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'''Julien Duvivier''' (October 8, 1896 in [[Lille]] - October |
'''Julien Duvivier''' (October 8, 1896 in [[Lille]] - October 29, 1967 in Paris) was a French film director. |
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In the 1930s, he was part of the production company "Film d'Art" with [[Marcel Vandal]] and [[Charles Delac]]. |
In the 1930s, he was part of the production company "Film d'Art" with [[Marcel Vandal]] and [[Charles Delac]]. He was prominent in French cinema in the years 1930 - 1960. |
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| ⚫ | He created a world of dark images born of a strange imagination. After the [[Second World War]], he gave a pessimistic representation of French society, showing it as being dominated by hypocrisy, narrow clericalism, meanness and women's slyness. Amongst his most original films, chiefly notable are [[Pepe le Moko]], [[Panique]], and [[Voici le temps des assassins]]. |
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Notwithstanding his being celebrated for his darkness he met with one of his greatest successes with [[Le Petit monde de Don Camillo]] starring [[Fernandel]]. |
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==Filmography== |
==Filmography== |
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Revision as of 01:52, 1 March 2009
Julien Duvivier (October 8, 1896 in Lille - October 29, 1967 in Paris) was a French film director.
In the 1930s, he was part of the production company "Film d'Art" with Marcel Vandal and Charles Delac. He was prominent in French cinema in the years 1930 - 1960.
He created a world of dark images born of a strange imagination. After the Second World War, he gave a pessimistic representation of French society, showing it as being dominated by hypocrisy, narrow clericalism, meanness and women's slyness. Amongst his most original films, chiefly notable are Pepe le Moko, Panique, and Voici le temps des assassins. Notwithstanding his being celebrated for his darkness he met with one of his greatest successes with Le Petit monde de Don Camillo starring Fernandel.
Filmography
- Haceldama ou le prix du sang (1919)
- La reincarnation de Serge Renaudier (1920)
- Les roquevillard (1922)
- L'ouragan sur la montagne (1922)
- Le reflet de Claude Mercœur (1923)
- La machine à refaire la vie (1924)
- Credo ou la tragédie de Lourdes (1924)
- L'œuvre immortelle (1924)
- Cœurs farouches (1924)
- Poil de carotte (1925)
- L'abbé Constantin (1925)
- L'homme à l'hispano (1926)
- Le mystère de la tour Eiffel (1927)
- Le mariage de Mademoiselle Beulemans (1927)
- L'agonie de Jérusalem (1927)
- Le tourbillon de Paris (1928)
- La vie miraculeuse de Thérèse Martin (1929)
- Maman Colibri (1929)
- La divine croisière (1929)
- David Golder (1930)
- Au bonheur des dames (1930)
- Les cinq gentlemen maudits (1931)
- Allo Berlin? Ici Paris! (1931)
- La vénus du collège (1932)
- Poil de carotte (1932)
- La Tête d'un homme (1933)
- Le petit roi (1933)
- La machine à refaire la vie (1933)
- Le paquebot Tenacity (1934)
- Marie Chapdelaine (1934)
- Golgotha (1935)
- La Bandera (1935)
- Le golem (1936)
- L'homme du jour (1936)
- La Belle équipe (1936)
- Pépé le Moko (1937)
- Un carnet de bal (1937)
- The Great Waltz (1938) musical about Johann Strauss
- La Fin du jour (1939)
- La charrette fantôme (1939)
- Lydia (1941) (American remake of Un carnet de bal)
- Tales of Manhattan (1942)
- Flesh and Fantasy (1943)
- Untel père et fils (1943)
- The Impostor (1944)
- Panique (1946)
- Anna Karenina (1948)
- Au royaume des cieux (1949)
- Black Jack (1950)
- Sous le ciel de Paris (1951)
- Le Petit monde de Don Camillo (1951)
- La Fête à Henriette (1952)
- Le Retour de Don Camillo (1953)
- L'Affaire Maurizius (1954)
- Marianne de ma jeunesse (1954)
- Voici le temps des assassins (1956)
- L'Homme à l'imperméable (1957)
- Pot-Bouille (1957)
- La femme et le pantin (1958)
- Marie-Octobre (1959)
- La Grande vie (1960)
- Boulevard (1960)
- La chambre ardente (1962)
- Le Diable et les dix commandements (1962)
- Chair de poule (1963)
- Diaboliquement vôtre (1967)
References
 | This article relies largely or entirely on a single source. (July 2006) |