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Darin left Decca to sign with [[Atlantic Records]] (ATCO), where he wrote and arranged music for himself and others. There, after three mediocre recordings, his career took off in 1958 when he wrote and recorded "[[Splish Splash (song)|Splish Splash]]". The song was an instant hit, selling more than a million copies.<ref>[http://www.bobbydarin.net/sn_041058.html The Splish Splash Session - Session Notes by Dik de Heer, BobbyDarin.net/BobbyDarin.com<!-- Bot generated title -->]</ref> "Splish Splash" was written with radio DJ Murray [[Murray the K]] Kaufman, who bet that Darin could not write a song that started out with the words "Splish Splash, I was takin' a bath", as suggested by Murray's mother. On a snow-bound night in early 1958, Darin went in the studio alone and recorded a demo of "Splish Splash". They eventually shared writing credits with her. This was followed by more hits recorded in the same style.
Darin left Decca to sign with [[Atlantic Records]] (ATCO), where he wrote and arranged music for himself and others. There, after three mediocre recordings, his career took off in 1958 when he wrote and recorded "[[Splish Splash (song)|Splish Splash]]". The song was an instant hit, selling more than a million copies.<ref>[http://www.bobbydarin.net/sn_041058.html The Splish Splash Session - Session Notes by Dik de Heer, BobbyDarin.net/BobbyDarin.com<!-- Bot generated title -->]</ref> "Splish Splash" was written with radio DJ Murray [[Murray the K]] Kaufman, who bet that Darin could not write a song that started out with the words "Splish Splash, I was takin' a bath", as suggested by Murray's mother. On a snow-bound night in early 1958, Darin went in the studio alone and recorded a demo of "Splish Splash". They eventually shared writing credits with her. This was followed by more hits recorded in the same style.


In 1959, Bobby Darin recorded "[[Dream Lover]]", a ballad that became a multi-million seller. With financial success came the ability to demand more so-called [[artistic control|creative control]]. His next record, "[[Mack the Knife]]," was the classic standard from [[Kurt Weill]]'s ''[[The Threepenny Opera|Threepenny Opera]]'': Darin gave the tune a vamping jazz-pop interpretation, which he consciously modeled on the style of [[Frankie Laine]].<ref>[http://www.classicaldomainli.org/laine.html Classical DomainLI, TRIBUTE TO FRANKIE LAINE<!-- Bot generated title -->]</ref> The song went to No. 1 on the charts for nine weeks, sold over a million copies, and won the [[Grammy Award for Record of the Year]] in 1960. Darin was also voted the [[Grammy Award for Best New Artist]] that year. "Mack The Knife" has since been honored with a [[Grammy Hall of Fame Award]]. He followed "Mack" with "[[Beyond the Sea (song)|Beyond the Sea]]", a jazzy English-language version of [[Charles Trenet|Charles Trenet's]] [[French-language|French]] hit song "[[La Mer (song)|La Mer]]".
In 1959, Bobby Darin recorded "[[Dream Lover]]", a ballad that became a multi-million seller. With financial success came the ability to demand more so-called [[artistic control|creative control]]. Some at the label wanted a [[Fats Domino]]-ish album. But Darin's devoted publicist and advisor Harriet 'Hesh' Wasser wanted a 'great, swinging, standard album,' and , as she later told it, they were walking down 57th street when Darin stold her ; ''Hesh, don't worry, you'll get your album.'' His next record, "[[Mack the Knife]]," was the classic standard from [[Kurt Weill]]'s ''[[The Threepenny Opera|Threepenny Opera]]'': Darin gave the tune a vamping jazz-pop interpretation, which he consciously modeled on the style of [[Frankie Laine]].<ref>[http://www.classicaldomainli.org/laine.html Classical DomainLI, TRIBUTE TO FRANKIE LAINE<!-- Bot generated title -->]</ref> The song went to No. 1 on the charts for nine weeks, sold over a million copies, and won the [[Grammy Award for Record of the Year]] in 1960. Darin was also voted the [[Grammy Award for Best New Artist]] that year. "Mack The Knife" has since been honored with a [[Grammy Hall of Fame Award]]. He followed "Mack" with "[[Beyond the Sea (song)|Beyond the Sea]]", a jazzy English-language version of [[Charles Trenet|Charles Trenet's]] [[French-language|French]] hit song "[[La Mer (song)|La Mer]]".


The tracks were produced by Atlantic founders, [[Ahmet Ertegün|Ahmet]] and [[Nesuhi Ertegün]] with staff producer [[Jerry Wexler]] and featured brilliant arrangements by Richard Wess. Propelled by the success of "Mack the Knife" and "Beyond the Sea," Darin became a hot commodity. He set all-time attendance records at the famed [[Copacabana (nightclub)|Copacabana]] nightclub in New York City, where it was not unusual for fans to line up all the way around the block to get tickets when Darin performed there. The Copacabana sold so many seats for Darin's shows that they had to fill the dance floor, normally part of the performance area, with extra seating. Darin also headlined at the major [[casino]]s in [[Las Vegas Strip|Las Vegas]].
The tracks were produced by Atlantic founders, [[Ahmet Ertegün|Ahmet]] and [[Nesuhi Ertegün]] with staff producer [[Jerry Wexler]] and featured brilliant arrangements by Richard Wess. Propelled by the success of "Mack the Knife" and "Beyond the Sea," Darin became a hot commodity. He set all-time attendance records at the famed [[Copacabana (nightclub)|Copacabana]] nightclub in New York City, where it was not unusual for fans to line up all the way around the block to get tickets when Darin performed there. The Copacabana sold so many seats for Darin's shows that they had to fill the dance floor, normally part of the performance area, with extra seating. Darin also headlined at the major [[casino]]s in [[Las Vegas Strip|Las Vegas]].

Revision as of 17:24, 4 July 2009

Bobby Darin

Bobby Darin (born Walden Robert Cassotto, May 14, 1936 – December 20, 1973) was one of the most popular American big band performers and rock and roll teen idols of the late 1950s and early 1960s.

Darin performed widely in a range of music genres, including pop, jazz, folk and country. Although unknown to his public, his health was dangerously fragile and strongly motivated him to succeed within the limited lifetime he feared he had, and ultimately did.

He was also an actor, singer/songwriter and music business entrepreneur. His wish for a legacy was "to be remembered as a human being and as a great performer."[1] Among his many other contributions, he became a goodwill ambassador for the American Heart Association.

Early years

Darin was born to a poor, working-class Italian-American family in the Bronx, New York. The person assumed to be his father (but actually his grandfather) died in jail a few months before he was born. It was the height of the Great Depression, and he once remarked that his crib was a cardboard box, later a dresser drawer. As a result, his mother had to accept Home Relief to take care of her infant son. It was not until he was an adult that he learned that the woman he thought to be his sister Nina, 17 years his senior, was in fact his mother, and Polly, the woman he thought to be his mother, was his grandmother.[2] He never knew the identity of his birth father. It was Polly who took the young Bobby to what was left of the old vaudeville circuit in New York, places like the Bronx Opera House, and the RKO Jefferson in Manhattan, places where he received his first showbiz inspiration, and where he saw performers like Sophie Tucker, whom he loved. [3]

Darin was frail as an infant and, beginning at the age of 8, was stricken with multiple bouts of rheumatic fever. The illness left him with a seriously weakened heart. Overhearing a doctor tell his mother that he would be lucky to reach the age of 16, he lived with the constant knowledge that his life might be a short one, which further motivated him to use his talents. He was driven by his poverty and illness to make something of his life and, with his innate talent for music, by the time he was a teenager he could play several instruments, including piano, drums and guitar. He later added harmonica and xylophone.

An outstanding student, Darin graduated from the prestigious Bronx High School of Science and went on to attend Hunter College on a scholarship. Wanting a career in the New York theater, he dropped out of college to play small nightclubs around the city with a musical combo. In the resort area of the Catskill Mountains, he was both a busboy and an entertainer.[2] For the most part teenage Bobby was a comedy drummer and an ambitious but unpolished vocalist.

As was common with first-generation Americans at the time, he changed his Italian name to one that sounded less ethnic. He chose the name "Bobby" because he had generally been called that as a child. He allegedly chose Darin because he had seen a malfunctioning electrical sign at a Chinese restaurant reading "DARIN DUCK" rather than "MANDARIN DUCK", and he thought the Darin looked good. Later, he said that the name was randomly picked out of the telephone book. Neither story has been verified.

Music career

What really moved things along for Darin was his songwriting partnership, formed in 1955, with fellow Bronx Science student Don Kirshner. In 1956 his agent negotiated a contract for him with Decca Records, where Bill Haley & His Comets had risen to fame. However, this was a time when rock and roll was still in its infancy and the number of capable record producers and arrangers in the field was extremely limited.

A member of the now famous Brill Building gang of once-struggling songwriters who later found success, Darin was introduced to then up-and-coming singer Connie Francis. Bobby's manager arranged for Darin to help write several songs for Connie in order to help jump-start her singing career. Initially the two artists couldn't see eye to eye on potential material, but after several weeks Bobby and Connie developed a romantic interest in one another. Purportedly, Connie had a very strict Italian father who would separate the couple whenever possible. When Connie's father learned that Bobby had suggested the two lovers elope after one of Connie's shows, he ran Darin out of the building while waving a gun telling Bobby to never see his daughter again.

Bobby saw Connie only twice more after this happened, once when the two were scheduled to sing together for a television show and again later when Connie was spotlighted on the tv series This Is Your Life. Connie has said that not marrying Bobby was the biggest mistake of her life.[4] She used the title words of the song My First Real Love, ( a Darin-Kirshner song she'd recorded and on which Darin had played drums), when she said , "Well, he was my first real love and I never stopped loving him all my life." [5] Connie Francis said too that she and Darin would sometimes go to the Apollo Theater to see artists like James Brown and Ray Charles, ' we were the only white people in the audience', and when Darin did record first for Decca early in 1956 it was a piece of black music, pioneered by the Louisiana songster Leadbelly, Rock Island Line - though the immediate inspiration was Lonnie Donegans skiffle version. He sang it on the Dorsey Brothers T.V Show, a big deal at the time, with the lyrics written on his shirt-cuffs in case he forgot them, which he did. But the songs recorded at Decca did very little business. [6]

Darin left Decca to sign with Atlantic Records (ATCO), where he wrote and arranged music for himself and others. There, after three mediocre recordings, his career took off in 1958 when he wrote and recorded "Splish Splash". The song was an instant hit, selling more than a million copies.[7] "Splish Splash" was written with radio DJ Murray Murray the K Kaufman, who bet that Darin could not write a song that started out with the words "Splish Splash, I was takin' a bath", as suggested by Murray's mother. On a snow-bound night in early 1958, Darin went in the studio alone and recorded a demo of "Splish Splash". They eventually shared writing credits with her. This was followed by more hits recorded in the same style.

In 1959, Bobby Darin recorded "Dream Lover", a ballad that became a multi-million seller. With financial success came the ability to demand more so-called creative control. Some at the label wanted a Fats Domino-ish album. But Darin's devoted publicist and advisor Harriet 'Hesh' Wasser wanted a 'great, swinging, standard album,' and , as she later told it, they were walking down 57th street when Darin stold her ; Hesh, don't worry, you'll get your album. His next record, "Mack the Knife," was the classic standard from Kurt Weill's Threepenny Opera: Darin gave the tune a vamping jazz-pop interpretation, which he consciously modeled on the style of Frankie Laine.[8] The song went to No. 1 on the charts for nine weeks, sold over a million copies, and won the Grammy Award for Record of the Year in 1960. Darin was also voted the Grammy Award for Best New Artist that year. "Mack The Knife" has since been honored with a Grammy Hall of Fame Award. He followed "Mack" with "Beyond the Sea", a jazzy English-language version of Charles Trenet's French hit song "La Mer".

The tracks were produced by Atlantic founders, Ahmet and Nesuhi Ertegün with staff producer Jerry Wexler and featured brilliant arrangements by Richard Wess. Propelled by the success of "Mack the Knife" and "Beyond the Sea," Darin became a hot commodity. He set all-time attendance records at the famed Copacabana nightclub in New York City, where it was not unusual for fans to line up all the way around the block to get tickets when Darin performed there. The Copacabana sold so many seats for Darin's shows that they had to fill the dance floor, normally part of the performance area, with extra seating. Darin also headlined at the major casinos in Las Vegas.

Sammy Davis Jr., an exceptionally multi-talented and dynamic performer himself, was quoted as saying that Bobby Darin was "the only person I never wanted to follow" after seeing him perform in Las Vegas.

Darin had a significant role in fostering new talent. Richard Pryor, Flip Wilson and Wayne Newton opened his nightclub performances when they were virtually unknown. Early on, at the Copacabana, he insisted that black comic George Kirby be his opening act. His request was grudgingly granted by Jules Podell, the manager of the Copacabana.

In the 1960s, Darin also owned and operated a highly successful music publishing and production company (TM Music/Trio) and signed Wayne Newton to TM, giving him a song that was originally sent to Darin to record. That record went on to become Newton's breakout hit, "Danke Schoen." He also was a mentor to Roger McGuinn, who worked for Darin at TM Music before going off to form The Byrds. Darin also produced football great Rosey Grier's 1964 LP, Soul City, and "Made in the Shade" for Jimmy Boyd.

In 1962, Darin also began to write and sing country music, with hit songs including "Things" (U.S. #3) (1962), "You're the Reason I'm Living" (U.S. #3), and "18 Yellow Roses" (U.S. #10). The latter two were on Capitol Records, which he joined in 1962, before returning to Atlantic four years later. The song Things was sung by Dean Martin in the 1967 TV special Movin' With Nancy, starring Nancy Sinatra, which was released to home video in 2000.[9]

Acting career

In addition to music, Darin became a motion picture actor. In 1960, he appeared twice as himself in NBC's short-lived crime drama Dan Raven, starring Skip Homeier and set on the Sunset Strip of West Hollywood. In 1960, he was the only actor ever to have been signed contractually to five major Hollywood film studios. He wrote music for several films and acted in them as well. In his first major film, Come September, a romantic comedy designed to capitalize on his popularity with the teenage and young adult audience, he met and co-starred with 18-year-old actress Sandra Dee. They fell in love and were married in 1960. They had one son, Dodd Mitchell Darin (born 1961) and divorced in 1967.

Asking to be taken seriously, he took on more meaningful movie roles, and in 1962, he won the Golden Globe Award for "Most Promising Male Newcomer" for his role in Pressure Point.

In 1963, he was nominated for an Academy Award for Best Supporting Actor for his role as a shell-shocked soldier in Captain Newman, M.D.. At the Cannes Film Festival, where his records—in particular "Beyond the Sea"—brought him a wide following, he won the French Film Critics Award for best actor.

Later years

Darin's musical output became more "folky" as the 1960s progressed and he became more politically aware and active. In 1966, he had another big hit record, but this time it was with folksinger Tim Hardin's "If I Were a Carpenter," adding another style to his vast repertoire. The song secured Darin's return to the Top 10 after a four-year absence. Jim (Roger) McGuinn, the future leader of the Byrds, was part of his performing band. Darin traveled with Robert Kennedy and worked on the latter's 1968 presidential campaign. He was with Kennedy the day he traveled to Los Angeles on June 4, 1968 for the California Primary. Darin was at the Ambassador Hotel later that night when Kennedy was assassinated. He was devastated with this news.

Afterwards, Darin sold his house and most of his possessions and lived in seclusion in a trailer near Big Sur for nearly a year. Coming back to Los Angeles in 1969, Darin started another record company, Direction Records, putting out folk and protest music. He wrote the very popular "Simple Song of Freedom" in 1969. He said of his first Direction Records album, "The purpose of Direction Records is to seek out statement-makers. The album is solely [composed] of compositions designed to reflect my thoughts on the turbulent aspects of modern society." [10] During this time, he was billed under the name "Bob Darin," grew a mustache, and stopped wearing a hairpiece. Within two years, however, all of these changes were discontinued.

At the beginning of the 1970s, he continued to act and to record, including several albums with Motown Records and a couple of films. In January 1971, he underwent his first heart surgery in an attempt to correct some of the heart damage he had lived with since childhood. He spent most of the year recovering from the surgery.

In 1972, he starred in his own TV variety show on NBC, The Bobby Darin Amusement Company, which ran until his untimely death in 1973. Darin married Andrea Yeager in June 1973. He made TV guest appearances and also remained a top draw at Las Vegas, where, owing to his poor health, he was often administered oxygen after his performances.

Death

In 1973, Darin's ill health took a turn for the worse. After failing to take medication prescribed after a dental visit, he developed blood poisoning, weakening his body and clotting one of his heart valves. On December 11, 1973, Darin entered Cedars-Sinai Medical Center in Los Angeles to repair two artificial heart valves received in a previous operation. Despite this, Bobby Darin died on December 20, 1973 after eight hours on the operating table. No funeral was held for Darin, and his body was donated to UCLA for medical research.

Shortly before his death, he divorced his second wife, Andrea. His first wife, Sandra Dee, never re-married.

Legacy

In 1990, singer Paul Anka made the speech for Darin's induction into the Rock and Roll Hall of Fame. In 1999, he was voted into the Songwriters Hall of Fame. He has a star on the Hollywood Walk of Fame.

The Righteous Brothers refer to Darin in their song Rock and Roll Heaven, a tribute to late musicians, which was released months after Darin's death. The duo also make a reference to Mack the Knife.

File:KevinBobby.jpg
Kevin Spacey as Bobby Darin

In 2000, actor Kevin Spacey, a lifelong fan of Darin, acquired the film rights to his story. Spacey directed and produced the film, and played Bobby Darin; as well as co-writing the script. The film is named after one of Darin's top hits, Beyond the Sea. With the consent of the Darin estate, Steve Blauner, and archivist Jimmy Scalia, the movie's opening was at the 2004 Toronto International Film Festival. Despite strong studio promotion, critical reaction was poor [11], and box office results were disappointing. However, the movie spurred a renewed interest in Darin, which has resulted in the release of "never heard before" material. His pianist, Roger Kellaway, has recorded two albums of Darin's music as well. Spacey was nominated for a Golden Globe for Best Actor for the movie. He also occasionally did concert tours, performing many of Darin's hits as a tribute to the singer.

In a 2003 episode of the NBC television series American Dreams, Duncan Sheik portrays Darin and performs Beyond the Sea on American Bandstand. Brittany Snow's character, Meg Pryor, is assigned as Darin's liaison during the show.

On Monday, May 14, 2007, Bobby Darin was awarded a star on the Las Vegas Walk of Stars. This tribute honors Darin for his contribution to making Las Vegas the "Entertainment Capital of the World" and acknowledges his reputation as one of the greatest entertainers of the 20th century. The sponsorship fee for this star was raised entirely by fan donations.

In December 2007, Bobby Darin was inducted into the Hit Parade Hall of Fame.

Cultural references

  • Near the end of Mr. Hobbs Takes a Vacation, the character played by Fabian returns a record album he borrowed from James Stewart's screen daughter: The record is Darin's Love Swings album.
  • In an episode of Leave it to Beaver Eddie Haskell says to the Beaver, "You look like a regular Bobby Darin!"
  • Darin had a custom car built called the "Dream Car," designed by Andy DiDia;[12] it is on display at the St. Louis Museum of Transportation.[13]
  • In 2007 Bobby Darin's hit "Beyond The Sea" was used in TV commercials for the Xbox360 and PlayStation 3 video game BioShock.
  • "Beyond The Sea" was the thirteenth episode of the first season of The X-Files. Agent Dana Scully hears the song during her father's funeral.
  • In The Munsters, the episode "The Magnificent Munster" refers to Darin when Herman Munster is singing. After Herman is singing and items explode, Lily Munster runs in and asks what happened. Grandpa replies "What happened? Bobby Darin just brought down the house."
  • Walden Belfiore from the TV series The Sopranos, says he was named after Bobby Darin when asked why he has an unusual first name for an Italian.
  • Mexican-American singer/songwriter El Vez pays tribute to Darin in his stage show as a "teeny bopper who became a political activist."
  • He plays a prominent role in episode 19, season 1 of [American Dreams]. In an all-time hit show of [American Bandstand], Meg is assigned to watch over the demanding Darin.

Discography

Singles

Release date Title Flip side Record label Chart Positions
US Charts Cashbox UK R&B
1956 Rock Island Line / Timber Decca 29883
Silly Willy / Blue Eyed Mermaid Decca 29922
The Greatest Builder Of Them All / Hear Them Bells Decca 30031
1957 Dealer In Dreams / Help Me Decca 30225
Million Dollar Baby / Talk To Me Atco 6092
Don't Call My Name / Pretty Betty Atco 6103
1958 Silly Willy / Dealer In Dreams Decca 30737
Just In Case You Change Your Mind / So Mean Atco 6109
Splish Splash/ [14] Judy Don't Be Moody US Atco 6117/ UK London 8666 3 2 18 1
Early In The Morning / Now We're One Brunswick 55073
Early In The Morning / [15] Now We're One Atco 6121 24 25 8
Queen of the Hop Lost Love US Atco 6127/UK London 8737 9 12 24 6
Mighty Mighty Man / You're Gone Atco 6128
1959 Plain Jane While I'm Gone Atco 6133 38 30
::above Shown as "The Rinky-Dinks" -- --
Dream Lover [16] Bullmoose US Atco 6140/UK London 8867 2 3 1 4
Mack the Knife [17] Was There A Call For Me US Atco 6147/UK London 8939 1 1 1 6
1960 Beyond the Sea (the French hit song "La Mer") That's The Way Love Is US Atco 6158/UK London 9034 6 7 8 15
Clementine Tall Story US Atco 6161/UK London 9086 21 13 8
Won't You Come Home Bill Bailey?/ US Atco 6167/UK London 9142 19 16 34
I'll Be There 79
Beachcomber Autumn Blues Atco 6173 100 50
Artificial Flowers/ Atco 6179 20 19
::above Shown as "Bobby Darin at the Piano"
Somebody To Love 45 58
Christmas Auld Lang Syne/ Atco 6183 51 50
Child Of God 95 95
She's Tanfastic! Moments Of Love Atco/Ferrion Inc. -- --
::above Special premium record
1961 Lazy River Oo-Ee Train US Atco 6188/UK London 9303 14 18 2
Nature Boy Look For My True Love US Atco 6196/UK London 9375 40 31
Theme From "Come September" Walk Back To Me US Atco 6200/UK London 9407 113 55 50
::Shown as "Bobby Darin & His Orchestra"
You Must Have Been a Beautiful Baby Sorrow Tomorrow US Atco 6206/UK London 9429 5 7 10
Irresistible You/ US Atco 6214/UK London 9474 15 16
Multiplication 30 26 5
1962 What'd I Say (Part 1)/ What'd I Say (Part 2) Atco 6221 24 6
Things Jailer Bring Me Water US Atco 6229/UK London 9575 3 10 2
If A Man Answers/ US Capitol 4837/UK Capitol 15272 32 28 24
True, True Love 105
Baby Face You Know How US Atco 6236/UK London 9624 42 38 40
I Found a New Baby Keep-A-Walkin' Atco 6244 90
1963 You're the Reason I'm Living Now You're Gone Capitol 4897 3 5
18 Yellow Roses Not For Me US Capitol 4970/UK Capitol 15306 10 12 37 28
Treat My Baby Good Down So Long Capitol 5019 43 38
Be Mad Little Girl Since You've Been Gone Capitol 5079 64 74
1964 I Wonder Who's Kissing Her Now As Long As I'm Singing Capitol 5126 93 83
Milord Golden Earrings Atco 6297 45 39
Swing Low Sweet Chariot / Similau Atco 6316 -- --
The Things In This House Wait By The Water Capitol 5257 86 89
1965 Minnie The Moocher / Hard Headed Hannah Atco 6334 -- --
Hello, Dolly! Golden Earrings Capitol 5359 79 --
Venice Blue (Que C'est Triste Venise) A World Without You Capitol 5399 133 94
When I Get Home / Lonely Road Capitol 5443 -- --
Gyp The Cat / That Funny Feeling Capitol 5481 -- --
1966 We Didn't Ask To Be Brought Here Funny What Love Can Do Atlantic 2305 117 --
Silver Dollar / The Breaking Point Atlantic 2317 -- --
Mame Walking In The Shadow Of Love Atlantic 2329 53 63
Who's Afraid Of Virginia Woolf? / Merci, Cheri Atlantic 2341 -- --
If I Were a Carpenter Rainin' US Atlantic 2350/UK Atlantic 584051 8 9 9
The Girl That Stood Beside Me Reason To Believe Atlantic 2367 66 65
Lovin' You / Amy Atlantic 2376 32 43
The Lady Came From Baltimore / I Am 62 73
1967 Darling Be Home Soon/ Hello, Sunshine Atlantic 2420 93 --
Talk To The Animals / After Today Atlantic 2433 -- --
Talk To The Animals / She Knows Atlantic 2433 105 --
1968 Long Line Rider/ Change Direction 350 79 66
1969 Song For A Dollar / Mr. & Mrs. Hohner Direction 351 123 --
Distractions (Part 1) / Jive Direction 352 111 --
::Shown as "Bob Darin"
1970 Sugar Man (9 To 5) / Jive's Alive Direction 4000 -- --
Baby May / Sweet Reason Direction 4001 -- --
Maybe We Can Get It Together / Rx Pyro (Prescription: Fire) Direction 4002 -- --
1971 Melody / Someday We'll Be Together Motown 1183 -- --
Simple Song Of Freedom / I'll Be Your Baby Tonight Motown 1193 -- --
1972 Sail Away / Something In Her Love Motown 1203 -- --
1973 Average People / Something In Her Love Motown 1217 -- --
Happy Something In Her Love Motown 1217 67 59
1979 Dream Lover/ UK Lightning 9017 -- -- 64
Mack The Knife -- -- 64
1987 Beyond The Sea Mack The Knife Atlantic 89166 -- --

Early In The Morning:

Darin approached Brunswick Records with "Early In the Morning." Brunswick was impressed, but as Darin was still under contract to Atlantic Records' subsidiary, Atco, the song was released by "The Ding Dongs". New York deejays liked the record and Atco soon discovered the deception. Brunswick was forced to turn over the masters to Atco which released the record under the name, "The Rinky Dinks". In the UK where it had to compete with a version by Buddy Holly, rush released by Brunswick, the single was released under Darin's own name.

Albums

Key:

  • US Billboard = BB
  • US Cashbox = CB
  • UK chart = UK
  • Bobby Darin -- Atco 33-102 -- 1958
Issued only in mono
  • That's All (BB #7)-- Atco 33-104 (Mono) (CB #9)/SD 33-104 (Stereo) (CB #16) -- 1959
Note: There were separate Cashbox charts for mono and stereo albums until 1965
  • This is Darin (BB #6) -- Atco 33-115 (CB #5)/SD 33-115 (CB #7) -- 1960
  • Darin At The Copa (BB #9) -- Atco 33-122 (CB #6)/SD 33-122 (CB #12) -- 1960
  • For Teenagers Only (CB #38) -- Atco 1001 -- 1960
Issued only in mono
  • It's You Or No One -- Atco 33-124/SD 33-124 -- 1960
  • The 25th Day of December -- Atco 33-125/SD 33-125 -- 1960
  • Two Of A Kind (Bobby Darin & Johnny Mercer) -- Atco 33-126 (CB #38)/SD 33-126 -- 1961
  • The Bobby Darin Story (BB #18) -- Atco 33-131 (CB #11)/SD 33-131 -- 1961
Originally issued with white album cover, reissued in 1962 with black album cover. These issues were pressed with Bobby Darin's autograph in the run-out groove plate on Side 2; later reissues do not include the autograph
  • Love Swings (BB #92) -- Atco 33-134 (CB #49)/SD 33-134 -- 1961
  • Twist with Bobby Darin (BB #48) -- Atco 33-138 (CB #45)/SD 33-138 -- 1961
Original copies of the above Atco albums were originally pressed with yellow "harp" labels. In 1962, these were re-released with gold/dark blue labels (mono copies) and purple/brown labels (stereo copies), which were also used for the forecoming Atco releases
  • Bobby Darin Sings Ray Charles (BB #96) -- Atco 33-140 (CB #41)/SD 33-140 -- 1962
  • Things and Other Things (BB #45) -- Atco 33-146 (CB #43)/SD 33-146 -- 1962
  • Oh! Look at Me Now (BB #100) -- Capitol T(Mono)/ST(Stereo) 1791 -- 1962
  • Earthy -- Capitol T/ST-1826 -- 1963
  • You're the Reason I'm Living (BB #43) -- Capitol T 1866 (CB #19)/ST 1866 -- 1963
  • 18 Yellow Roses" (BB #98) -- Capitol T 1942 (CB #69)/ST 1942 -- 1963
  • Golden Folk Hits -- Capitol T/ST 2007 -- 1963
  • Winners -- Atco 33-167/SD 33-167 -- 1964
  • As Long As I'm Singing -- Capitol T/ST 2084 -- 1964
Unreleased, but rare stereo acetates are known to exist
  • From Hello Dolly to Goodbye Charlie (BB #107) -- Capitol T/ST -2194 -- 1964
  • Venice Blue (BB #132) -- Capitol T/ST 2322 -- 1965
  • The Best Of Bobby Darin -- Capitol T/ST 2571 -- 1966
  • The Shadow of Your Smile -- Atlantic 8121(Mono)/SD 8121(Stereo) - 1966
  • In A Broadway Bag -- Atlantic 8126/SD 8126 -- 1966
  • If I Were a Carpenter (BB #142, CB #97) -- Atlantic 8135/SD 8135 -- 1966
There were more mono copies than stereo copies of this album pressed
  • Inside Out -- Atlantic 8142/SD 8142 -- 1967
  • Bobby Darin Sings Doctor Dolittle -— Atlantic 8154/SD 8154 -- 1967
  • Bobby Darin Born Walden Robert Cassotto -- Direction 1936 -— 1968
  • Commitment -— Direction 1937 -- 1969
  • Finally -- Motown 739 -- 1972
Commercially unreleased, but rare test pressings from RCA exist
  • Bobby Darin -- Motown 753 -- 1972
  • Darin: 1936-1973 (CB #136) -- Motown 813 -- 1974

Filmography

Literature

  • Dodd Darin & Maxine Paetro: Dream Lovers: the Magnificent Shattered Lives of Bobby Darin and Sandra Dee. New York: Warner Books 1994. ISBN 0-446-51768-2

References

  1. ^ How he wanted to be remembered.
  2. ^ a b Biography: Bobby Darin, The Biography Channel. Retrieved August 12, 2007. Also mentioned in the Bobby Darin episode of the Biography series. Cite error: The named reference "tv-bio" was defined multiple times with different content (see the help page).
  3. ^ Bobby Darin, A Man in a Hurry a BBC Radio2 programme December 2008 presented by Tim Rice
  4. ^ Autobiography Who's Sorry Now by Connie Francis
  5. ^ Bobby Darin, A Man in a Hurry BBC Radio 2
  6. ^ Bobby Darin, A Man in a Hurry BBC Radio 2
  7. ^ The Splish Splash Session - Session Notes by Dik de Heer, BobbyDarin.net/BobbyDarin.com
  8. ^ Classical DomainLI, TRIBUTE TO FRANKIE LAINE
  9. ^ Nancy Sinatra. Movin' with Nancy (Song listing). Chatsworth, CA: Image Intertainment. {{cite AV media}}: Unknown parameter |year2= ignored (help)
  10. ^ http://www.brainyquote.com/quotes/quotes/b/bobbydarin314910.html
  11. ^ Beyond the Sea (2004): Reviews
  12. ^ Dream Car Art
  13. ^ Transport Museum Association
  14. ^ Splish Splash by Bobby Darin Songfacts
  15. ^ http://ntl.matrix.com.br/pfilho/html/top40/index.html
  16. ^ Dream Lover by Bobby Darin Songfacts
  17. ^ Mack The Knife by Bobby Darin Songfacts