File:Georges Braque, 1908, Maisons et arbre, oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art.jpg
Original file (802 × 1,000 pixels, file size: 511 KB, MIME type: image/jpeg)
Summary
[edit]Description |
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art |
---|---|
Source |
Lille Métropole Museum of Modern, Contemporary and Outsider Art |
Date |
1908 |
Author | |
Permission (Reusing this file) |
See below
|
Published in 1920
[edit]Notes
[edit]This painting by Braque was refused at the Salon d'Automne in 1908. Louis Vauxcelles recounted how Matisse told him at the time, "Braque has just sent in [to the 1908 Salon d'Automne] a painting made of little cubes".[1] The critic Charles Morice relayed Matisse's words and spoke of Braque's little cubes. The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective.[2] Six landscapes painted at L'Estaque signed Georges Braque were presented to the Jury of the Salon d'Automne: Guérin, Marquet, Rouault and Matisse rejected Braque's entire submission. Guérin and Marquet elected to keep two in play. Braque withdrew the two in protest, placing the blame on Matisse.[1] Houses at l'Estaque is a Proto-Cubist painting consisting both of Cézannian trees and houses depicted in the absence of any unifying perspective. Houses in the background do, however, appear smaller than those of the foreground, consistent with classical perspective. Following the rejection of Braque's paintings, Daniel-Henry Kahnweiler offers the artist a one-person show at his gallery on a small street situated behind La Madeleine, Paris. Apollinaire writes of the paintings exhibited nothing about cubes, but mentions "the synthetic motifs he paints" and that he "no longer owes anything to his surroundings". It was Vauxcelles who called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes.[1]
Licensing
[edit]This image is in the public domain in the United States because it was first published outside the United States prior to January 1, 1929. Other jurisdictions have other rules. Also note that this image may not be in the public domain in the 9th Circuit if it was first published on or after July 1, 1909 in noncompliance with US formalities, unless the author is known to have died in 1953 or earlier (more than 70 years ago) or the work was created in 1903 or earlier (more than 120 years ago.)[1] |
This file will not be in the public domain in both its home country and the United States until January 1, 2034 and should not be transferred to Wikimedia Commons until that date, as Commons requires that images be free in the source country and in the United States. |
- ^ a b c Alex Danchev, Georges Braques: A Life, Arcade Publishing, 15 nov. 2005
- ^ Futurism in Paris - The Avant-garde Explosion, Pompidou Center, Paris 2008
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 10:59, 5 January 2015 | 802 × 1,000 (511 KB) | Coldcreation (talk | contribs) | == Summary == {{Information | Description = Georges Braque, 1908, Maisons et arbre (''Houses at l'Estaque''), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art | Source = [http://www... |
You cannot overwrite this file.