Frances Cornford

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Frances Cornford née Darwin should not be confused with her husband Francis Cornford.

Jacques Raverat, Ka Cox, Gwen Raverat and Frances Cornford in a Norfolk barn.

Frances Crofts Cornford (née Darwin; 30 March 1886 – 19 August 1960) was an English poet.

Biography[edit]

She was the daughter of the botanist Francis Darwin and Newnham College fellow Ellen Wordsworth Crofts (1856–1903), and born into the Darwin—Wedgwood family. She was a granddaughter of the British naturalist Charles Darwin. Her older half-brother was the golf writer Bernard Darwin. She was brought up in Cambridge, among a dense social network of aunts, uncles, and cousins, and was educated privately.[1][2] Because of the similarity of her first name, her father's and her husband's, she was known to her family before her marriage as "FCD" and after her marriage as "FCC" and her husband Francis Cornford was known as "FMC". Her father Sir Francis Darwin, a son of Charles Darwin, yet another 'Francis', was known to their family as "Frank", or as "Uncle Frank".

She died of heart failure at her home Cambridge, on 19 August 1960.[1] She is buried at the Parish of the Ascension Burial Ground in Cambridge,[3] where she is in the same grave as her father Sir Francis Darwin. Her mother Ellen Wordsworth Darwin, née Crofts, is buried in St. Andrews Church's churchyard in Girton, Cambridgeshire.

Personal life[edit]

In 1909, Frances Darwin married Francis Cornford, a classicist and poet. They had five children:

Works[edit]

Frances Cornford published several books of verse, including her debut (as "F.C.D"), The Holtbury Idyll (1908), Poems (1910), Spring Morning (1915), Autumn Midnight (1923), and Different Days (1928). Mountains and Molehills (1935) was illustrated with woodcuts by her cousin Gwen Raverat.

She wrote poems including "The Guitarist Tunes Up":

With what attentive courtesy he bent
Over his instrument;
Not as a lordly conqueror who could
Command both wire and wood,
But as a man with a loved woman might
Inquiring with delight
What slight essential things she had to say
Before they started, he and she, to play.

One of Frances Cornford's poems was a favourite of Philip Larkin and his lover Maeve Brennan. "All Souls' Night" uses the superstition that a dead lover will appear to a still faithful partner on that November date. Maeve, many years after Larkin's death, would re-read the poem on All Souls:[7]

My love came back to me
Under the November tree
Shelterless and dim.
He put his hand upon my shoulder,
He did not think me strange or older,
Nor I him.

Although the myth enhances the poem, it can be read as the meeting of older, former lovers.

"To a Fat Lady Seen from the Train"[edit]

Cornford is possibly best remembered for her triolet poem "To a Fat Lady Seen from the Train" in Poems of 1910.[8]

O why do you walk through the fields in gloves,
Missing so much and so much?
O fat white woman whom nobody loves,
Why do you walk through the fields in gloves,
When the grass is soft as the breast of doves
And shivering-sweet to the touch?
O why do you walk through the fields in gloves,
Missing so much and so much?

To which G. K. Chesterton replied in "The Fat Lady Answers", in his Collected Poems of 1927:[9]

Why do you rush through the field in trains,
Guessing so much and so much.
Why do you flash through the flowery meads,
Fat-head poet that nobody reads;
And why do you know such a frightful lot
About people in gloves as such?
...

Earlier, in 1910, A. E. Housman had written a parody in a private letter:[10]

O why do you walk through the fields in boots,
Missing so much and so much?
O fat white woman whom nobody shoots,
Why do you walk through the fields in boots,
When the grass is soft as the breast of coots ...

The first lines of this poem were spoken by a character in Agatha Christie's 1939 novel Murder is Easy.

Elizabeth Goudge quotes the poem "The Country Bedroom" in her autobiography, The Joy of the Snow at the end of Chap XIV, p 252, when Goudge is describing finding her final home "Rose Cottage".

My room's a square and candle-lighted boat,
In the surrounding depths of night afloat;
My windows are the portholes, and the seas
The sound of rain on the dark apple-trees.

Seamonster-like beneath, an old horse blows
A snort of darkness from his sleeping nose,
Below, among drowned daisies. Far off, hark!
Far off one owl amidst the waves of dark.

See also[edit]

Notes[edit]

  1. ^ a b "Cornford [née Darwin], Frances Crofts". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/32570. (Subscription or UK public library membership required.)
  2. ^ Period Piece, a memoir by Frances Cornford's first cousin and close friend, Gwen Raverat, sheds much light on Cornford's childhood.
  3. ^ Mark Goldie, A Guide to Churchill College, Cambridge, pp. 62 and 63 (2009).
  4. ^ Pearce, Jeremy (4 December 2007). "Joseph L. Henderson, 104; Expanded Jungian Methods". The New York Times.
  5. ^ Flora Bridge · Barrie Alfred Ernest Chapman · Amiya Kumar Chatterjee · Hugh Wordsworth Cornford... - Europe PMC Article - Europe PubMed Central
  6. ^ Marriages The Times, Friday, 11 April 1947; p. 1; Issue 50732; col A.
  7. ^ Ezard, John (15 October 1999). "Revealed: Larkin the tender lover". The Guardian. Retrieved 13 April 2018.
  8. ^ Sage, Lorna; Germaine Greer; Elaine Showalter, eds. (1999). The Cambridge Guide to Women's Writing in English. Cambridge University Press. p. 153. ISBN 978-0521668132. To a Fat Lady Seen from the Train cornford best known.
  9. ^ Ahlquist, Dale. "The Collected Poems II". Chesterton 101 lecture series. American Chesterton Society. Retrieved 7 November 2013.
  10. ^ Housman, A..E. (29 March 2007). Archie Burnett (ed.). The Letters of A. E. Housman. Oxford University Press. p. 249. ISBN 9780198184966.

External links[edit]

Wikisource has original works by or about:
Frances Cornford
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