Blind (SZA song)

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"Blind"
Song by SZA
from the album SOS
ReleasedDecember 9, 2022 (2022-12-09)
Genre
Length2:30
Label
Songwriter(s)
Producer(s)
Lyric video
"Blind" on YouTube

"Blind" is a song by American singer-songwriter SZA and the sixth track on her second studio album, SOS (2022). An R&B and folk-pop song.[1] it was produced by Carter Lang, Rob Bisel, Will Miller and Margaux Alexis Rosalena Whitney (also known as Yuli) and written by Solana Rowe and her producers.[2] The song's lyrics discuss how the toxicity of her previous relationships has negatively affected her reputation and self-esteem and was even claimed to be part of the best lyrics from 2022.[3] "Blind" charted on both the US Billboard Hot 100 and Billboard Global 200.[4][5][6]

Background[edit]

SZA at the Ctrl the Tour

SZA released her debut studio album, Ctrl, in 2017. Primarily an R&B album that deals with themes like heartbreak, Ctrl received widespread acclaim for its candid approach to themes of heartbreak and the songwriting and landed itself a spot on the top of the Billboard's Top R&B Album that year. Critics credit it with establishing her status as a major figure in contemporary pop and R&B music and pushing the boundaries of R&B.[note 1] Ctrl landed the number one spot on Billboard's Top R&B album again in 2022.[14][15] Her next studio album was therefore highly anticipated,[16][17] and with fans anxiously awaiting her return, Her next studio album was therefore highly anticipated,[16][17] and she alluded to its completion as early as August 2019,[18][19] during an interview with DJ Kerwin Frost.[20] When SZA collaborated with Cosmopolitan for their February 2021 issue, she spoke about her creative process behind the album's conception. She said: "this album is going to be the shit that made me feel something in my...here and in here", pointing to her heart and gut.[21]

In 2020, SZA released "Hit Different" and "Good Days", marking her first solo songs since Ctrl and fueling anticipation for a new album. Between albums, she also collaborated with Kendrick Lamar on "All the Stars", which was featured in Black Panther: The Album in 2018, with The Weeknd and Travis Scott in "Power Is Power" in 2019, with Justin Timberlake in "The Other Side" in 2020, and with Doja Cat in "Kiss Me More" in 2021.[22] She also worked with the musical turned movie Dear Evan Hansen and was the co-writer and performer of the song "The Anonymous Ones" in the film in 2021.[23] In addition, she released a few singles which would later appear on her album SOS, "I Hate U" and "Shirt".

At the end of the music video for "Good Days" was a snippet of "Shirt", a single from the upcoming album which was released in October 28, 2022. The music video for "Shirt", similar to that for "Good Days", featured a teaser of an unreleased song in the outro.[24][25] When SZA appeared on Saturday Night Live on December 3, 2022, she debuted a live performance of "Shirt" alongside the unreleased song.[26] The day after, she announced that the album, titled SOS, would be released in the same month. SZA used the unreleased song to soundtrack a trailer of SOS she posted to social media. The title of the song in question is "Blind".[27]

Music and lyrics[edit]

"Blind" is an R&B and folk pop[28] ballad.[29] It is backed by lush pizzicato strings from acoustic guitar and viola, and its rhythm does not feature a beat.[30][31] SZA raps much of the lyrics in a staccato manner,[32][33] changing her flow every few lines,[34] and the song combines airy, sometimes manipulated vocals[33][35] with several vocal runs (melisma).[36]

The song was produced by Rob Bisel, Carter Lang, Will Miller, and Margaux Whitney, credited under her stage name Yuli. When conceptualizing how the music would sound, Yuli said that while they believed "Blind" fit the album's overall production, making it sound like much of SZA's past works was not their main priority. According to her, the reason it fit well with the album was because the song was made "from a place of love"; Yuli spoke to Genius, "We're not going to bring this hungry energy into the session. We're just going to create and be open and see how it comes out, and that's why I feel like the song has the energy it does." Out of the many producers who worked on songs for SOS, Yuli is the only woman. She felt special about this distinction, but at the same time, she was disappointed: "there’s not enough women doing this [in albums]. We need to change this."[37]

Many songs in SOS deal with the conflict between SZA's longing for a lasting romantic relationship and a desire for a new life on her own—in tracks like "Blind", SZA ruminates on how toxic relationships have damaged her self-esteem.[29][3] HipHopDX summarized the song as such: "SZA's need for outside validation clashes with her desire for self-approval in a way that reminds us self-love is a journey that may never end."[38] The lyrics incorporate various wordplay and humorous references to several figures in pop culture.[34][39] The list of figures she names includes Muhammad Ali ("now they calling me Cassius"), Bob Saget ("raunchy like Bob Saget"), Julia Stiles ("I ain't no Julia Stiles, this ain't no Last Dance"), and Jesus ("third day, pop out the tomb"). Vulture noted that the pop-culture references in "Blind" are few out of several in SOS, written by SZA to "add some spice to her already well-seasoned lyrics about growing up and bitch-ass men".[40]

In a manifestation of a recurring motif across SOS, SZA admonishes a former partner for his bad behavior but, at the same time, acknowledges that her attraction for him still remains.[29] She sings about having sex with him for his validation,[41] and she recounts a time he brought out a gun when their car stopped at a red light as such: "I like all that violence, give me dysfunction."[34] Exploring themes of femininity,[42] she discusses how her reputation has been reduced to her sexual encounters with ex-boyfriends, unable to escape her past because her "pussy precedes [her]".[36] SZA's voice slows down and she switches to a falsetto vocal register in the chorus,[36][3] in which she further addresses her self-worth and trust issues. She tells a prospective partner who wants to be with her that before they can get together, she needs to learn how to love herself first. One line reads "it's so embarrassing, all of the things I need living inside of me. I can't see it."[43]

Release and reception[edit]

SZA took to Twitter to post the album's track list on December 5, 2022, and it was released four days later, on December 9. Out of 23 songs, "Blind" appears as the sixth track.[44][45] Upon its release, the song reached the top 40 in Australia, Canada, New Zealand, and the United States, with chart peaks of number 27,[46] number 17,[47] number 15,[48] and number 12,[49] respectively. It peaked at number 3 on the US Hot R&B/Hip-Hop Songs chart by Billboard;[50] out of 20 songs from SOS that debuted in the United States, "Blind" was the third highest, behind "Kill Bill" and "Nobody Gets Me".[51] In August 2023, it was certified platinum by the Recording Industry Association of America for surpassing 1,000,000 units sold.[52]

"Blind" received critical acclaim. In an NPR round-up of the best lyrics from 2022 songs, critic Kiana Fitzgerald chose one line from the chorus of "Blind", citing its relatability to anyone who has been in a relationship: "feelings of inadequacy, feelings of jealousy or trust issues or anything that you might have with someone that you're willing to deal with romantically. You know, we've all - or many of us, I should say - have been through relationships, situationships, dysfunctional functioning, whatever. And there's always some kind of tug and pull when it comes to love."[43] About the lyrics in "Blind", Exclaim! wrote "SZA's ability to communicate her deepest feelings and insecurities in such an intimate and personal manner remains her greatest strength [...] her writing, even at its simplest, is effortlessly and immediately gripping."[41]

Pitchfork reviewed the song "Blind" and characterized it as a "dazzling statement piece from her [SZA] new album SOS". They also describe SZA as "real and stylistically electric as ever on “Blind,” musing over lush violins and the delicate guitars of a Sufjan Stevens song, which tiptoe like a ballerina en pointe". They also discuss how this song reflects her classic themes of how hooking up with exes results in reputational damage and the question how long will vulnerability be rewarded with abandonment? This review highlights how in "Blind", "SZA is messy and divine, indulging her desires and reeling from their consequence".[53] Isabelia Herrera ranked "Blind" as the 63rd-best song on Pitchfork's 100-entry list of the best songs of 2023.[54]

Credits[edit]

Credits are adapted from the liner notes of SOS.[55]

Recording and management

  • Engineered at Westlake Studio A and Barn (Los Angeles, California)
  • Mixed at Ponzu Studios
  • Mastered at Becker Mastering (Pasadena, California)

Personnel

  • Solána Rowe (SZA) – vocals, songwriting
  • Rob Bisel – songwriting, production, acoustic guitar, keyboards, engineering, mixing
  • Carter Lang – songwriting, production, keyboards
  • Margaux Alexis Rosalena Whitney (Yuli) – songwriting, production, viola
  • Will Miller – songwriting, production, keyboards
  • Carson Graham – sound effects engineering
  • Robert N. Johnson – assistant engineering
  • Dale Becker – mastering
  • Katie Harvey – assistant mastering
  • Noah McCorkle – assistant mastering

Charts[edit]

Weekly charts[edit]

Weekly chart performance for "Blind"
Chart (2022) Peak
position
Australia (ARIA)[46] 27
Canada (Canadian Hot 100)[47] 17
Global 200 (Billboard)[56] 19
Netherlands (Single Top 100)[57] 95
New Zealand (Recorded Music NZ)[48] 15
Portugal (AFP)[58] 46
South Africa (Billboard)[59] 20
UK Audio Streaming (OCC)[60] 80
US Billboard Hot 100[49] 12
US Hot R&B/Hip-Hop Songs (Billboard)[50] 3

Year-end charts[edit]

Year-end chart performance for "Blind"
Chart (2023) Position
US Hot R&B/Hip-Hop Songs (Billboard)[61] 46

Certifications[edit]

Certifications for "Blind"
Region Certification Certified units/sales
Brazil (Pro-Música Brasil)[62] Gold 20,000
Canada (Music Canada)[63] Platinum 80,000
United States (RIAA)[52] Platinum 1,000,000

Sales+streaming figures based on certification alone.

Notes[edit]

  1. ^ Cited to multiple sources:
    • Vulture: "Raw, candid writing isn't new for SZA; it's what made the previous album, Ctrl, such a breakout and one of the high marks of the confessional R&B; of the past decade."[7]
    • The Recording Academy: "The release of her critically acclaimed debut album Ctrl in 2017 solidified the artist not only as an R&B mainstay, but soundtracked the heartbreaks and growing pains of millions of young people. With her eloquent vocals and layered storytelling abilities, listeners felt every word like it was their own."[8]
    • The Line of Best Fit: "her debut Ctrl has ascended to classic status, going down as one of the decade's best and cementing SZA's voice at the forefront of contemporary R&B, and of pop."[9]
    • NME: Ctrl "ushered in a new era for R&B, one where the genre's boundaries shifted, bringing new levels of inventiveness into a classic sound and fusing it with indie, alternative, trap and more [...] SZA herself spent the aftermath of Ctrl trying to grapple with her new stardom and the huge impact that had on her life."[10]
    • The Daily Telegraph: "Ctrl, the triple-platinum, four-time Grammy nominated debut that propelled SZA to popstar status"[11]
    • The New Yorker: "Ctrl opened a portal—one that represented not just a major leap for the artist but a breakthrough for the genre itself. Her alternative slow jams pushed her voice to the fore and laid bare all the quirks of her dating life, establishing her as a distinguished millennial anecdotalist in the process."[12]
    • Consequence: In Ctrl, "SZA's personal style of lyricism has always read like an endless diary entry, and the transcendent nature of her genre-shifting abilities helped revolutionize modern R&B and pop."[13]

References[edit]

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