Catherine Martin (designer)
Catherine Martin | |
|---|---|
.jpg) Martin in 2013 | |
| Born | 26 January 1965 Lindfield, New South Wales, Australia |
| Education | |
| Occupations |
|
| Years active | 1988–present |
| Spouse | |
| Children | 2 |
| Website | catherinemartin |
Catherine Martin (born 26 January 1965) is an Australian costume designer, production designer, set designer, and film producer. In a career spanning over three decades, she is recognized for her prolific work across stage and screen with her husband, Baz Luhrmann. These include their collaborations on such acclaimed films as Strictly Ballroom (1992), Romeo + Juliet (1996), Moulin Rouge! (2001), Australia (2008), The Great Gatsby (2013), and Elvis (2022). She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award.
Martin gained international recognition with her first major film credit alongside Luhrmann on his feature directorial debut, Strictly Ballroom, which later became the first part of the "Red Curtain Trilogy". For her exceptional work on the film's aesthetic, she earned two BAFTAs for Best Costume Design and Best Production Design, among other accolades. Martin received her first Oscar nomination for art direction in the second part of the trilogy, Romeo + Juliet. She then collected both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for creating the visuals in Curtain's final installment, Moulin Rouge! Martin is the second woman to win multiple Oscars in a single year and the first to accomplish this feat more than once after winning the same categories for The Great Gatsby. Having won four awards out of nine nominations, she holds the record for the most Oscar wins of any Australian.
Early life and education[edit]
Martin was born on January 26, 1965,[1] in Lindfield, New South Wales, to a French mother and an Australian father, both academics who met at the Sorbonne; her father was pursuing his expertise in 18th-century French literature, and her mother was studying mathematics at university.[2] She and her brother grew up in Sydney but spent a lot of time with their grandparents in France's Loire Valley, visiting "every art gallery, every museum" along the way.[2] Martin was fascinated from an early age by the vintage clothing parades occasionally thrown by her Australian grandmother and her church friends.[3] She would beg her parents to take her to London's Victoria and Albert Museum so she could dig through the costume section,[4] and recalled "being blown away by the costume gallery, being able to see a pleated lace ruff in reality" when she finally got there.[3] Her mother taught her to use a sewing machine at age 6, and by age 15 she was creating her own patterns to make herself dresses.[2] Martin cited The Wizard of Oz as her childhood inspiration and an extraordinary journey to take when she was 10, and then Gone with the Wind as the movie that, at age 13, changed her life from a fashion perspective.[5]
Martin attended North Sydney Girls High School and, while a student, got a part-time job as an usherette at the Roseville theatre.[6] She was first enrolled at Sydney College of the Arts and spent a year studying the visual arts before deciding to drop out for a career change. Then she studied pattern cutting at East Sydney Technical College.[6] She was accepted into the National Institute of Dramatic Art (NIDA) and graduated in 1988 with a diploma in design. In her last year at university, she met and started collaborating with a fellow student, Baz Luhrmann, whom she later married. At that time, Luhrmann returned to NIDA looking for young designers with whom he planned to stage his one-act play, Strictly Ballroom, and Martin did some work on that production.[7]
Career[edit]
Martin's first professional engagement came after graduation when she began working on Luhrmann's environmental opera experiment, Lake Lost, staged at a television studio in Melbourne to celebrate the Australian Bicentenary in 1988.[3] Their collaboration continued at Opera Australia when she provided set designs for Luhrmann's 1990 production of Giacomo Puccini's La bohème as well as the 1993 production of Benjamin Britten's A Midsummer Night's Dream.[8]
Martin gained international acclaim when she entered the film industry, recreating her designs in Luhrmann's feature directorial debut, Strictly Ballroom (1992), the first part of the "Red Curtain Trilogy". It was a major financial success and received widespread acclaim from critics and audiences, who lauded the acting, direction, and production values.[7] Among other accolades, the film cleaned up at the AFI Awards, picking up leading eight wins from 13 nominations and also winning three of its eight nominations at the BAFTAs, including both the Best Costume Design and the Best Production Design for Martin's visuals.[7] She then received her first Oscar nomination for art direction in the trilogy's second installment, Romeo + Juliet (1996).
Their third feature film collaboration which concluded Curtain's Trilogy was Moulin Rouge! (2001). She earned both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for her richly designed sets and dazzling costumes, which received widespread recognition from critics and audiences alike. She shared the former prize with Angus Strathie, the latter with Brigitte Broch (for the film's set decoration).[9] Martin's double wins makes her just the second woman to win multiple Oscars in a single year, after fellow costume designer Edith Head.
For their next project together, the pair teamed up adaptating Luhrmann's earlier Australian production of La bohème for Broadway theatre, which opened to critical acclaim in December 2002.[10] She won the Tony Award for Best Scenic Design and, alongside Strathie, was nominated for the Tony Award for Best Costume Design the following year.[11]
Martin went to co-produce Luhrmann's epic Australia (2008) and was also the film's production and costume designer. It earned her another Oscar nomination.[12] She has stated that the tailoring on the clothing produced for the film is one of her proudest achievements.[13]
The Great Gatsby[edit]
Luhrmann and Martin started working on the cinematic reinvention of F. Scott Fitzgerald's classic, The Great Gatsby, a novel that she had not read since adolescence and had not much appreciated as a teenager. Nevertheless, Martin ended up being the book's biggest fan after her husband's insistence that she revisit it.[14] Luhrmann thought about doing a new film version for about a decade, although he began writing a script only three years before actual filming started.[15] For their ambitious purpose of trying to achieve an authentic feeling for the film but also something connective for a modern audience, the pair consulted academic texts about the novel as well as historical analyses pertaining to both Fitzgerald and his work. In particular, they went to libraries at the Metropolitan Museum of Art and the Fashion Institute of Technology to further their research on the project. Martin described herself during this time as being "like a detective".[15]
Overall, Martin was charged with creating about 500 outfits for various cast members.[16] She collaborated with Brooks Brothers and Miuccia Prada to design the costumes, as well as Tiffany & Co., which agreed to supply the film's jewelry.[17] In particular, Prada created some twenty dresses for the film's first party scene as well as an additional twenty for the second one.[17] Before filming started, Luhrmann said that since the book took place in 1922 and was published in 1925 but foreshadowed the economic crash of 1929, anything within that decade was appropriate to borrow for design purposes.[14] This approach gives Martin more room to play with trends and flattering pieces, such as her choice to dress lead actor Leonardo DiCaprio in slimmer-cut suits, a decision that otherwise would not be typical for the time period in which the depicted events are taking place. Furthermore, she erred towards the decade's end for women's clothes, wanting to focus on slimmer silhouettes.[17] She also took artistic liberties when it came to the actresses' footwear, telling Vogue that she found heels from the era to be "stumpy". Martin rationalized her anachronistic use of thinner-heeled shoes by telling herself she was copying what was found in fashion illustrations from the time.[13]
Martin created a total of 42 lavish sets for the film, which all were constructed under her vision in a span of 14 weeks.[16] Her inspiration came from the works of 1920s British designer Syrie Maugham as well as the iconic turn-of-the-century houses on Long Island, such as Beacon Towers for Gatsby's mansion and Old Westbury Gardens for the Buchanans' estate. She also gave credit to the 1920s silent film designs, particularly those of Sunrise (1927) and Speedy (1928), for inspiring Gatsby's high-gloss Art Deco visual style.[16]
Martin once again received universal acclaim for creating film's visuals, winning her two more Oscars for both Best Costume Design and Best Production Design, the latter of which she shares with Beverley Dunn.[18] Having won her fourth career Academy Award, she claimed the record for the most Oscar wins of any Australian, overtaking fellow costume designer Orry-Kelly, who won three in the 1950s.[18]
Shortly after the release of Gatsby, Martin collaborated with Brooks Brothers to release a limited edition menswear collection.[16] She has also launched a range of home wares, featuring paints, wallpaper and rugs.[19][20]
Other work[edit]
Martin was named a Glamour Magazine Woman of the Year in 2013.[21] Discussing her and Luhrmann's progression as artists, Marin told the magazine, "We've gone from me staying up all night to paint the floor to where I am now, with 300 carpenters working for me. I feel like the Queen of England [sic]".[21] For her spread in their December issue, her husband photographed her alongside their children.[22]
Martin's work was featured in fellow costume designer Deborah Nadoolman Landis' 2013 book Hollywood Costume.[23]
Martin has stated that she prides herself on ensuring the costumes she produces are beautifully made, comfortable, and easy to take on and off. She also said that she is no longer tempted to keep any wardrobe mementos from the films she works on, telling Fashionista, "... I realised through long and hard experience the best record of your work, is the work itself."[17]
In 2016, Martin and Luhrmann developed the Netflix television series The Get Down, which takes place in 1970s South Bronx.[13] She served as an executive producer of the series.[24]
Personal life[edit]
Martin met her husband, Baz Luhrmann, at university, and the pair married on Australia Day 1997, her 32nd birthday.[1] The couple has two children together.[25] In July 2015, the couple placed their Darlinghurst mansion on the market for $16 million AUD, in favour of establishing a more settled family life in New York City, where their family has been spending more and more time.[26]
Filmography[edit]
Film[edit]
| Year | Title | Director | Credited as | Notes | ||
|---|---|---|---|---|---|---|
| Costume Designer | Production Designer | Producer | ||||
| 1988 | Interim | Jean-Pierre Améris | No | Yes | No | Short film |
| 1989 | Out of the Body | Brian Trenchard-Smith | Yes | No | No | |
| 1992 | Strictly Ballroom | Baz Luhrmann | Yes | Yes | No | Co-designed costumes with Angus Strathie Martin designed street costumes, whereas Strathie designed ballroom attire |
| 1996 | Romeo + Juliet | No | Yes | Yes | Associate producer | |
| 2001 | Moulin Rouge! | Yes | Yes | Yes | Associate producer Co-designed costumes with Angus Strathie | |
| 2004 | No. 5 the Film | No | Yes | No | Short film | |
| 2008 | Australia | Yes | Yes | Yes | Co-producer | |
| 2012 | Waist Up/Waist Down | Yes | Yes | No | Short film | |
| Ugly Chic | Yes | No | No | |||
| The Surreal Body | Yes | No | No | |||
| The Exotic Body | Yes | Yes | No | |||
| The Classical Body | Yes | Yes | No | |||
| Schiaparelli & Prada: Impossible Conversations | Yes | Yes | No | |||
| Naif Chic | Yes | Yes | No | |||
| Hard Chic | Yes | Yes | No | |||
| 2013 | The Great Gatsby | Yes | Yes | Yes | Co-designed sets with Karen Murphy as associate production designer | |
| 2014 | Channel No. 5: The One That I Want | No | Yes | No | Short film | |
| 2017 | ERDEM x H&M: The Secret Life of Flowers | No | Yes | Yes | ||
| 2022 | Elvis | Yes | Yes | Yes | Co-designed sets with Karen Murphy | |
Television[edit]
| Year | Title | Contribution | Notes | ||
|---|---|---|---|---|---|
| Costume Designer | Production Designer | Producer | |||
| 1994 | Great Performances | Yes | Yes | No | Episode: "La boheme" Co-designed costumes with Angus Strathie |
| 2016–2017 | The Get Down | Yes | Yes | Yes | Executive producer Co-costume designer and co-production designer (Episode: "Where There Is Ruin, There Is Hope for a Treasure") Co-designed costumes with Jeriana San Juan Co-designed sets with Karen Murphy |
Awards and nominations[edit]
Major associations[edit]
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 1996 | Best Production Design | Romeo + Juliet | Nominated | [27] |
| 2001 | Best Costume Design | Moulin Rouge! | Won | [28] |
| Best Production Design | Won | |||
| 2008 | Best Costume Design | Australia | Nominated | [29] |
| 2013 | The Great Gatsby | Won | [30] | |
| Best Production Design | Won | |||
| 2022 | Best Picture | Elvis | Nominated | [31] |
| Best Costume Design | Nominated | |||
| Best Production Design | Nominated |
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| British Academy Film Awards | ||||
| 1992 | Best Costume Design | Strictly Ballroom | Won | [32] |
| Best Production Design | Won | |||
| 1997 | Romeo + Juliet | Won | [33] | |
| 2001 | Best Costume Design | Moulin Rouge! | Nominated | [34] |
| Best Production Design | Nominated | |||
| 2013 | Best Costume Design | The Great Gatsby | Won | [35] |
| Best Production Design | Won | |||
| 2022 | Best Film | Elvis | Nominated | [36] |
| Best Costume Design | Won | |||
| Best Production Design | Nominated | |||
| Year | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|
| 2003 | Best Costume Design | La bohème | Nominated | [37] |
| Best Scenic Design | Won |
Miscellaneous awards[edit]
Honorary accolades[edit]
| Organization | Year | Category | Result |
|---|---|---|---|
| Art Directors Guild | 2022 | Cinematic Imagery Award | Received |
| Australian Academy of Cinema and Television Arts | 2022 | Longford Lyell Award | Received |
| Australian Film Institute | 1999 | Byron Kennedy Award | Received |
| Gold Coast Film Festival | 2023 | Chauvel Award | Received |
References[edit]
- ^ a b "Catherine the great". The Age. 1 April 2018. Archived from the original on 25 May 2021. Retrieved 29 August 2018.
- ^ a b c Bullock, Maggie (3 May 2013). "Baz Luhrmann's Leading Lady". Elle. Archived from the original on 11 September 2015. Retrieved 17 November 2015.
- ^ a b c Hawker, Philippa (26 December 2014). "Catherine Martin is strictly sensational". The Sydney Morning Herald. Archived from the original on 16 November 2014. Retrieved 29 August 2018.
- ^ Rosenfeld, Austen (19 April 2015). "The Costume Designer for "Moulin Rouge!," "Romeo + Juliet," and "The Great Gatsby" Talks Fashion". Vogue. Archived from the original on 14 July 2017. Retrieved 17 November 2015.
- ^ "Spotlight On: Fitzgerald, Gatsby & Catherine Martin | Tory Daily". Tory Burch. Archived from the original on 22 August 2023. Retrieved 17 November 2015.
- ^ a b Overington, Caroline (26 March 2002). "Two Oscars, but only one Baz". The Sydney Morning Herald. Archived from the original on 28 June 2014. Retrieved 19 November 2015.
- ^ a b c Bennett, Sally (15 January 2015). "20 things you didn't know about Strictly Ballroom". Herald Sun. Archived from the original on 28 May 2023. Retrieved 16 November 2015.
- ^ Foster, Catherine (11 August 1993). "Australian Director Baz Luhrmann Takes His Talent to Opera". The Christian Science Monitor. Archived from the original on 29 October 2020. Retrieved 29 August 2018.
- ^ "Oscar Honors "Moulin Rouge" and Boheme Designer Catherine Martin". Playbill. 24 March 2002. Archived from the original on 3 October 2022. Retrieved 21 December 2019.
- ^ Marks, Peter (9 December 2002). "The 'Boheme' Next Door". The Washington Post. Retrieved 29 August 2018.
- ^ Jones, Kenneth (9 June 2003). "Take Me Out, Hairspray Are Top Winners in 2003 Tony Awards; Long Day's Journey, Nine Also Hot". Playbill. Archived from the original on 18 August 2018. Retrieved 29 August 2018.
- ^ "Catherine Martin nabs Oscar nomination for Australia". The Sydney Morning Herald. 23 January 2009. Archived from the original on 30 September 2014. Retrieved 16 December 2012.
- ^ a b c Borrelli-Persson, Laird (20 April 2015). "Costume Designer Catherine Martin on Hip-Hop, Gatsby, and Working with Husband, Baz Luhrmann". Vogue. Archived from the original on 8 April 2017. Retrieved 17 November 2015.
- ^ a b "The Great Gatsby's Catherine Martin on Designing the Jay-Z-Scored Party Scenes ("No Hip Thrusting") and Gatsby's "Pimped Out" Yellow Convertible". Vanity Fair. 8 May 2013. Archived from the original on 12 April 2015. Retrieved 17 November 2015.
- ^ a b Yang, Sarah (21 May 2013). "A Look at the Set of The Great Gatsby with Production and Costume Designer Catherine Martin". House Beautiful. Archived from the original on 10 October 2015. Retrieved 17 November 2015.
- ^ a b c d Whitlock, Cathy (26 April 2013). "Designer Catherine Martin Teases the Decadence of Baz Luhrmann's 'The Great Gatsby'". The Hollywood Reporter. Archived from the original on 28 April 2013. Retrieved 17 November 2015.
- ^ a b c d Phelan, Hayley (29 April 2013). "CATHERINE MARTIN ON CREATING THE COSTUMES FOR THE GREAT GATSBY". Fashionista. Retrieved 16 November 2015.
- ^ a b "Catherine Martin wins two Oscars for The Great Gatsby, makes history for most Academy Awards by an Australian". ABC. 3 March 2014. Archived from the original on 3 March 2014. Retrieved 17 November 2015.
- ^ "Catherine Martin". Archived from the original on 24 November 2012. Retrieved 16 December 2012.
- ^ "Catherine Martin Rugs". Designer Rugs. Archived from the original on 18 October 2021. Retrieved 18 October 2021.
- ^ a b Marshall, Alexandra (30 October 2013). "Catherine Martin: The Fashion Wizard". Glamour. Archived from the original on 2 November 2013. Retrieved 17 November 2015.
- ^ Denley, Susan (30 October 2013). "'Great Gatsby' costumer Catherine Martin a Glamour Woman of the Year". Los Angeles Times. ISSN 0458-3035. Archived from the original on 7 March 2016. Retrieved 17 November 2015.
- ^ Nadoolman Landis, Deborah (2012). Hollywood Costume. New York, NY: V&A Publishing. p. 44. ISBN 978-1-4197-0982-1.
- ^ "Baz Luhrmann's Netflix Series 'The Get Down' To Take Production Hiatus". Deadline. 12 August 2015. Archived from the original on 2 August 2020. Retrieved 17 November 2015.
- ^ Brow, Jason (25 January 2023). "Baz Luhrmann's Wife: Meet His Spouse Catherine Martin". Hollywood Life. Archived from the original on 22 August 2023. Retrieved 17 August 2023.
- ^ "Baz Luhrmann and Catherine Martin list Darlinghurst mansion for $16 million". Australian Real estate news. Archived from the original on 18 November 2015. Retrieved 17 November 2015.
- ^ "The 69th Academy Awards (1997) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on 9 November 2014. Retrieved 24 June 2023.
- ^ "The 74th Academy Awards (2002) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on 9 November 2014. Retrieved 24 June 2023.
- ^ "The 81st Academy Awards (2009) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on 10 November 2014. Retrieved 24 June 2023.
- ^ "The 86th Academy Awards (2014) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on 14 October 2014. Retrieved 24 June 2023.
- ^ "The 95th Academy Awards (2023) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on 14 June 2023. Retrieved 24 June 2023.
- ^ "The 46th British Academy Film Awards (1993) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on 29 April 2014. Retrieved 24 June 2023.
- ^ "The 51st British Academy Film Awards (1998) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on 14 March 2014. Retrieved 24 June 2023.
- ^ "The 55th British Academy Film Awards (2002) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on 7 April 2014. Retrieved 24 June 2023.
- ^ "The 67th British Academy Film Awards (2014) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on 28 February 2014. Retrieved 24 June 2023.
- ^ "The 76th British Academy Film Awards (2023) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on 11 April 2023. Retrieved 24 June 2023.
- ^ "THE TONY AWARD NOMINATIONS / 2003". American Theatre Wing. Archived from the original on 9 July 2021. Retrieved 24 June 2023.
External links[edit]
| International | |
|---|---|
| National | |
| Artists | |
| People | |
- 1965 births
- Living people
- Australian art directors
- Australian costume designers
- Australian film producers
- Australian people of French descent
- Australian production designers
- Australian scenic designers
- Australian women film producers
- Best Art Direction Academy Award winners
- Best Costume Design Academy Award winners
- Best Costume Design BAFTA Award winners
- Best Production Design AACTA Award winners
- Best Production Design BAFTA Award winners
- Drama Desk Award winners
- People educated at North Sydney Girls High School
- People from Sydney
- Tony Award winners
- Women costume designers
- Women production designers