Music for a Blue Train: Difference between revisions
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'''Music for Blue Train''' is a 2003 [[documentary film|documentary]] about [[busking|busker]] [[musicians]] in the [[Montreal Metro|Montreal Métro]] subway train system. It was written and directed by [[Mila Aung-Thwin]] of [[EyeSteelFilm]] production company and produced by Germaine Ying Gee Wong. |
'''Music for Blue Train''' is a 2003 [[documentary film|documentary]] about [[busking|busker]] [[musicians]] in the [[Montreal Metro|Montreal Métro]] subway train system. It was written and directed by [[Mila Aung-Thwin]] of [[EyeSteelFilm]] production company and produced by Germaine Ying Gee Wong. |
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A harmonica player known as Bad News Brown acts as an impromptu host in the documentary |
A harmonica player known as Bad News Brown acts as an impromptu host in the documentary bringing the viewers snippets of the lives of musicians in Montreal's subway system - The Métro - run by [[Société de transport de Montréal]] (STM) that gives around 60 spots on a first-come-first-serve basis, provided the musician-busker registers his name early enough as soon as the Métro opens to the public and returns during his assigned time to perform for an hour or two, facing indifference from passersby or at times a token encouragement. |
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==See also== |
==See also== |
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Revision as of 00:01, 9 March 2009
| Music for Blue Train | |
|---|---|
| Directed by | Mila Aung-Thwin |
| Produced by | Germaine Ying Gee Wong |
| Starring | Bad News Brown, Montreal Métro buskers |
Release date | 2003 |
| Country | Canada |
Music for Blue Train is a 2003 documentary about busker musicians in the Montreal Métro subway train system. It was written and directed by Mila Aung-Thwin of EyeSteelFilm production company and produced by Germaine Ying Gee Wong.
A harmonica player known as Bad News Brown acts as an impromptu host in the documentary bringing the viewers snippets of the lives of musicians in Montreal's subway system - The Métro - run by Société de transport de Montréal (STM) that gives around 60 spots on a first-come-first-serve basis, provided the musician-busker registers his name early enough as soon as the Métro opens to the public and returns during his assigned time to perform for an hour or two, facing indifference from passersby or at times a token encouragement.
See also