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* 1988: ''Contemporary views of New England '': Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren<ref>{{Cite book |last=Eisenberg |first=Joseph |url=https://www.worldcat.org/title/contemporary-views-of-new-england-cressida-campbell-sandra-leveson-max-miller-angus-nivison-ann-thomson-guy-warren/oclc/222028410 |title=Contemporary views of New England: Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren. |date=1988 |publisher=New England Regional Art Museum |isbn=978-0-9592749-9-8 |location=Armidale |language=English |oclc=222028410}}</ref>
* 1988: ''Contemporary views of New England '': Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren<ref>{{Cite book |last=Eisenberg |first=Joseph |url=https://www.worldcat.org/title/contemporary-views-of-new-england-cressida-campbell-sandra-leveson-max-miller-angus-nivison-ann-thomson-guy-warren/oclc/222028410 |title=Contemporary views of New England: Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren. |date=1988 |publisher=New England Regional Art Museum |isbn=978-0-9592749-9-8 |location=Armidale |language=English |oclc=222028410}}</ref>
* 1991, August: Gallery artists, William Campbell Contemporary Art, Fort Worth, Texas<ref>{{Cite news |last=Tyson |first=Janet |date=29 August 1991 |title=Art Review |pages=114 |work=Fort Worth Star-Telegram}}</ref>
* 1991, August: Gallery artists, William Campbell Contemporary Art, Fort Worth, Texas<ref>{{Cite news |last=Tyson |first=Janet |date=29 August 1991 |title=Art Review |pages=114 |work=Fort Worth Star-Telegram}}</ref>
* 1994, to 18 May: Prints and Etchings by Michael Leunig, John Spooner, Anita Lawrence, Sandra Leveson and Louis Kahan, Avant Garden, 46 Vincent St, Daylesford.<ref>{{Cite news |date=22 April 1994 |title=Galleries |pages=45 |work=The Age}}</ref>
* 2012, 5 April to 3 May: ''Less is more - more or less'', with George Baker, Malcolm Benham, [[Virginia Coventry]], [[Elisabeth Cummings|Elizabeth Cummings]], [[Margaret Dredge]], Ruth Faerber, Vivienne Ferguson, Victor Greenaway, Steve Harrison, Anna Herold Pola, Jenny Herbert-Smith, David Horton, Melanie Howard, Tim Maguire, Frank Marinelli, Russell McQuilty, Miranda Parkes, Robyn Quinn, Peggy Randall, Jai Smith, Carly Snoswell, Daniel Templeman, [[Aida Tomescu]], Shoalhaven City Arts Centre<ref name=":5">{{Cite book |last=Dingle |first=Max |url=https://www.worldcat.org/title/less-is-more-more-or-less-from-the-m-g-dingle-g-b-hughes-collection/oclc/785984364 |title=Less is More - More or Less: from the M G Dingle & G B Hughes Collection. |last2=Shoalhaven City Arts Centre (Nowra |first2=N.S.W.) |date=2012 |publisher=Shoalhaven City Arts Centre |isbn=978-0-646-57149-2 |location=Nowra, N.S.W. |language=English |oclc=785984364}}</ref>
* 2012, 5 April to 3 May: ''Less is more - more or less'', with George Baker, Malcolm Benham, [[Virginia Coventry]], [[Elisabeth Cummings|Elizabeth Cummings]], [[Margaret Dredge]], Ruth Faerber, Vivienne Ferguson, Victor Greenaway, Steve Harrison, Anna Herold Pola, Jenny Herbert-Smith, David Horton, Melanie Howard, Tim Maguire, Frank Marinelli, Russell McQuilty, Miranda Parkes, Robyn Quinn, Peggy Randall, Jai Smith, Carly Snoswell, Daniel Templeman, [[Aida Tomescu]], Shoalhaven City Arts Centre<ref name=":5">{{Cite book |last=Dingle |first=Max |url=https://www.worldcat.org/title/less-is-more-more-or-less-from-the-m-g-dingle-g-b-hughes-collection/oclc/785984364 |title=Less is More - More or Less: from the M G Dingle & G B Hughes Collection. |last2=Shoalhaven City Arts Centre (Nowra |first2=N.S.W.) |date=2012 |publisher=Shoalhaven City Arts Centre |isbn=978-0-646-57149-2 |location=Nowra, N.S.W. |language=English |oclc=785984364}}</ref>


Revision as of 13:12, 6 April 2022

Sandra Leveson
File:Leveson at Balmain studio.jpg
Born1944 (age 79–80)
Melbourne, Australia
EducationCaulfield Institute of Technology, National Gallery School
Known forAbstract painting, printmaking

Sandra Leveson (born 1944, Melbourne), also known as Sandra Leveson-Meares, is an Australian painter, printmaker, and teacher.[1]

Training

From 1959 to 1963 Leveson studied design at Caulfield Institute of Technology where she and sculptor Ken Leveson met while he was taking fashion illustration.[2] She continued studies at the National Gallery School 1959-63 and they married in 1966 and lived in Sandringham and both taught at Brighton Technical College.[3] In 1971 they were contemplating buying nineteenth-century mill near Castlemaine "for another environment to work in,"[2] but instead converted a warehouse to a studio-cum-townhouse at 4 Tyrone Street, South Yarra.[4] She undertook overseas study in the UK and US in 1974[5] and 1976.[6][7]

Career and reception

Teacher

While resident at 23 Tennyson Street, Sandringham,[8] where she was photographed in 1970 by Paul Cox (lecturer at Prahran College) with her then husband Ken,[9] Leveson taught printmaking at Brighton Technical College. From 1970 to 1982 she lectured in Fine Art at the Prahran College of Advanced Education[10] where she was Head of printmaking 1972–82.[11][8] In Sydney, Prahran College graduate Carol Jerrems made a sequence of photographs of her in 1974 for A Book About Australia Women.[12]

Artist

In the late mid-1960s Leveson adopted a geometric Op Art style in her early screen prints.[13][14][15] Of these reviewer Patrick McCaughey wrote;

"Good design wins out too often. These prints may contain intricacies but never real difficulties for the spectator. They do too much and make life much too easy with their bland matt colors. Pleasant enough and skilful in their decorative organisatiton, it's a pressure free art, demanding little and sustaining little. The exhibiion, one suspects, hides a better artist than it reveals. The shaped polyptych upstairs promises a curtness awaiting future delivery."[16]

Later works established her as a colourist when in 1968 they were shown at Pinacotheca Gallery, Melbourne, in a joint show Recent prints' 18 – 29 November with Alan Warren.'[17] Ruth Faerber in 1972 confirmed their lyrical quality;

"Sandra Leveson uses an optical off-register dot pattern to create moire patterned surfaces in lyrical romantic color. Built up with a minute pointilistic technique, large silkscreen prints in editions, single canvases and double-sided glass images conjure up drifting recangular and diamond forms, structured by strongly contrasting stable and strict borders of flat color. Skill and sensitivity are superbly combined in works of restful elegance."[18]

That emphasis led her American Abstract Expressionist-influenced works of the 1970s, and first seen in Sydney in 1972[19] at The Holdsworth Galleries,[20] which in turn was adapted to her semi-abstract representation of expansive Australian landscape.[21] However McCaughey continued to regard Leveson's work of this period, shown at Realties at the end of 1972, as lightweight;

"They make all the right moves for seriousness. I mean they've got "color spread", "optical displacement" and even some cautious shaped prints. But we've all been dragged round this track too often for the moves to come off. There's not a twitch we can't predict, except one's own aghast grimace."[22]

Daniel Thomas pointed out in her 1974 show at Bonython the link between Leveson's screen printing, through the use of stencils, with her painting, describing the effect in her "Optic Series" as "like looking at a pale Rothko through a flyscreen." Thomas noted that she was then selling works at around $1,000.[23] Age reviewer Maureen Gilchrist summing up exhibitions of the year 1976 concluded that Leveson's at Realities gallery, with those of Lesley Dumbrell at Powell Street, were "the year's most compelling," her "large canvases, painted and then successively silkscreened with one of the dominant colors, achieves extraordinarily subtle effects of hovering, vibration and translucency. These lyrical works have such titles as Lesbos, evoking a female consiciousnses.[24] In April, Gilchrist reviewed the survey of ten years of the artist's work held at Melbourne University, and remarked on its evolution and the influence of her overseas travel to see Rothko, Louis, Turner and Monet;[25]

"In the earlier screen prints and acrylics Leveson was involved with optics and with creating a simple, clearly defined, geometric regularity. Gradually she began to relinquish this approach and is now attempting a far more complex unity. In the new canvases she begins with a brushy, gestural spread of colors, usually applied centrally, and then successively screens one of the dominant colors over these, employing a silkscreen technique. The effect is a series of semitransparent veils"..."The effect is as fugitive as an apparition, but it is not amorphous. The silk-screened veil of dots acts as a regulating device, a grid, balancing the fluid, spontaneously brushed gestures of the hand."[26]

Paul Taylor of the same retrospective also noted the synthesis of "juxtaposed gestural strokes with the screenprint grid and also...the lyrical palette."[27]

In April 1978 Leveson was invited onto a "Discussion Panel On Painting," at the Art Gallery of New South Wales in conjunction with the exhibition of a paintings there by John Walker, chaired by Patrick McCaughey, with David Aspen, Syd Ball, John Firth-Smith, Alun Leach-Jones and John Peart.[28] Then in June that year joined in the symposium "Views on Recent Changes in Women's Art", with Janine Burke, Lesley Dumbrell, Helen Geier, Memory Holloway, Jenny Watson, Elizabeth Gower at Powell Street Gallery South Yarra.[29] In 1987, Leveson was again invited to the AGNSW as a speaker in "Artists on Art," beside William Delafield Cook, Fred Cress, John Firth-Smith, Robert Jacks, Michael Johnson, Colin Lanceley, Terence Maloon on Hilarie Mais, Susan Norrie and Richard Dunn, Tim Storrier, Ann Thomson and John Wolseley for the Centre for the History of the Decorative Arts.[30]

Also by 1978, Leveson had found a receptive market in Fort Worth, Texas, for Australian landscapes that looked familiar to Texans, exhibiting paintings and prints at Gallery One, later named William Campbell Contemporary Art.[31][32][33]

Sasha Grishin, in 1978, reacted with a contrary view of her contributions at Susan Gillespie Galleries, Canberra; "Sandra Leveson's suite of four screenprints, 'Half Moon Bay' Nos | to 4, with its juxtaposition of photographic seascapes and soft pastel-like backgrounds, leads to nowhere and is executed with a professional slickness that leaves one uneasy."[34] Likewise Robert Rooney, reviewing her contributions to a group show at Realities in early 1979 in The Age considered her lyricism as having been taken too far, with "gestures...devoid of energy and her colors favor powder puff flesh and eye shadow. Fresh Water Plain has superimposed dot screens for added strength, but it doesn't come off. Not as good as her early stuff."[35]

McCulloch in 2006 characterised her style as "coolly restrained abstracts, which are often characterised by pastel blues and pinks divided by a horizon-like line."[36]

In 1980 after her second husband Russell Meares accepted a professorship in psychology at the University of Sydney,[37] he and Leveson relocated from Melbourne to Sydney, converting a former chemical warehouse in Balmain for a large studio.[38] However her Harbour-inspired imagery left reviewer Memory Holloway detecting no emotion and "one idea, one image which is flogged into submission: a tough and aggressive triangle," in over-simplified compositions in which "the eye is never enticed into the work, never arrested or caught in any visual tangle, but glides effortlessly over the slick surfaces without interruption."[39] On her own work in 1987 Leveson remarked; *Basically I'm a romantic so I like that thing about the image being not quite there, fugitive, ephemeral."[40]

Exhibitions

Solo

Leveson achieved early recognition and from 1967, then aged 23,[41] she held a series of solo shows in Melbourne's Greythorn,[42] and later, Realities[43][44][45] and and at Macquarie Galleries in Sydney.[46][47] Others include;

  • 1962, to 29 November: Sandra Leveson, Pinacotheca, St Kilda[48]
  • 1972, March: Holdsworth Art Gallery[18]
  • 1972, December: Realities, Toorak[22]
  • 1974, from 1 February: Sandra Leveson, paintings and prints and Gordon Andrews, jewellery and sculpture. Bonython Art Gallery, Sydney[49][50][51][23]
  • 1976: Realities Gallery, Toorak
  • 1977, 26 April - 3 June: A Decade of Sandra Leveson, Melbourne University[52]
  • 1978, 4–18 August: Paper Works, with Peter Powditch, Powell Street Gallery[53]
  • 1978, 18 November – 8 December: First US exhibition, Gallery One, Fort Worth, Texas[32]
  • 1980, 29 March – 12 April: Sandra Leveson, New Paintings, Australia's Finest Contemporary Artist, Gallery One, Fort Worth, Texas[54]
  • 1980, to 24 December: Prints by Sandra Leveson, Axiom Gallery, Richmond[55]
  • 1982, 5–26 November: Recent paintings and works on paper by Sandra Leveson Meares. Realities gallery, Toorak[56]
  • 1983, 7 May – 18 June: Sandra Leveson-Meares, Gallery One, Fort Worth, Texas[57][58]
  • 1985, 5–23 February: Sandra Leveson-Meares - Gouaches, Macquarie Galleries, Sydney[59][60]
  • 1985, 22 October –  6 November: Paintings by Sandra Leveson-Meares, William Campbell Contemporary Art, Fort Worth, Texas[61]
  • 1987, 4–22 August: Recent Paintings by Sandra Leveson, Macquarie Galleries, Sydney[62][40][25]
  • 1989, 18 March–8 April: Sandra Leveson : Recent Paintings, Macquarie Galleries, Sydney[63]
  • 1991: Exhibition of works by Sandra Leveson and David Van Nunen from the 1990 Artists' Camp organised by the Museums and Art Galleries of the Northern Territory[64]
  • 1991, 12 October – 16 November: Australian painter Sandra Leveson, William Campbell Contemporary Art, Fort Worth, Texas[65][66][67]
  • 1994: New England Regional Art Museum with a tour of regional galleries
  • 1994, December–January: William Campbell Contemporary Art, Fort Worth, Texas[68][33]
  • 1995: Wagga Wagga City Art Gallery
  • 1995, June: Sandra Leveson : Impressions of the Landscape, Greythorn Galleries, Toorak[42]
  • 1996: A Decade of Sandra Leveson 1986-1996, BMG Art Gallery, Adelaide[69]
  • 2011: Sandra Leveson : painting of poise and passion, TarraWarra Museum of Art[70]
  • 2015: Sandra Leveson : painting of poise and passion, Macquarie University. Art Gallery[71]

Group

Commissions

Awards

  • 1971: Corio Prize[87]
  • 1972: Alice Prize
  • 1972: Trustees Award, Queensland Art Gallery[88]
  • 1975: Tasmanian Art Prize

Collections

References

  1. ^ [Sandra Leveson : Australian Art and Artists file], retrieved 3 April 2022
  2. ^ a b "They've no time for getting bored". The Age. 3 June 1971. p. 22.
  3. ^ "Real Estate : Sandringham : There's even a lookout for a glimpse of the sea". The Age. 28 February 1981. p. 45.
  4. ^ "Real Estate : The Best, Weekend : Street of the Week". The Age. 25 October 1985. pp. 116–117.
  5. ^ "The picture parade". The Sydney Morning Herald. 3 February 1974. p. 102.
  6. ^ Drury, Nevill (1994). Images 2: contemporary Australian painting. East Roseville: Craftsman House. ISBN 978-976-8097-69-9. OCLC 932313824.
  7. ^ Germaine, Max (1991). A dictionary of women artists of Australia. Roseville East, NSW, Australia; New York, NY: Craftsman House ; STBS Ltd. [distributor. ISBN 978-976-8097-13-2. OCLC 26591029.
  8. ^ a b De_Groen, Geoffrey; Mackinnon, Leah (1978). Conversations with australian artists. Melbourne: Quartet Melbourne. ISBN 978-0-908128-00-6. OCLC 963500747.
  9. ^ "Sandringham (Tony Ward, Ingrid, Sandra Leveson, Ken Leveson, Jan Hurrell)". www.mga.org.au. Retrieved 3 April 2022.
  10. ^ "Art at College". The Australian Jewish News. 7 November 1975. p. 23.
  11. ^ Buckrich, Judith Raphael (2007). Design for living: a history of 'Prahran Tech'. Windsor, Vic.: Prahran Mechanics' Institute Press. ISBN 978-0-9756000-8-5. OCLC 225572527.
  12. ^ Fraser, Virginia; Jerrems, Carol (1974). A Book about Australian women. North Fitzroy, Vic.: Outback Press. ISBN 978-0-86888-007-5. OCLC 1365981.
  13. ^ a b Leveson, Sandra (1970). "No. 1 Print, screen print". National Gallery of Australia. Retrieved 3 April 2022.
  14. ^ a b Leveson, Sandra (1970). "Optic series D 1972". Queensland Art Gallery | Gallery of Modern Art. Retrieved 3 April 2022.
  15. ^ Burke, Janine (1990). Field of vision: a decade of change : women's art in the seventies. Ringwood, Vic., Australia: Viking. OCLC 1035485995.
  16. ^ McCaughey, Patrick (27 November 1968). "Art". The Age. p. 6.
  17. ^ The Sun, 20 November 1968, p23
  18. ^ a b Faerber, Ruth (2 March 1972). "Entertainment and the Arts —Looking In-Looking Out". The Australian Jewish Times. p. 6.
  19. ^ Lynn, Elwyn (4 March 1972). "Posters as art..." The Bulletin. 094 (4796): 36.
  20. ^ "Listings : Art". The Bulletin. 096 (4891): 42. 2 February 1974.
  21. ^ Ivory, Helen; Leveson, Sandra (1993). Sandra Leveson. East Roseville, NSW, Australia; New York, NY: Craftsman House ; STBS Ltd. [distributor. OCLC 1202224003.
  22. ^ a b McCaughey, Patrick (13 December 1972). "Bauble and bon bon ring out the year". The Age. p. 2.
  23. ^ a b Thomas, Daniel (7 February 1974). "Art swing to the extremes". The Sydney Morning Herald. p. 7.
  24. ^ Gilchrist, Maureen (1 January 1977). "Women painters shine". The Age. p. 14.
  25. ^ a b Watson, Bronwyn (14 August 1987). "Galleries". The Sydney Morning Herald. p. 14.
  26. ^ Gilchrist, Maureen (27 April 1977). "Artist draws veil from 10 years' work". The Age. p. 2.
  27. ^ Taylor, Paul (1984). Anything goes: Australian art and art criticism 1970-1980. Melbourne: Art & Text : Distributed by Kingfisher Books. p. 72. ISBN 978-0-9591042-0-2. OCLC 28991135.
  28. ^ Advertising (8 April 1978). "Art Gallery of New South Wales". The Sydney Morning. p. 40.
  29. ^ "Weekender : Hear This". The Age. 2 June 1978. p. 32.
  30. ^ "Advertising". The Sydney Morning Herald. 19 May 1987. p. 45.
  31. ^ Cochrane, Peter (16 July 1991). "An artist who can fool the Texans". The Sydney Morning Herald. p. 5.
  32. ^ a b Robertson, Laura (12 November 1978). "Art Notes". Fort Worth Star-Telegram. p. 103.
  33. ^ a b Wilson, Wade (25 December 1994). "In the Galleries : Australian artist has landscape love affair". Fort Worth Star-Telegram. p. 106.
  34. ^ a b Grishin, Sasha (20 December 1978). "Varied quality from five women artists". The Canberra Times. p. 26.
  35. ^ a b Rooney, Robert (21 March 1979). "Art". The Age. p. 2.
  36. ^ a b c d e McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006). The new McCulloch's encyclopedia of Australian art. ISBN 978-0-522-85317-9. OCLC 80568976.
  37. ^ "Staff Profile : Russell Meares". The University of Sydney. Retrieved 6 April 2022.
  38. ^ McIntyre, Arthur (24 September 1982). "Melbourne's loss is Sydney's gain : Interview". The Age. p. 14.
  39. ^ Holloway, Memory (10 November 1982). "Flogging the image into submission". The Age. p. 14.
  40. ^ a b Watson, Bronwyn (14 August 1987). "Galleries". The Sydney Morning Herald. p. 14.
  41. ^ "Around the Galleries". The Australian Jewish News. 8 October 1976. p. 13.
  42. ^ a b "Advertising". The Australian Jewish News. 16 June 1995. p. 26.
  43. ^ "Around the Galleries". The Australian Jewish News. 15 December 1972. p. 23.
  44. ^ McCulloch, Susan (1 June 1982). "Realities has new style". The Age. p. 20.
  45. ^ Sutton, Pollyanna (26 August 1990). "State of the Art : A who's who guide to Melbourne's commercial galleries". The Age. p. 23.
  46. ^ Leveson, Sandra; Macquarie Galleries (1989). Sandra Leveson. Sydney: Macquarie Galleries. ISBN 978-1-875365-00-5. OCLC 220431481.
  47. ^ Bottrell, Fay; Stacey, Wesley (1977). The artist craftsman in Australia. Ultimo, N.S.W.: Murray. ISBN 978-0-909950-64-4. OCLC 29005292.
  48. ^ "Age guide to entertainment & arts". The Age. 22 November 1968. p. 17.
  49. ^ "Bulletin Briefing : Art". The Bulletin. 096 (4893): 56. 16 February 1974.
  50. ^ Faerber, Ruth (21 February 1974). "Art : Moon Goddess". The Australian Jewish Times. p. 16.
  51. ^ Thomas, Daniel (31 January 1974). "New Exhibitions". The Sydney Morning Herald. p. 7.
  52. ^ Leveson, Sandra; University of Melbourne; University Gallery (1977). Sandra Leveson: 1967-77. Melbourne: University Gallery, University of Melbourne. OCLC 272523444.
  53. ^ "Paper Works". The Australian Jewish News. 4 August 1978. p. 37.
  54. ^ "Talk of the Town". Fort Worth Star-Telegram. 25 March 1980. p. 22.
  55. ^ "Galleries". The Age. 12 December 1980. p. 40.
  56. ^ "Galleries". The Age. 5 November 1982. p. 46.
  57. ^ "Museums". Fort Worth Star-Telegram. 6 May 1983. p. 40.
  58. ^ Lowe, Ron (8 May 1983). "Art Notes". Fort Worth Star-Telegram. p. 87.
  59. ^ "Galleries". The Sydney Morning Herald. 8 February 1985. p. 39.
  60. ^ Short, Susanna (15 February 1985). "The Galleries : From the sublime to the ridiculous". The Sydney Morning Herald. p. 12.
  61. ^ "Community Calendar : Art". Fort Worth Star-Telegram. 22 October 1985. p. 26.
  62. ^ "Galleries". The Sydney Morning Herald. 31 July 1987. p. 46.
  63. ^ "Galleries". The Sydney Morning Herald. 1 March 1989. p. 98.
  64. ^ a b Leveson, Sandra; Van Nunen, David; Museum and Art Gallery of the Northern Territory (1991). Artists in Kakadu, 1990. Darwin: Museums and Art Galleries of the Northern Territory. OCLC 951486757.
  65. ^ "Art Galleries". Fort Worth Star-Telegram. 11 October 1991. p. 116.
  66. ^ "Click : Sandra Leveson Reception". Fort Worth Star-Telegram. 17 October 1991. p. 56.
  67. ^ Tyson, Janet (18 October 1991). "Art Review : Inside the outback : Paintings from deep in the deserts of Australia". Fort Worth Star-Telegram. p. 84.
  68. ^ "Art : Fort Worth Dealers Association". Fort Worth Star-Telegram. 7 December 1994. p. 88.
  69. ^ Leveson, Sandra; BMGArt (Gallery) (1996). Sandra Leveson: decade of Sandra Leveson, 1986-1996. Adelaide: BMG Art. OCLC 222171367.
  70. ^ Leveson, Sandra; TarraWarra Museum of Art (2011). Sandra Leveson: painting of poise and passion. Healesville, Vic.: TarraWarra Museum of Art. OCLC 773612209.
  71. ^ Leveson, Sandra; Hargraves, Kate; Janiszewski, Leonard; Pinson, Peter; Macquarie University; Art Gallery (2015). Sandra Leveson: paintings of poise and passion : 17 June-31 July 2015. ISBN 978-1-74138-433-8. OCLC 918906104.
  72. ^ Advertisment (22 November 1975). "Artists for Labor and Democracy". The Age. p. 19.
  73. ^ "Living Out : Happenings". The Age. 28 January 1977. p. 18.
  74. ^ Eagle, Mary (25 May 1978). "Art". The Age. p. 2.
  75. ^ Eyrich, Claire (9 September 1979). "Gallery Night : New works on display at six simultaneous openings". Fort Worth Star-Telegram. p. 81.
  76. ^ "Exhibitions". The Age. 7 September 1982. p. 14.
  77. ^ Wilson, Wade (24 April 1986). "One Fort Worth gallery included in Art Walk '86". Fort Worth Star-Telegram. p. 36.
  78. ^ "Gallery Shows". Fort Worth Star-Telegram. 18 September 1987. p. 131.
  79. ^ "Galleries". The Sydney Morning Herald. 8 January 1988. p. 42.
  80. ^ Wilson, Wade (24 April 1986). "One Fort Worth gallery included in Art Walk '86". Fort Worth Star-Telegram. p. 36.
  81. ^ "Galleries". The Sydney Morning Herald. 24 June 1988. p. 55.
  82. ^ Eisenberg, Joseph (1988). Contemporary views of New England: Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren. Armidale: New England Regional Art Museum. ISBN 978-0-9592749-9-8. OCLC 222028410.
  83. ^ Tyson, Janet (29 August 1991). "Art Review". Fort Worth Star-Telegram. p. 114.
  84. ^ "Galleries". The Age. 22 April 1994. p. 45.
  85. ^ a b Dingle, Max; Shoalhaven City Arts Centre (Nowra, N.S.W.) (2012). Less is More - More or Less: from the M G Dingle & G B Hughes Collection. Nowra, N.S.W.: Shoalhaven City Arts Centre. ISBN 978-0-646-57149-2. OCLC 785984364.
  86. ^ Veitch, Carol (30 August 1978). "Melbourne's paintings on wheels : When the decorated trams take to the tracks more than a few heads will turn". The Australian Women's Weekly: 31.
  87. ^ Erlich, Rita (28 December 1981). "Galleries : Prosperity, neglect at Geelong". The Age. p. 6.
  88. ^ "In Brief". The Canberra Times. 13 October 1972. p. 3.
  89. ^ "Dionysus, 1975-1976 by Sandra Leveson". www.artgallery.nsw.gov.au. Retrieved 3 April 2022.
  90. ^ corporateName=Commonwealth Parliament; address=Parliament House, Canberra. "About the Parliament House art collection". www.aph.gov.au. Retrieved 3 April 2022.{{cite web}}: CS1 maint: multiple names: authors list (link)
  91. ^ "A Lasting Impression". ICCSydney. Retrieved 3 April 2022.
  92. ^ "Bulletin Briefing : Art". The Bulletin. 096 (4897): 49. 16 March 1974.
  93. ^ "Newcastle Art Gallery". newcastle-collections.ncc.nsw.gov.au. Retrieved 3 April 2022.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Sandra_Leveson&oldid=1081278598"