With an estimated population in 2022 of 8,335,897 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The William Ulmer Brewery is a brewery complex in Bushwick, Brooklyn, New York City. It consists of four buildings—an office, a brew house, an engine–machine house, and a stable–storage house—all constructed between 1872 and 1890 in the German round-arch style. The site is bounded by Belvidere Street to the southeast, Beaver Street to the northeast, and Locust Street to the northwest, with the address 31 Belvidere Street. The main brew house, the engine–machine house, and the office building were designed by Brooklyn architect Theobald Engelhardt, while the stable–storage house was designed by Frederick Wunder.
The Ulmer Brewery was one of over a dozen German-operated breweries that were built in Bushwick during the late 19th and early 20th centuries. Following the construction of the original building in 1872, additional structures were completed in 1880, 1885, and 1890. It ceased to be an active brewery in 1920 due to Prohibition in the United States, which outlawed alcoholic beverage production. The Ulmer family continued to own the office building until 1952; the other buildings were sold and used for light manufacturing, and the office building became a private residence. The brewery was named a New York City designated landmark in 2010, becoming the first brewery in the city to receive this status. The buildings were added to the National Register of Historic Places in 2024. (Full article...)
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750 Seventh Avenue is a 36-story office building in the Midtown Manhattan neighborhood of New York City. The building was designed by Kevin Roche of Roche-Dinkeloo and developed by David and Jean Solomon. 750 Seventh Avenue occupies a site on the north side of 49th Street between Broadway and Seventh Avenue. Since 1994, the building has mostly been occupied by the offices of financial services company Morgan Stanley. The building contains a black glass facade with large signs as well as etched-glass panels. On the upper stories, the exterior has setbacks in a spiral pattern, which terminate in an offset glass pinnacle. When the building opened, several critics compared its design to a smokestack and to a glass pyramid.
Solomon Equities had developed 750 Seventh Avenue as a speculative development in 1989 on the site of the Rivoli Theatre, a movie theater. When the building was completed, it had no tenants until the law firm Olwine, Connelly, Chase, O'Donnell & Wehyer leased space in April 1990. Olwine Connelly disbanded in 1991 without ever paying rent, and the Solomons placed the building into bankruptcy shortly afterward. The building was taken over by a consortium of banks, who leased some space to law firm Mendes & Mount and accounting firm Ernst & Young. Morgan Stanley bought the building in 1994 to supplement its space at nearby 1585 Broadway. Real-estate firm Hines and the General Motors Pension Fund bought 750 Seventh Avenue in 2000 and resold it in 2011 to Fosterlane Management. (Full article...)
The Shubert's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face south onto 44th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, two balconies, and a flat ceiling. The space is decorated with mythological murals throughout. Near the front of the auditorium, flanking the elliptical proscenium arch, are box seats at balcony level. The upper levels contain offices formerly occupied by the Shubert brothers, and the stage house to the north is shared with the Booth Theatre.
The Shubert brothers developed the Booth and Shubert theaters as their first venues on the block. The Shubert Theatre opened on October 2, 1913, with a revival of Hamlet. The theater has hosted numerous long-running musicals throughout its history, such as Bells Are Ringing and Promises, Promises. Since the 1970s, the Shubert has hosted relatively few shows, including long runs of the musicals A Chorus Line, Crazy for You, Chicago, Spamalot, Memphis, and Matilda the Musical. (Full article...)
60 Wall Street was designed with 1.7×10^6 sq ft (160,000 m2) of floor area. The building's four-story base was designed with columns resembling architectural arcades, while the upper stories are faced in glass and stone. The eight stories below the hip roof contain corners that resemble columns. The ground floor contains an enclosed public atrium connecting the building's entrances at Wall and Pine Streets, with plantings and a subway entrance. The second through fourth floors were designed as trading floors, while the other stories were offices for J.P. Morgan & Co. and then Deutsche Bank.
What is now 60 Wall Street replaced several buildings occupied by Cities Service. The American International Group and Bank of New York originally planned a 60-story office tower on the site in 1979, but these plans were abandoned in 1982. The site was then acquired by Park Tower Realty Company, who sold it in 1985 to J.P. Morgan & Co. The project was finished in 1989, with J.P. Morgan occupying the whole building. Starting in 2001, the building served as the American headquarters of Deutsche Bank after the Deutsche Bank Building was severely damaged in the September 11 attacks. The Paramount Group bought the building in 2007, and GIC bought a majority stake from Paramount in 2017. The owners announced a renovation of 60 Wall Street in 2021, after Deutsche Bank announced its intention to move out; the plans prompted protests from preservationists, who advocated for the facade and lobby to be preserved. (Full article...)
The General Electric Building, also known as 570 Lexington Avenue, is a skyscraper at the southwestern corner of Lexington Avenue and 51st Street in Midtown Manhattan, New York City. The building, designed by Cross & Cross and completed in 1931, was known as the RCA Victor Building during its construction. The General Electric Building is sometimes known by its address to avoid confusion with 30 Rockefeller Plaza, which was once known as the GE Building.
570 Lexington Avenue contains a 50-floor, 640-foot-tall (200 m) stylized Gothic octagonal brick tower, with elaborate Art Deco decorations of lightning bolts showing the power of electricity. The tower is set back from the round-cornered base with elaborate masonry and architectural figural sculpture. The building was designed to blend with the low Byzantine dome of the adjacent St. Bartholomew's Episcopal Church on Park Avenue, with the same brick coloring and architectural terracotta decoration. The crown of the building, an example of Gothic tracery, is intended to represent electricity and radio waves. On the corner above the building's main entrance is a clock with the cursive GE logo and a pair of disembodied silver arms holding bolts of electricity.
Plans for the building were announced in 1929, and it was completed two years later. The project was originally commissioned for RCA, then a subsidiary of General Electric (GE). RCA moved to 30 Rockefeller Plaza midway through construction, and 570 Lexington Avenue was conveyed to GE as part of an agreement in which RCA and GE split their properties. GE had its headquarters at 570 Lexington Avenue between 1933 and 1974, and retained ownership until 1993, when the building was donated to Columbia University. The building was extensively renovated by Ernest de Castro of the WCA Design Group in the 1990s. It was designated a New York City landmark in 1985 and was added to the National Register of Historic Places in 2004. (Full article...)
In 1901, Buel became a professor at Georgetown University. He took charge of the university in 1905, after the sudden removal of the president. In this role, he promoted intramural sports, oversaw construction of Ryan Gymnasium, and reformed the curriculum and university governance. He also instituted strict discipline and curtailed intercollegiate athletics, stoking fierce opposition from the student body and their parents, which resulted in his removal by the Jesuit superiors in 1908. Buel then performed pastoral work and taught for several years, before resigning from the Jesuit order in 1912 and secretly marrying in Connecticut. When word reached Washington, D.C., his former Jesuit colleagues publicly condemned him, and the media claimed his actions resulted in his excommunicationlatae sententiae.
Buel resumed teaching in a secular capacity in New England, but after his marriage, he lived at times in poverty despite his wife's considerable inheritance. He formally left the Catholic Church in 1922 to be ordained an Episcopal priest, but never took up rectorship of a church. He spent his last years in New York City. (Full article...)
Its creator and namesake was the entertainer Dick Clark, who conceived New Year's Rockin' Eve as a youthful competitor to Guy Lombardo's popular and long-running New Year's Eve specials on CBS. The special first aired on December 31, 1972; its first two editions were broadcast by NBC, and hosted by Three Dog Night and George Carlin, respectively, with Clark anchoring coverage from Times Square. In 1974–75, the program moved to its current home of ABC, and Clark assumed the role of host. Since 2000–01, the special has broadcast segments in prime time alongside the main late-night broadcast; initially occupying the 10:00 p.m. ET/PT hour, from 2011–12 onward the special has occupied the entirety of ABC's primetime and late-night schedule on New Year's Eve.
Following the death of Guy Lombardo and the decline of CBS's specials, New Year's Rockin' Eve grew in popularity and became the dominant New Year's special on U.S. television. New Year's Rockin' Eve has consistently remained the highest-rated New Year's Eve special broadcast by the United States' major television networks; its 2012 edition peaked at 22.6 million home viewers—not including viewers watching from public locations, which were not yet measured by Nielsen at the time. The series has most recently been renewed through at least 2028–29. (Full article...)
The modern Palace Theatre consists of a three-level auditorium at 47th Street, which is a New York City designated landmark. The auditorium contains ornately designed plasterwork, boxes on the side walls, and two balcony levels that slope downward toward the stage. When it opened, the theater was accompanied by an 11- or 12-story office wing facing Broadway, also designed by Kirchhoff & Rose.
The Palace was most successful as a vaudeville house in the 1910s and 1920s. Under RKO Theatres, it became a movie palace called the RKO Palace Theatre in the 1930s, though it continued to host intermittent vaudeville shows in the 1950s. The Nederlander Organization purchased the Palace in 1965 and reopened the venue as a Broadway theater the next year. The theater closed for an extensive renovation from 1987 to 1991, when the original building was partly demolished and replaced with the DoubleTree Suites Times Square Hotel; the theater was reopened within the DoubleTree in 1991. The DoubleTree Hotel was mostly demolished in 2019 to make way for the TSX Broadway development. As part of this project, the Palace closed again in 2018 and was lifted 30 feet (9.1 m) in early 2022. , the renovation is scheduled to be completed in 2024. (Full article...)
Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken, and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role.
The film was well received among major film critics. Douglas won the Academy Award for Best Actor, and the film has come to be seen as the archetypal portrayal of 1980s excess, with Douglas' character declaring that "greed, for lack of a better word, is good." It has also proven influential in inspiring people to work on Wall Street, with Sheen, Douglas, and Stone commenting over the years how people still approach them and say that they became stockbrokers because of their respective characters in the film. (Full article...)
The building is designed as a double house, with a larger unit at 11 West 54th Street to the west, as well as a smaller unit at 9 West 54th Street to the east. The facade is made of rusticated blocks of limestone on the first story, as well as Flemish bond brick on the upper stories. Businessman James Junius Goodwin and his wife Josephine lived at the main unit at number 11 with his family and rented number 9.
The house initially served as the second residence for James Goodwin, who lived primarily in Connecticut. James Goodwin died in 1915, and Josephine continued to live in the house until 1939, after which it was used briefly by the Inter-America House and the Museum of Modern Art The house was sold to Parsonage Point Realty Company in 1944 and leased to the Rhodes Preparatory School, which bought the building in 1949. The house was then sold in 1979 to the United States Trust Company, which renovated the structure. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district. (Full article...)
The Plant House was designed in the Neo-Renaissance style and has facades on both 52nd Street and Fifth Avenue. The 52nd Street facade of the house contains an ornate pavilion, and both facades have an attic hidden inside a frieze. The Edward Holbrook House was also designed in a neoclassical style but has a mansard roof. Both houses are five stories tall and are connected internally. The Cartier store takes up all of the stories inside the building.
The southeast corner of Fifth Avenue and 52nd Street was planned as a hotel in the early 1900s after the Roman Catholic Asylum vacated the site. After the Vanderbilts blocked the development of the hotel, the northern portion became the Morton F. Plant House, while the southern portion of the site was developed as the Marble Twins at 645 and 647 Fifth Avenue. In the late 1910s, Plant sold his house to Cartier. The Holbrook House was occupied by a variety of tenants until 1927, after which it was purchased by 653 Fifth Avenue's owners and used by various organizations and firms. The New York City Landmarks Preservation Commission designated the Cartier Building as a city landmark in 1970, and it was added to the National Register of Historic Places in 1983 along with 647 Fifth Avenue. (Full article...)
Construction on the Liberty Avenue station started in 1938 as part of a four-station extension of the Fulton Street subway along Pitkin Avenue. Work was delayed by funding problems due to World War II, even though the stations were mostly complete. Construction resumed on the extension of the Fulton Street Line in November 1946, and this part of the Fulton Street Line opened in 1948. (Full article...)
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Louise Nevelson Plaza following the 2007–2010 redesign
The original site, created to display seven large-scale abstract sculptures commissioned from Nevelson by New York City, opened in 1977 as Legion Memorial Square. Officially inaugurated as Louise Nevelson Plaza in 1978, it marked the city's first public space named after and designed by a living artist. The plaza, while suffering from poor maintenance, remained mostly unchanged for many years. However, following the September 11 attacks in 2001, a security booth was installed, the first deviation from Nevelson's original design.
By 2007, faded sculptures and required sub-surface repairs led to a comprehensive redesign by the Lower Manhattan Development Corporation, the New York City Department of Transportation, and the New York City Department of Design and Construction. Reopened in 2010, the updated plaza featured new ground cover, an elevated platform, benches, plantings, and rearranged, restored Nevelson sculptures. Despite criticism from some art historians for altering the original concept, Louise Nevelson's granddaughter Maria Nevelson supported the renovations, citing her grandmother's embrace of the "now" over the past. (Full article...)
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The bar's exterior in October 2021
Rise Bar, or simply Rise, is a gay bar in the Hell's Kitchen neighborhood of Manhattan in New York City. Opened in 2015, it is a small establishment surrounded by a number of larger LGBT nightlife venues. The bar is most popular among gay men and some women. It features pop music and hosts weekly entertainment including drag shows, open-mic nights and karaoke. Though Rise's owners invested in soundproofing before it opened, noise concerns from nearby residents initially led the local community board and state liquor authority to require the venue to close at an earlier hour than its competitors. Following a contentious series of applications to modify Rise's operating schedule and liquor license, this requirement was overturned for weekend nights. The establishment has received praise for its welcoming, diverse atmosphere. (Full article...)
The complex consists of two distinct, perpendicular stations. The Jay Street–Borough Hall station was built by the Independent Subway System (IND) in 1933, while the Lawrence Street–MetroTech station was built by the Brooklyn–Manhattan Transit Corporation (BMT) in 1924. Despite being one block away from each other, the two stations were not connected for 77 years. As part of a station renovation completed in 2010, the Metropolitan Transportation Authority (MTA) built a passageway to connect the two stations and made the complex fully compliant with the Americans with Disabilities Act of 1990. Both stations also contain "money train" platforms, which were formerly used to deliver MTA token revenue to neighboring 370 Jay Street. (Full article...)
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The Citigroup Center (formerly Citicorp Center and also known by its address, 601 Lexington Avenue) is an office skyscraper in the Midtown Manhattan neighborhood of New York City. Built in 1977 for Citibank, it is 915 feet (279 m) tall and has 1.3 million square feet (120,000 m2) of office space across 59 floors. The building was designed by architect Hugh Stubbins, associate architect Emery Roth & Sons, and structural engineer William LeMessurier.
The Citigroup Center takes up much of a city block bounded clockwise from the west by Lexington Avenue, 54th Street, Third Avenue, and 53rd Street. Land acquisition took place from 1968 to 1973; St. Peter's Church sold its plot on the condition that a new church building be constructed at the base of the tower. The design was announced in July 1973, and the structure was completed in October 1977. Less than a year after completion, the structure had to be strengthened when it was discovered that, due to a design flaw, the building was vulnerable to collapse in high winds. The building was acquired by Boston Properties in 2001, and Citicorp Center was renamed 601 Lexington Avenue in the 2000s. The New York City Landmarks Preservation Commission designated the Citigroup Center as a city landmark in 2016. The building's public spaces underwent renovations in 1995 and 2017.
The tower's base includes four giant stilts, which are placed mid-wall rather than at the building's corners. Its roof is sloped at a 45-degree angle. East of the tower is a six-story office annex. The northwest corner of the tower overhangs St. Peter's Evangelical Lutheran Church at Lexington Avenue and 54th Street, a granite structure designed by Stubbins. Also at the base is a sunken plaza, a shopping concourse, and entrances to the church and the New York City Subway's Lexington Avenue/51st Street station. The upper stories are supported by stacked load-bearing braces in the form of inverted chevrons. Upon the Citigroup Center's completion, it received mixed reviews, as well as architectural awards. (Full article...)
The hotel was designed by Alan Lapidus and is 480 feet (150 m) tall with 46 floors. The facade was designed in glass and pink granite, with a 100-foot-tall (30 m) arch facing Broadway. The hotel was designed to comply with city regulations that required deep setbacks at the base, as well as large illuminated signs. In addition to the hotel rooms themselves, the Crowne Plaza Times Square contains ground-story retail space, nine stories of office space, and a 159-space parking garage. The hotel's tenants include the American Management Association, and Learning Tree International; in addition, New York Sports Club was a former tenant.
Developer William Zeckendorf Jr. bought the hotel's site in 1985 and subsequently razed the existing structures there. Construction commenced in 1988, and the hotel opened on December 1, 1989. For the first several years of the hotel's operation, its office space and exterior signage was empty. Adam Tihany redesigned the interior in 1999. The City Investment Fund, a joint venture between Morgan Stanley Real Estate and Fisher Brothers, bought the Crowne Plaza in 2006 and renovated it again two years later. Vornado Realty Trust then acquired majority ownership of the hotel in 2015. The hotel closed in 2020 due to the COVID-19 pandemic in New York City and reopened in 2022. (Full article...)
This station opened on April 24, 1937 as part of an extension of the Independent Subway System's Queens Boulevard Line. In 1953, the platforms at the station were extended to accommodate 11-car trains. Ridership at this station decreased sharply after the opening of the Archer Avenue lines in 1988. This had been the closest subway station to the Long Island Rail Road's Jamaica station after the removal of a portion of the Jamaica Elevated in 1977. (Full article...)
The three constituent residential buildings—Amherst, Beaumont, and Coleridge Towers—which sit on a 110-acre (45 ha) property, are some of the tallest structures in Queens with 34 floors each. The towers are constructed on the highest point of land in Queens County, a hill located 258 feet (79 m) above sea level. This hill is part of the terminal moraine of the last glacial period. The hill is ranked 61 of 62 on the list of New York County High Points. The North Shore Towers complex contains 1,844 apartments ranging from studios to three-bedroom apartments.
The North Shore Towers complex has an 18-hole golf course and its own power plant that produces electricity independent of local power companies. The community also has an indoor shopping concourse that connects the three residential buildings with 22 retail units, as well as fitness centers that include five swimming pools and five tennis courts. (Full article...)
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Sesame Workshop, Inc. (SW), originally known as the Children's Television Workshop, Inc. (CTW), is an American nonprofit organization that has been responsible for the production of several educational children's programs—including its first and best-known, Sesame Street—that have been televised internationally. Television producer Joan Ganz Cooney and foundation executive Lloyd Morrisett developed the idea to form an organization to produce Sesame Street, a television series which would help children, especially those from low-income families, prepare for school. They spent two years, from 1966 to 1968, researching, developing, and raising money for the new series. Cooney was named as the Workshop's first executive director, which was termed "one of the most important television developments of the decade."
Sesame Street premiered on National Educational Television (NET) as a series run in the United States on November 10, 1969, and moved to NET's successor, the Public Broadcasting Service (PBS), in late 1970. The Workshop was formally incorporated in 1970. Gerald S. Lesser and Edward L. Palmer were hired to perform research for the series; they were responsible for developing a system of planning, production, and evaluation, and the interaction between television producers and educators, later termed the "CTW model". The CTW applied this system to its other television series, including The Electric Company and 3-2-1 Contact. The early 1980s were a challenging period for the Workshop; difficulty finding audiences for their other productions and a series of bad investments harmed the organization until licensing agreements stabilized its revenues by 1985.
Following the success of Sesame Street, the CTW developed other activities, including unsuccessful ventures into adult programs, the publications of books and music, and international co-productions. In 1999, the CTW partnered with MTV Networks to create an educational channel called Noggin. The Workshop produced a variety of original series for Noggin, including The Upside Down Show, Sponk! and Out There. On June 5, 2000, the CTW changed its name to Sesame Workshop to better represent its activities beyond television. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. About 47% of its residents are foreign-born. Queens is the most linguistically and ethnically diverse place on Earth. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern most point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
The following are images from various New York City-related articles on Wikipedia.
Image 1Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
Image 15The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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