Here We Are (musical)

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Here We Are
Original Off-Broadway windowcard
MusicStephen Sondheim
LyricsStephen Sondheim
BookDavid Ives
BasisThe Discreet Charm of the Bourgeoisie
by Luis Buñuel
Jean-Claude Carrière
The Exterminating Angel
by Luis Buñuel
Luis Alcoriza
PremiereOctober 22, 2023: The Shed, New York City
Productions2023 Off-Broadway

Here We Are is a musical with music and lyrics by Stephen Sondheim and a book by David Ives[1] inspired by two films of Luis Buñuel.

Development[edit]

Sondheim announced that he was working with Ives on a project in February 2012, saying he had "about 20–30 minutes of the musical completed".[2][3][4][5][6] By October 2014, plans were underway for a Sondheim and Ives musical based on two Luis Buñuel films, The Exterminating Angel and The Discreet Charm of the Bourgeoisie, to open in previews at The Public Theater in 2017.[7] An August 2016 reading for the musical was held at The Public Theater, and it was reported that only the first act was finished, which cast doubt on the speculated 2017 start of previews.[8] A November 2016 workshop included Matthew Morrison, Shuler Hensley, Heidi Blickenstaff, Sierra Boggess, Gabriel Ebert, Sarah Stiles, Michael Cerveris, and Jennifer Simard.[9] After media outlets mistakenly reported that the show had the working title Buñuel, Sondheim clarified the show title had yet to be decided.[10]

In June 2019, The Public Theatre denied reports that it would be part of its 2019–20 season, as it was still in development, but would be produced "when it is ready".[11] On April 27, 2021, it was reported that the musical was no longer in development.[12] However, on The Late Show with Stephen Colbert on September 15, 2021, Sondheim announced he was working on a musical called Square One in collaboration with Ives.[1] The same day, Nathan Lane revealed that he and Bernadette Peters were involved in a reading of this new work.[13] Before his death on November 26, 2021, Sondheim's final interview confirmed that Square One was adapted from the Buñuel films.[14] Subsequently titled Here We Are, the musical would premiere posthumously off-Broadway at The Shed in September 2023.[15]

Plot[edit]

Act I: The Road

It’s Saturday morning, and we are 90 stories up in the fabulous apartment of Leo and Marianne Brink. The Brinks' friends, Paul Zimmer and his wife Claudia Bursik-Zimmer, arrive along with Raffael, the ambassador of the fictional country Moranda, and Marianne’s younger sister, Fritz, an anti-capitalist, political hothead. The Brinks don't recall inviting guests and are unable to host brunch at their apartment. Leo offers to take everyone out to brunch, and they all head out.

On the way to the restaurant (The Road 1), Marianne celebrates the glorious day. Raffael flirts with her via “an old Morandan proverb,” although he’s already having an affair with Claudia. We learn that Leo, Raffael and Paul secretly run a drug cartel. Fritz warns the group of approaching global catastrophe.

At their brunch destination, a Café with seemingly everything in creation on the menu (Café Everything — Toast 1), Marianne informs the group of her plans to clone their dogs. A waiter regretfully informs the group that the restaurant has no food or beverages (Waiter’s Song).

As the group seeks food again (The Road 2), we learn via a phone call that Fritz, under the code name “Apocalypse,” is covertly working for the anarchist group PRADA (People's Revolutionary Anti-Domination Army) and has to raise $50 million to start a world revolution on capitalism. Raffael attempts to flirt with Fritz, then serenades Claudia. Fritz overhears Leo, Paul, and Raffael discussing drugs and sees her chance to get the money.

At the next restaurant, specializing in French deconstructivist cuisine (Bistro à la Mode — Toast 2), the group encounters a weeping waitress (It Is What It Is) and discovers the restaurant staff is holding a funeral for the restaurant's dead chef in the back room. With no food to be had, they hit the road again (The Road 3) and Fritz blackmails the men into giving her $50 million to start the revolution.

At the next restaurant, an Italian brasserie (Osteria Zeno — Toast 3), their attempt to eat is interrupted by a Colonel from Homeland Security and a poetic Lieutenant (The Soldier’s Dream), with whom Fritz instantly fall in love. When the restaurant’s food turns out to be fake, Raffael suggests supper at his Embassy. Colonel Martin and the Soldier join the group.

Finding themselves on the road once more in search of a meal (The Road 4), Raffael serenades Marianne. When they reach their destination (Oh, Look, Here’s the Embassy!), a Bishop comes to the door looking for a job (Bishop’s Song).

As the group is seated for dinner, gunfire erupts in the distance –the result of Fritz’s fundraising. On her cellphone, Fritz attempts to call off “the end of the world,” only to discover that the embassy butler, Windsor, is in fact Inferno, her PRADA chief. Dinner is served at last (End of Act One).

Act II: The Room

In the Morandan Embassy salon after dinner, the group relaxes (Digestion) while Marianne savors the luxurious room (Shine). When it’s time to leave, everyone balks at the door for some reason and remains inside the room (Hesitation). They decide to stay the night, bedding down right where they are. Fritz and the Soldier express their feelings (Double Duet), then retire to the room’s closet to make love. In the middle of the night, Marianne has an encounter (Interlude 1: Marianne and The Bear).

The next morning, the Colonel announces that they’re trapped and unable to leave the room –even though the portal before them is wide open. In the ensuing panic, Leo has a heart attack, Windsor reveals himself to the group as Inferno, and explosions are heard. They realize it may be the actual end of the world outside.

Days and nights pass inside the room as the hungry, thirsty group becomes more desperate. When water is discovered inside a wall, they dance in the downpour (Interlude 2: Wandering). Late one night, Marianne and the Bishop snack on book pages and have a quiet philosophical exchange (Interlude 3: Snow) after which they enjoy a light indoor snowfall.

With the group desperate to get out, Raffael is about to sacrifice himself to free them when Marianne realizes they can get out if they just reenact their steps on the evening they decided to stay (Hesitation — Reprise). When they’ve all been released from the room, the Colonel, the Soldier and the Bishop take their leave. The original group of friends returns to the road and their eternal search for food – but running now, running faster and faster, amidst what seems to be the end of the world.

Characters and Vocal Roles[edit]

MARIANNE – Female (cis, trans, or non-binary), 35-45. Ethereal. Daffy. A cool beauty with a warm heart. Capable of unexpected lyricism. A terrific singer with a large vocal range spanning from chesty and conversational to lyric soprano. Strength with rhythm is a plus.

LEO – Male (cis, trans, or non-binary), 60’s. Charming billionaire. Ruthless, insatiable, a little crude. Some non-strenuous singing. Strength with rhythm is a plus.

RAFAEL – Male (cis, trans, or non-binary), 50’s. Cosmopolitan and suave, great-looking. Has great charm and humor. Lyric baritone with some vocal power, not bottom heavy, vocally. Strength with rhythm is a plus.

CLAUDIA – Female (cis, trans, or non-binary), 40’s. Fleshy, sexy, hungry, loud, entertaining, always happy to take exception or pick a fight. Excellent comic and dramatic skills.Some non-strenuous singing. Belt/mix. Could be a character sound. Strength with rhythm is a plus.

PAUL – Male (cis, trans, or non-binary), 40’s. Laid back, low-key, and always nice with an under layer of anxiety. Has solid but understated comic skills. Some non-strenuous singing. Baritone with good rhythmic skills.

FRITZ – Female (cis, trans, or non-binary), 25-35. A political rebel from upper-middle-class Greenwich. Angry at the world. Lonely. Sulky. Self-Starved. Strong singer. Role requires vocal flexibility ranging from chatty belt to lyricism.

COLONEL – Male (cis, trans, or non-binary), 50-60. Comically block-headed and strong-jawed, all-business and no-brains. Comically appealing because he’s so deeply unaware. Minimal singing.

SOLDIER –Male (cis, trans, or non-binary), 25-30. Very attractive. A dreamer, searcher, natural-born poet in love with the idea of love. Excellent singer. Lyric baritone with some good tenor notes. Warm vocal sound.

BISHOP – Male (cis, trans, or non-binary), 50-70. Sweet, gentle, endearingly lost. Great comic skill, natural personal appeal, and good singing skills. Bright character tenor.

WOMAN – Female (cis, trans, or non-binary), 50’s. Multiple and very diverse parts. Comically inventive and transformational. Impeccable comic accent(s). Strong voice. Think Kurt Weill meets French Chanteuse. Broad and big vocals.

MAN – Male (cis, trans, or non-binary), 50’s. Multiple parts. Superb comedy, accents, strong character work and good singing. Character baritone range.

Casts[edit]

Character Original Off-Broadway[16]
2023
Marianne Brink Rachel Bay Jones
Leo Brink Bobby Cannavale
Fritz Micaela Diamond
Claudia Bursik-Zimmer Amber Gray
Paul Zimmer Jeremy Shamos
Raffael Santello Di Santicci Steven Pasquale
Bishop David Hyde Pierce
Man Denis O'Hare
Woman Tracie Bennett
Soldier Jin Ha
Colonel Martin Francois Battiste

Musical numbers[edit]

Productions[edit]

Here We Are premiered at The Shed's Griffin Theatre in previews on September 28, 2023, officially opening on October 22, 2023 and running until January 21, 2024 (after being extended from January 7). The production, directed by Joe Mantello, featured a cast including Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O'Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos.[16] Reviews were positive, if largely restrained.[17][18]

Cast recording[edit]

Recorded at Power Station,[19] the original cast album was released May 17, 2024 on CD and streaming by Concord Theatricals, with a double-LP vinyl release scheduled for September 6.[20]

References[edit]

  1. ^ a b Evans, Greg (2021-09-16). "Stephen Sondheim Writing New Musical 'Square One', Reveals Plans To Stephen Colbert". Deadline. Retrieved 2022-10-23.
  2. ^ Lewis, Jessica (February 29, 2012). "Powerhouse Scribes Stephen Sondheim & David Ives at Work on New Musical!". BroadwayWorld.com. Retrieved March 17, 2023.
  3. ^ Healy, Patrick; Kepler, Adam W. (2012-02-29). "Rolling Along: Sondheim Discloses He's Working on a New Show". ArtsBeat. Retrieved 2023-03-17.
  4. ^ "Stephen Sondheim has '20 or 30 minutes' written of a new musical". Los Angeles Times. 2012-02-29. Retrieved 2023-03-17.
  5. ^ Lewis, Jessica (February 29, 2012). "BWW Exclusive: Stephen Sondheim Drops Hint About New Musical with David Ives!". BroadwayWorld.com. Retrieved March 17, 2023.
  6. ^ Jones, Kenneth (February 29, 2012). "Stephen Sondheim Collaborating With David Ives on New Musical". Playbill. Retrieved March 17, 2023.
  7. ^ "Stephen Sondheim and David Ives at Work on New Musical Based on Films of Luis Buñuel". Playbill. October 11, 2014. Retrieved March 17, 2023.
  8. ^ Riedel, Michael (2016-08-23). "Stephen Sondheim is halfway done with his new musical". New York Post. Retrieved 2023-03-17.
  9. ^ Viagas, Robert (January 4, 2017). "Matthew Morrison Says Sondheim's New Buñuel Musical Is "Challenging"". Playbill. Retrieved March 17, 2023.
  10. ^ Wong, Wayman (April 26, 2017). "BWW Exclusive: Sondheim Knocks Riedel's Reporting; Says His New Musical Was Never Called BUNUEL". BroadwayWorld.com. Retrieved March 17, 2023.
  11. ^ Paulson, Michael (2019-06-06). "'For Colored Girls' and 'Soft Power' Will Be Part of Public Theater Season". The New York Times. ISSN 0362-4331. Retrieved 2023-03-17.
  12. ^ Gans, Andrew (April 27, 2021). "Stephen Sondheim Musical Buñuel No Longer in Development". Playbill. Retrieved March 17, 2023.
  13. ^ Major, Michael (September 15, 2021). "VIDEO: Nathan Lane Talks Reading of a New Sondheim Musical With Bernadette Peters". BroadwayWorld.com. Retrieved March 17, 2023.
  14. ^ Paulson, Michael (2021-11-27). "Days Before Dying, Stephen Sondheim Reflected: 'I've Been Lucky'". The New York Times. ISSN 0362-4331. Retrieved 2023-03-17.
  15. ^ Evans, Greg (2023-03-16). "Final Stephen Sondheim Musical 'Here We Are' To Make Off Broadway World Premiere This Fall With Joe Mantello Directing". Deadline. Retrieved 2023-03-17.
  16. ^ a b "Bobby Cannavale, Micaela Diamond, Amber Gray, Denis O'Hare, More Will Star in World Premiere of Sondheim's Here We Are". Playbill. July 17, 2023.
  17. ^ Scheck, Frank (2023-10-23). "Here We Are: A Minor But Welcome Final Addition to the Sondheim Canon". New York Stage Review. Retrieved 2024-02-07.
  18. ^ Sommers, Michael (2024-01-04). "Here We Are: Sondheim's Non Finito Musical, or Sunday in the Dark with Brunch". New York Stage Review. Retrieved 2024-02-07.
  19. ^ Culwell-Block, Logan (2024-01-10). "Final Sondheim musical Here We Are will release cast album". Playbill.
  20. ^ Culwell-Block, Logan (2024-05-17). "Here We Are releases cast album May 17". Playbill.

External links[edit]