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'''Michael "Mike" Leigh''', [[Order of the British Empire|OBE]] (born 20 February 1943) is a British writer and director of [[film director|film]] and [[theatre director|theatre]]. He studied theatre at the [[Royal Academy of Dramatic Art]] and did his early acting with the [[Royal Shakespeare Company]] {{Citation needed|date=August 2008}}. He began as a theatre director and playwright in the 1960s. In the 1970s |
'''Michael "Mike" Leigh''', [[Order of the British Empire|OBE]] (born 20 February 1943) is a British writer and director of [[film director|film]] and [[theatre director|theatre]]. He studied theatre at the [[Royal Academy of Dramatic Art]] and did his early acting with the [[Royal Shakespeare Company]] {{Citation needed|date=August 2008}}. He began as a theatre director and playwright in the 1960s. In the 1970s and 1980s his career moved between work for the theatre and making films for [[BBC Television]], many of which were characterized by a gritty "[[kitchen sink realism]]" style. His well-known films include ''[[Life Is Sweet (film)|Life is Sweet]]'' (1990), the comedy-drama ''[[Career Girls]]'' (1997), the Gilbert and Sullivan biography ''[[Topsy Turvy]]'' (1999), and the bleak working-class drama ''[[All or Nothing (film)|All or Nothing]]'' (2002). His most notable works are arguably ''[[Naked (film)|Naked]]'' (1993) for which he won the [[Best Director Award (Cannes Film Festival)|Best Director Award]] at [[1993 Cannes Film Festival|Cannes]],<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2574/year/1993.html |title=Festival de Cannes: Naked |accessdate=2009-08-22|work=festival-cannes.com}}</ref> the [[BAFTA]]-winning (and Oscar-nominated) [[Palme d'Or]] winner ''[[Secrets & Lies (film)|Secrets & Lies]]'' (1996) and [[Golden Lion]] winner ''[[Vera Drake]]'' (2004). |
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His films and stage plays, according to the critic [[Michael Coveney]], " comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." <ref> ''The world according to Mike Leigh'', p.8, Michael Coveney, Harper Collins 1996 </ref> |
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Leigh begins his projects without a script, but starts from a basic premise which is developed through improvisation by the actors. |
Leigh begins his projects without a script, but starts from a basic premise which is developed through improvisation by the actors. |
Revision as of 00:17, 29 January 2011
Mike Leigh | |
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Born | |
Spouse | Alison Steadman (1973-2001) |
Michael "Mike" Leigh, OBE (born 20 February 1943) is a British writer and director of film and theatre. He studied theatre at the Royal Academy of Dramatic Art and did his early acting with the Royal Shakespeare Company [citation needed]. He began as a theatre director and playwright in the 1960s. In the 1970s and 1980s his career moved between work for the theatre and making films for BBC Television, many of which were characterized by a gritty "kitchen sink realism" style. His well-known films include Life is Sweet (1990), the comedy-drama Career Girls (1997), the Gilbert and Sullivan biography Topsy Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are arguably Naked (1993) for which he won the Best Director Award at Cannes,[1] the BAFTA-winning (and Oscar-nominated) Palme d'Or winner Secrets & Lies (1996) and Golden Lion winner Vera Drake (2004).
His films and stage plays, according to the critic Michael Coveney, " comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." [2]
Leigh begins his projects without a script, but starts from a basic premise which is developed through improvisation by the actors.
Early life
Leigh was born in Broughton, Salford, Lancashire, the son of Phyllis Pauline (née Cousin) and Alfred Abraham Leigh, a doctor[3] in a working-class area of Salford (near Manchester). Leigh was brought up in a Jewish immigrant family (whose surname was originally "Lieberman", but was anglicised before Leigh's birth).[4][5][6][7] Initially trained as an actor at RADA, Leigh went on to start honing his directing skills at East 15 Acting School where he met the actress Alison Steadman.
He won a scholarship to the Royal Academy of Dramatic Art in 1960. He later attended Camberwell School of Arts and Crafts, the Central Saint Martins College of Art and Design, and the London Film School. He played small roles in several British films in the early 1960s (West 11,Two Left Feet),and a part in the BBC TV series Maigret. In 1965 he began to write and direct a play.
Career
In 1965 Leigh went to work at the Midlands Art Centre in Birmingham and had the opportunity to start experimenting with the idea that writing and rehearsing could potentially be part of the same process. In the 1970s, Leigh made nine television plays. Earlier plays such as Nuts in May and Abigail's Party tended more towards bleakly yet humorously satirising middle-class manners and attitudes. His plays are generally more caustic, stridently trying to show the banality of society. Goose-Pimples and Abigail's Party both focus on the vulgar middle class in a convivial party setting that spirals out of control. The television version of Abigail's Party was made at some speed, Steadman was pregnant at the time, and Leigh's objections to flaws in the production, particularly the lighting, led to his preference for theatrical films.
In 1988, he made High Hopes about a disjointed working-class family whose members live in a run-down flat and a council house. Leigh's subsequent films such as Naked and Vera Drake are somewhat starker, more brutal, and concentrate more on the working-class; another of his recent films, however, is a modern-day comedy, Happy-Go-Lucky. A commitment to social realism and humanism is evident throughout. More specifically, several of his films and television plays examine the domestic relationships of ordinary people, which are brought to a head or transformed by some crisis towards the end of the film.
His stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.
The anger inherent in Leigh's material, in some ways typical of the Thatcher years, softened after her departure from the political scene. In 2005, Leigh returned to directing for the stage after many years absence with his new play, Two Thousand Years at the Royal National Theatre in London. The play deals with the divisions within a left-wing secular Jewish family when one of the younger members finds religion. It is the first time Leigh has drawn on his Jewish background for inspiration.
Leigh has won several prizes at major European film festivals. Most notably he won the Best Director award at Cannes for Naked in 1993 and the Palme d'Or in 1996 for Secrets & Lies. He won the Leone d'Oro for the best film at the International Venice Film Festival in 2004 with Vera Drake. He has been nominated for the Academy Award six times, twice each for Secrets & Lies and Vera Drake (Best Original Screenplay and Best Directing) and once for Topsy-Turvy and Happy-Go-Lucky (Best Original Screenplay only). He was also elected a Fellow of the Royal Society of Literature in 2008.[8]
Leigh has used a pool of actors regularly over the years, including Alison Steadman, Timothy Spall, Lesley Manville, Ruth Sheen, Marion Bailey, Phil Davis, Jim Broadbent, David Thewlis, Peter Wight, Imelda Staunton, Sally Hawkins, Eddie Marsan, Claire Skinner, and the late Katrin Cartlidge.
Style
Leigh uses lengthy improvisations developed over a period of weeks to build characters and storylines for his films. He starts with some sketch ideas of how he thinks things might develop, but does not reveal all his intentions with the cast who discover their fate and act out their responses as their destinies are gradually revealed. Initial preparation is in private with the director and then the actors are introduced to each other in the order that their characters would have met in their lives. Intimate moments are explored that will not even be referred to in the final film to build insight and understanding of history, character and inner motivation.
The critical scenes in the eventual story are performed and recorded in full-costumed, real-time improvisations where the actors encounter for the first time new characters, events or information which may dramatically affect their characters' lives. Final filming is more traditional as definite sense of story, action and dialogue is then in place. The director reminds the cast of material from the improvisations that he hopes to capture on film.
In an interview with Laura Miller, "Listening to the World: An Interview With Mike Leigh", published on salon.com, Leigh states, "I make very stylistic films indeed, but style doesn't become a substitute for truth and reality. It's an integral, organic part of the whole thing." Leigh's vision is to depict ordinary life, "real life", unfolding under extenuating circumstances. He makes courageous decisions to document reality. He speaks about the criticism Naked received: "The criticism comes from the kind of quarters where "political correctness" in its worst manifestation is rife. It's this kind of naive notion of how we should be in an unrealistic and altogether unhealthily over-wholesome way."[9]
Leigh's style has been influential over a number of film companies. ACT 2 CAM uses his improvisation techniques to build characters and context for films with young people in the UK.
Personal life
In September 1973 he married Alison Steadman; they have two sons: Toby (born 1979) and Leo (born 1981). Steadman appeared in seven of his films and several of his plays, including Wholesome Glory and Abigail's Party. They divorced in 2001. He now lives in Camden with costume designer Charlotte Holdich.
Filmography
- Bleak Moments (1971)
- Hard Labour (1973)
- The Permissive Society (BBC Second City Firsts, 10/04/Template:Ytv)
- Nuts in May (BBC Play for Today, 13/01/Template:Ytv)
- Abigail's Party (BBC Play for Today, 01/11/Template:Ytv)
- Kiss of Death (1977)
- Who's Who (1978)
- Grown-Ups (1980)
- Home Sweet Home (1982)
- Meantime (1983)
- Four Days in July (BBC1, 1/29/Template:Ytv)
- The Short and Curlies (1987) - short
- High Hopes (1988)
- Life Is Sweet (1990)
- A Sense of History (1992) - short
- Naked (1993)
- Secrets & Lies (1996)
- Career Girls (1997)
- Topsy-Turvy (1999)
- All or Nothing (2002)
- Vera Drake (2004)
- Happy-Go-Lucky (2007)
- Another Year (2010)
List of plays
- The Box Play (1965)
- My Parents Have Gone to Carlisle (1966)
- The Last Crusade of Five Little Nuns (1966)
- Individual Fruit Pies (1968)
- Glum Victoria and the Lad with Specs (1969)
- Bleak Moments (1970)
- A Rancid Pong (1971)
- Wholesome Glory (1973)
- The Jaws of Death (1973)
- Dick Whittington and His Cat (1973)
- Babies Grow Old (1974)
- The Silent Majority (1974)
- Abigail's Party (1977)
- Too Much of a Good Thing 1979; BBC radio)
- Ecstasy (1979)
- Goose-Pimples (1981)
- Smelling a Rat (1988)
- Greek Tragedy (1989)
- It's a Great Big Shame! (1993)
- Two Thousand Years (2005)
Recurring collaborators
Actor | Bleak Moments (1971) |
Hard Labour (1973) |
Nuts in May (1976) |
Abigail's Party (1977) |
Kiss of Death (1977) |
Who's Who (1978) |
Grown-Ups (1980) |
Home Sweet Home (1982) |
Meantime (1983) |
Four Days in July (1985) |
High Hopes (1988) |
Life is Sweet (1990) |
Naked (1993) |
Secrets & Lies (1996) |
Career Girls (1997) |
Topsy-Turvy (1999) |
All or Nothing (2002) |
Vera Drake (2004) |
Happy-Go-Lucky (2008) |
Another Year (2010) |
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Emma Amos | ||||||||||||||||||||
Marion Bailey | ||||||||||||||||||||
Linda Beckett | ||||||||||||||||||||
Elizabeth Berrington | ||||||||||||||||||||
Brenda Blethyn | ||||||||||||||||||||
Brid Brennan | ||||||||||||||||||||
Jim Broadbent | ||||||||||||||||||||
Katrin Cartlidge | ||||||||||||||||||||
Simon Chandler | ||||||||||||||||||||
Ron Cook | ||||||||||||||||||||
Allan Corduner | ||||||||||||||||||||
Phil Davis | ||||||||||||||||||||
Edna Doré | ||||||||||||||||||||
Karina Fernandez | ||||||||||||||||||||
Sally Hawkins | ||||||||||||||||||||
Marianne Jean-Baptiste | (composer) | |||||||||||||||||||
Alex Kelly | ||||||||||||||||||||
Sam Kelly | ||||||||||||||||||||
Clifford Kershaw | ||||||||||||||||||||
Lesley Manville | ||||||||||||||||||||
Eddie Marsan | ||||||||||||||||||||
Daniel Mays | ||||||||||||||||||||
Gary McDonald | ||||||||||||||||||||
Stephen Rea | ||||||||||||||||||||
Martin Savage | ||||||||||||||||||||
Andy Serkis | ||||||||||||||||||||
Lesley Sharp | ||||||||||||||||||||
Ruth Sheen | ||||||||||||||||||||
Claire Skinner | ||||||||||||||||||||
Liz Smith | ||||||||||||||||||||
Timothy Spall | ||||||||||||||||||||
Imelda Staunton | ||||||||||||||||||||
Alison Steadman | ||||||||||||||||||||
David Thewlis | ||||||||||||||||||||
Peter Wight |
Further reading
- Carney, Ray & Quart, Leonard, The Films of Mike Leigh - Embracing the World (Cambridge: Cambridge University Press, 2000)
- Clements, Paul, The Improvised Play (London: Methuen, 1983) ISBN 0413504409 (pbk.)
- Coveney, Michael, The World According to Mike Leigh (London: HarperCollins, 1996)
- Movshovitz, Howie (ed.) Mike Leigh Interviews (Mississippi: University Press of Mississippi, 2000)
- Whitehead, Tony, Mike Leigh (British Film Makers) (Manchester University Press, 2007)
References
- ^ "Festival de Cannes: Naked". festival-cannes.com. Retrieved 2009-08-22.
- ^ The world according to Mike Leigh, p.8, Michael Coveney, Harper Collins 1996
- ^ http://www.filmreference.com/film/85/Mike-Leigh.html
- ^ http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky
- ^ http://www.jewishjournal.com/films/article/habonim_spirit_influences_work_of_director_mike_leigh_in_happy_go_lucky_200/
- ^ http://www.thejc.com/news/israel-news/39928/mike-leigh-cancels-israel-visit-over-conscience
- ^ Mike Leigh comes out on his Jewishness by Linda Grant
- ^ "Royal Society of Literature All Fellows". Royal Society of Literature. Retrieved 9 August 2010.
- ^ Salon: Mike Leigh, page 2
External links
- Mike Leigh at IMDb
- Mike Leigh at the BFI's Screenonline
- Please use a more specific IOBDB template. See the template documentation for available templates.
- Template:Contemporary writers
- Mike Leigh on Happy-Go-Lucky and on childhood visits at grandparents in Hitchin, ITV Local Anglia interview 2008
- Mike Leigh live on Film Unlimited - The Guardian, 17 March 2000.
- Extensive Mike Leigh Biography and Filmography
- Interview with Leigh on Naked from 1994
- A Conversation with Mike Leigh - an in-depth interview with the director
- Mike Leigh: A Life in Pictures, BAFTA webcast from the Brighton Festival, May 2008
- Mike Leigh interview in June 2008
- Interview with Barbara Ellen in New Statesman Magazine - 21 October 2010
- An open letter to Mike Leigh by Dan Gordon
- 1943 births
- Alumni of Camberwell College of Arts
- Alumni of the Royal Academy of Dramatic Art
- Alumni of the Central Saint Martins College of Art and Design
- British republicans
- BAFTA winners (people)
- English film directors
- English Jews
- English screenwriters
- English theatre directors
- Jewish dramatists and playwrights
- Living people
- Officers of the Order of the British Empire
- People from Broughton, Greater Manchester
- People from Muswell Hill
- Social realism
- Fellows of the Royal Society of Literature