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'''Jacqueline Hayden''' (born 1950) is an American [[feminist]] artist and professor emerita of film and photography at [[Hampshire College]] in Amherst, Massachusetts.<ref name="Hampshire bio">{{cite web |title=Jacqueline Hayden |url=https://www.hampshire.edu/faculty/jacqueline-hayden |website=[[Hampshire College]] |access-date=23 March 2022}}</ref>
'''Jacqueline Hayden''' (born 1950) is an American [[feminist]] artist. Hayden's work focuses primarily on the theme of women's bodies as the site for larger cultural discourse. The five series highlighted on her website,<ref>{{Cite web |url=http://jacquelinehayden.net/ |title=Jacqueline Hayden |website=jacquelinehayden.net |url-status=dead |archive-url=https://web.archive.org/web/20190318171357/http://jacquelinehayden.net/ |archive-date=18 March 2019}}</ref> Celestial Bodies (2011-ongoing), Passing Away (2010–2013), Voluminous (2003–2006), Ancient Statuary Series (1996–2000), and Figure Model Series (1991–1996) all photograph women with typically [[marginalized]] body types—i.e. the aging female body, or overweight women. By highlighting or allowing these women cultural space within her artwork she has placed attention on often silenced voices and bodies. Aside from Hayden's objective of bestowing marginalized females a newfound acknowledged subjectivity in the scope of physical female representation in the historical trajectory of art, she works within larger themes of equating bodies to celestial space.


==Life==
==Biography==
In the 1980s, Hayden created a Sightings Natural History Series,<ref name="Hayden website EW">{{cite web |title=Earlier Work |url=http://jacquelinehayden.net/earlier_work.html |website=Jacqueline Hayden |archive-url=https://web.archive.org/web/20191101035137/http://jacquelinehayden.net/earlier_work.html |archive-date=November 1, 2019}}</ref> in which "she has traveled to the four corners of the zoo, and to the very ends of the natural history museum" according to a review by Pamela Kessler in ''[[The Washington Post]]''.<ref name="Kessler 1987">{{cite news |last1=Kessler |first1=Pamela |title=Defining Images of the World |work=[[The Washington Post]] |date=19 September 1987|via=Proquest}}</ref> In a review of work from her Dislocation/Relocation series,<ref name="Hayden website EW"/> Jo Ann Lewis writes for ''The Washington Post'' that Hayden "composes her layered color photographs within the camera, often reusing the same film in two different cameras, one to establish background, another for foreground. With luck-and chance plays a big part-the resulting double exposures relate in some superficial way, as in one image of Eskimo masks superimposed upon a scene of masked Holloween revelers in Georgetown."<ref name="Lewis 1989">{{cite news |last1=Lewis |first1=Jo Ann |title=Ojeda's Floating Reveries |work=[[The Washington Post]] |date=27 May 1989|via=Proquest}}</ref>
Hayden is currently professor emerita of Film and Photography at [[Hampshire College]] in Amherst, Massachusetts.<ref>{{Citation | title =Jacqueline Hayden: Faculty Page | publisher =Hampshire College | year =2017 | url =https://www.hampshire.edu/faculty/jacqueline-hayden | access-date = 30 September 2017}}</ref> Hayden works with Hampshire College's Study abroad program in Havana, Cuba, where she has worked to create a historical archive of the old city.

Hayden's later work focuses primarily on the theme of women's bodies as the site for larger cultural discourse. The five series highlighted on her website,<ref>{{Cite web |url=http://jacquelinehayden.net/ |title=Jacqueline Hayden |website=jacquelinehayden.net |url-status=dead |archive-url=https://web.archive.org/web/20190318171357/http://jacquelinehayden.net/ |archive-date=18 March 2019}}</ref> Celestial Bodies (2011–ongoing), Passing Away (2010–2013), Voluminous (2003–2006), Ancient Statuary Series (1996–2000), and Figure Model Series (1991–1996)<ref name="Stapen 1994">{{cite news |last1=Stapen |first1=Nancy |title=The bold meets the soulful |work=[[Boston Globe]] |date=29 September 1994|via=Proquest}}</ref> all photograph women with typically [[marginalized]] body types—i.e. the aging female body, or overweight women. In 2000 profile of Hayden for ''[[The Chronicle of Higher Education]]'', Zoe Ingalls writes, "her goal is to challenge preconceived notions of beauty and, in the process, combat stereotypes about old people and the aging process."<ref name="Ingalls 2000">{{cite journal |last1=Ingalls |first1=Zoe |title=In the unrelenting eye of the camera, images of our own mortality |journal=[[The Chronicle of Higher Education]] |date=January 7, 2000 |volume=46 |issue=18 |page=B2|via=Proquest}}</ref> In a 2018 review of a group exhibition, Maura Reilly of ''[[ARTnews]]'' writes, "Hayden's images of heavyset elderly women in the nude pointed up the obsession with beauty and youth."<ref name="Reilly 2018">{{cite news |last1=Reilly |first1=Maura |title=‘Bad Girls’ to the Rescue: An Exhibition of Feminist Art from the 1990s Has Much to Teach Us Today |url=https://www.artnews.com/art-news/news/bad-girls-rescue-exhibition-feminist-art-1990s-much-teach-us-today-10326/ |access-date=23 March 2022 |work=[[ARTnews]] |date=May 16, 2018}}</ref>

Since 1991, Hayden has been a professor emerita of Film and Photography at [[Hampshire College]] in Amherst, Massachusetts.<ref name="Hampshire bio"/> Hayden works with Hampshire College's Study abroad program in Havana, Cuba, where she has worked to create a historical archive of the old city.<ref>{{cite news |title=Architecture Memories, Havana Interiors |url=https://www.hampshire.edu/news/2008/06/25/architecture-memories-havana-interiors |access-date=23 March 2022 |publisher=[[Hampshire College]] |date=June 25, 2008}}</ref>

==Awards==
* [[Guggenheim Fellowship|John Simon Guggenheim Fellowship]]<ref name="Hampshire bio" />
* [[National Endowment for the Arts]] Individual Artist Fellowship<ref name="Hampshire bio" />


==References==
==References==
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[[Category:1950 births]]
[[Category:1950 births]]
[[Category:Living people]]
[[Category:Living people]]
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[[Category:20th-century American women artists]]
[[Category:21st-century American women artists]]
[[Category:American women academics]]
[[Category:American women photographers]]
[[Category:American women photographers]]
[[Category:Artists from Cincinnati]]
[[Category:Hampshire College faculty]]
[[Category:Hampshire College faculty]]
[[Category:American women academics]]
[[Category:Yale University alumni]]
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[[Category:21st-century American women]]

Latest revision as of 16:54, 12 June 2022

Jacqueline Hayden
Born1950
Cincinnati, Ohio
EducationYale
Known forPhotography, video
MovementFeminist art
Websitejacquelinehayden.net

Jacqueline Hayden (born 1950) is an American feminist artist and professor emerita of film and photography at Hampshire College in Amherst, Massachusetts.[1]

Biography[edit]

In the 1980s, Hayden created a Sightings Natural History Series,[2] in which "she has traveled to the four corners of the zoo, and to the very ends of the natural history museum" according to a review by Pamela Kessler in The Washington Post.[3] In a review of work from her Dislocation/Relocation series,[2] Jo Ann Lewis writes for The Washington Post that Hayden "composes her layered color photographs within the camera, often reusing the same film in two different cameras, one to establish background, another for foreground. With luck-and chance plays a big part-the resulting double exposures relate in some superficial way, as in one image of Eskimo masks superimposed upon a scene of masked Holloween revelers in Georgetown."[4]

Hayden's later work focuses primarily on the theme of women's bodies as the site for larger cultural discourse. The five series highlighted on her website,[5] Celestial Bodies (2011–ongoing), Passing Away (2010–2013), Voluminous (2003–2006), Ancient Statuary Series (1996–2000), and Figure Model Series (1991–1996)[6] all photograph women with typically marginalized body types—i.e. the aging female body, or overweight women. In 2000 profile of Hayden for The Chronicle of Higher Education, Zoe Ingalls writes, "her goal is to challenge preconceived notions of beauty and, in the process, combat stereotypes about old people and the aging process."[7] In a 2018 review of a group exhibition, Maura Reilly of ARTnews writes, "Hayden's images of heavyset elderly women in the nude pointed up the obsession with beauty and youth."[8]

Since 1991, Hayden has been a professor emerita of Film and Photography at Hampshire College in Amherst, Massachusetts.[1] Hayden works with Hampshire College's Study abroad program in Havana, Cuba, where she has worked to create a historical archive of the old city.[9]

Awards[edit]

References[edit]

  1. ^ a b c d "Jacqueline Hayden". Hampshire College. Retrieved March 23, 2022.
  2. ^ a b "Earlier Work". Jacqueline Hayden. Archived from the original on November 1, 2019.
  3. ^ Kessler, Pamela (September 19, 1987). "Defining Images of the World". The Washington Post – via Proquest.
  4. ^ Lewis, Jo Ann (May 27, 1989). "Ojeda's Floating Reveries". The Washington Post – via Proquest.
  5. ^ "Jacqueline Hayden". jacquelinehayden.net. Archived from the original on March 18, 2019.
  6. ^ Stapen, Nancy (September 29, 1994). "The bold meets the soulful". Boston Globe – via Proquest.
  7. ^ Ingalls, Zoe (January 7, 2000). "In the unrelenting eye of the camera, images of our own mortality". The Chronicle of Higher Education. 46 (18): B2 – via Proquest.
  8. ^ Reilly, Maura (May 16, 2018). "'Bad Girls' to the Rescue: An Exhibition of Feminist Art from the 1990s Has Much to Teach Us Today". ARTnews. Retrieved March 23, 2022.
  9. ^ "Architecture Memories, Havana Interiors". Hampshire College. June 25, 2008. Retrieved March 23, 2022.
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