press, 1991, ISBN 0817991026, p.79, p.84
  8. ^ Richard Felix Staar, Foreign policies of the Soviet Union, Hoover Press, 1991, ISBN 0817991026, p.84
  9. ^ Richard Felix Staar, Foreign policies of the Soviet Union, Hoover Press, 1991, ISBN 0817991026, p.80-81
  10. ^ Richard Felix Staar, Foreign policies of the Soviet Union, Hoover Press, 1991, ISBN 0817991026, p.85